SAIL – Fluff, Cowardice & the Boat Boy

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Chapter 14.

Tom doesn’t like the word snog.

Snog. Bog. Dog. Clog. They all sound a bit clumsy. Anyway. Snogging is what Jaqui does with the dangerous boy with the very white trainers. Snog isn’t the right word for what happened in the nano-space between his and Kathy’s lips.

As for Tongue Sandwich; well that’s just nasty. French Kiss? Not bad thinks Tom. No idea what it means but it sounds quite exotic – though the French part is maybe a little bit rude.

No. The Kiss is its formal name: and the ‘The‘ with a Capital T is important.

Tom draws the back of his hand across the chipped desktop, pushing down on the lead end of the pencil making the rubber end boing into mid-air. A small see saw of joy.

Even The Kiss does not describe the kiss. That’s Tom’s problem. The Kiss or the memory of it is something that hangs over Tom like a bat (a random creature selected by Tom for its ability to explain the feeling of a flappy dark thing that hovers above you in a scary way. He likes it because it is scary but not scary-bad in an Angel Of Death kind of way. The dark ominous bat thing works – though Tom’s creature of choice to describe a floaty nice moment – a small white hovering pony – needs a lot more work).

The Kiss was kind of an accident in a way but sort of on purpose in another because he’d been planning it in the corner of his mind for so long and dreaming of it for even longer.

Tom had literally bumped into Kathy while walking along the Avenue: and not just as a turn of phrase.

He had walked straight into her. This was quite embarrassing given the width of the road, the emptiness of the pavement, that fact that it was broad daylight and, worse of all, he was apparently looking straight at her when he walked straight into her.

“What the Fuck are you doing?”

Afterwards, the only explanation Tom could offer for ‘what the fuck’ he was doing was that he was so busy looking at Kathy in his mind’s eye that he failed to notice the real her coming towards him – until it was too late.

Tom remembered obsessing on this point at the time – which was rather pointless as Kathy was patently preoccupied with other things. Her swearing had only added to his confusion. Kathy had an older sister and so sometimes sounded a lot older than she was.

The ‘crashing into each other’ thing was quickly forgotten.

Kathy began talking in a kind of off-hand way about things Tom couldn’t quite hear properly. This was because he was still talking to her imaginary self inside his head, which made it hard for him to hear the real conversation going on outside his head; not that Kathy seemed to mind.

Tom wasn’t very good at stopping the chat inside his head when the outside one started – which was mostly due to lack of practice.

Until that moment 90% of all of Tom’s chats with Kathy had been imaginary – pure invention – so there hadn’t been much call for him to figure out how to have a real one – or at least move from the one happening inside his head to the one happening outside his head.

They ambled along the Avenue for a short way, Tom talking to Kathy in his head about Kathy in the flesh while Kathy in the flesh talked to Tom in the flesh about, well, something else that he wasn’t listening to.

They turned into the wood at a small opening in the bank. As they climbed up the bank the air changed colour turning from a grey white to a cool swampy blue – or at least that’s what it smelled like to Tom as the air wrapped around his neck and head.

The bank dropped away in front of them, its surface scattered with flints and roots.

They walked slowly, their chats tipping along nicely – including the one inside Tom’s head that he couldn’t quite bring himself to finish.

In fact, up until this moment, the two of them had managed to engage in two totally separate conversations. In Tom’s case three to be precise – as there was the Kathy chat inside his head, the one going on outside – and of course the little voice in the back of Tom’s mind covering off immediate questions and detail in regards to the general situation.

Why’s she talking to me?”

“Do my trousers look cool or just OK?

“I wish my shoes didn’t make me feel like a loser”

“I wish I was wearing after shave.”

It was in the midst of this two way three voice conversation that the big moment – The Kiss – happened, totally out of the blue.

Thinking back on it Tom had put it down to a number of random coincidences.

He had been over this a number of times: to quite forensic degree and yes, he was going with coincidences.

As he remembered it, he had been talking to Kathy in a kind of ‘sideways-on-not-looking-at-her-but-feeling-the- electric-buzz -of-her-almost-touching-his-arm’ kind of thing.

Eventually Tom said something outside his head directly to the real Kathy.

“You’ve got a blue ring around the outside of your eyes”

SUBTITLE: I fancy you like mad.  

The first coincidence dictated that she had spoken at the same time as him just to add to the confusion.

“Why are you always being so… weird?”

SUBTITLE:  I like you-ish

This caused what Tom could only describe as some kind of rip in the space time continuum: a momentary pause in the outward expansion of the universe and a moment of alignment in the cosmos never to be repeated again.

The second and third of the coincidences were a sort of knee bone’s connected to the thigh bone event. Tom’s left foot stepped on a root sticking rather irresponsibly out of the ground, at which point mysteriously his right ankle did a rubbery bendy thing turning Tom in such a way that instead of falling away from Kathy and down the side of the bank – which in any universe at any given time given any law of any Physics is what ‘should’ have happened – he tipped towards Kathy.

Kathy was mid-question as he fell towards her.

“Want to go to the beach?”

At exactly the same moment that she had asked the question, and without any loss of concentration, she had turned her upper body towards Tom’s body as it fell forwards.

Multitasking. Tom had read an article on it in one of his mum’s magazines.

Tom remembered that it was at this point of no return – his body leaning towards her with one foot off the ground, his eyes closing and a hand pushing into the space between them – that the dizziness hit him.

As his body hit 40 degrees (he’d worked this out with his school protractor), his lips had come into contact with something warm, soft and tasting of bubblegum.

His eyes startled open and there right in front of him, nostril-to-nostril, was Kathy.
 Her eyes had been shut, which was deceptive given that from what Tom could remember her lips had been quite open.

Tom felt as if one half of him was moving at a million light years a second while the other half, mainly his legs, had been wrapped in lead or iron or something else really heavy.

Tom had had that ‘going really fast while standing really still’ feeling only once before, after standing in front of the Headmistress’s office for half an hour having forgotten to eat lunch.

It was like that feeling but really nice.

Tom distinctly remembered feeling as if someone had popped some warm pebbles into his pants: warm pebbles that had suddenly started to tumble around.

The Kiss was not the problem of course. The Scream was.

In the middle of The Kiss, it hadn’t been what shot out of her mouth and into his that was the problem. The problem had been what came out of his when it did.

At the very point of The Scream leaving his lips, Kathy’s eyes had opened, and the blue ring around them seemed to turn in a circle like a really cool gas-like flame – at which point she rocketed back at hyper-speed, far, far into the distance, smaller, smaller, smaller; only stopping when she was a whole arm’s length away.

The Kiss had been really, really nice up until then if a bit weird.

At that point both of them had sort of stumbled back from each other, beck into their own little worlds. The rest was a smudge in Tom’s head.

They did go to the beach. He did remember sitting close to her. He flip flopped from feeling OK to feeling like his head was about to pop and then wondering whether not looking at her made it too obvious that he fancied her.

The warm pebble feeling had come back to Tom quite often when he thought about the Kiss really hard.

The mere thought of The Kiss makes Tom’s breathing sound a little weird.

Tom draws his hand along the desk, flicking his pencil drumstick-like against the varnish-crusted wooden surface.
Tom drops his face back on to the wood. He likes its feeling cool against his face.

He listens to the pencil-tap echo around inside his mostly empty desk, not dissimilar to the sound of his dad coming up the stairs after a quick one after work at the Golf Club with his friend who’s a member.

He looks up. The clock’s arms seem to stretch out in a big yawn and come to rest at 4.23pm precisely.

Not long now.

 

Surprise

The phone call had taken Michael by surprise, though he had in some ways been expected the call.

The world was a different place now since the Action: a place where the old lines, tiers, barriers, borders, snobberies and demarcations had been marched out and summarily burned in the centre of the road.

Yes, the world had turned and though some doors had closed, many others had opened: doors that would make the hearts of two people he could think of leap like children.

He had not heard that voice for twelve years. It seemed a little heavier than he remembered but he put this down to the weight of time that had passed since then.

The last time they had seen each other, the world was younger and so were they, the Boat Man or Boat Boy as he was then especially so.

They had met, covertly in a coffee shop under the arches of the old St. Pancras station, long before it became the new, glittering terminus and embarkation point of recent years.

The Action had of course forced the temple of travel to revert to its more traditional nationally minded self, given the absence of a tunnel through which to whip its beautiful shining tubular trains and no Europe on the other side for that matter to embrace them as they burst out the other side.

The cafe was a dingy little place. Condensation misted the window, souring the lights of the passing cars on the Euston road into small fizzing pools of red and yellow.

As he stepped across the threshold, the pale yellow-tiled floor seemed to tip itself towards him, the edges of its bleach-scorched tiles reaching up to the strip lights humming above his head.

The tables shone, their formica tops burnished, their patina lost, brushed bald by decades of cheap elbows furtively skating back and forth across them.

On each table sat a plump red plastic sauce container shaped like a tomato, its plastic edges bearded by unknown grazing.

Michael’s predatory senses had scrutinised the habituees of the only three occupied tables in a sweep of the eye disguised as a search for a table. Old habits.

Two of the tables were populated with haggard young bags, sipping stained brown tea with their snaggle-toothed teenage pimps, their legs finally pointing downwards after a long day in the opposite direction

The middle-aged, mustachioed man behind the counter – a Shi-ite Lebanese – judging by his physiognomy, eye and hair colour – stopped toweling the small heavy-bottomed tumblers for a moment, looking up disinterestedly, then returning to the impossible job of wiping away the millions of scourings that turned the glass to a milky white.

Ah. There you are. The man sitting at the third table was too vital to be one of the alchos or smack heads that would normally drift into the fug of one of these places: too vital and also too solid. The usual wasters developed an almost translucent look: see through: the stained and torn butterfly wings of humanity.

The young man was also the only one to look up and directly meet Michael’s eye. His gaze was steady and true. B was right. He did have eyes like oceans. Michael had always despised clichés. But on this occasion he would have to make an exception and simply bow to her greater descriptive ability.

A large calloused hand swept up across the young man’s face, its fingers tracing the line of his jaw from his ear to his chin. A nervous tick Michael thought at the time – one of the rare occasions where he had been in fact quite wrong in his reading of a physical intention.

He sat down in one measured muscular sweep, not unnoticed by the Boat Boy. Intriguing.      Michael registers nothing more intensely than that which is noticed by others. Michael sensed that to survive in the world where this boy came from, you needed to be very clear about what a man might be physically and mentally capable of – and be able to respond to it in a whisper of a second.

Michael ordered a tea, gesturing across the café, the moustachioed man already turning to the large stainless steel pot sitting beneath a steaming trigger tap nozzle slung beneath a hunching steel cylinder.

Michael remembered the hope in the young man’s eyes at the beginning of the meeting.

He had watched the light fade slowly in painful increments, its brightness decreasing with every carefully metered sentence.
 B had told Michael what she wanted to say and Michael did exactly as he was told.

The undertaking of her wishes had induced a funny thought in him.

B had been so emphatic in her delivery and spoke with such clarity on the cadence and meaning of every line that, as Michael spoke her words, he could hear her voice so loudly in his head that it seemed to him that he was actually speaking in her voice.

The young man had tracked her down somehow, which was flattering – and renewed her belief in the strength of love and kindred spirits. But that this was not how it was meant to be. They had agreed – both of them – hand in hand as foaming sea was rolled up the beach in front of them by a strong So’westerly . The world was not ready for them and their dreams. The world was not kind to fractured boat boys and peculiar girls and their unexpected progeny in the small world in which she had chosen to stay.

‘The passionate fire of our intense beginning will eventually fade and the steel trap of the beige life will snap shut around us, we will cease to be extraordinary, the ‘everyday’ of our togetherness would slough up about us, suffocating, and the cord that attaches us will fray, and split, eventually snap at the end of some meaningless argument over nothing, and we will both retreat alone into the rooms of ourselves. The way the world was made right now, a life together would tear us apart. To be apart is the only way to be together’.

She had told Michael these things with great emphasis though he struggled to understand how the bright, forceful young woman he so admired had seemingly acquiesced so suddenly to such a narrow conservative view of the world more akin to that of her father and his friends.

It smacked of cowardice to Michael – cowardice in someone who he had, up until then at least, deemed extraordinary in so many ways. Something in the corner of him died at the realization.

But then he realized that perhaps the most extraordinary thing about her was that, unlike the usual renegade teenager throwing caution and clothing to the wind in pursuit of wild freedoms, B had minutely dissected her situation, her relationship with the Boat Boy and the product of that relationship soon to burst into the world – she had studied herself and deciphered with an extraordinary and naked candour that, in reality, she would never be quite extraordinary enough to pull off an action of such immensity: and subsequently decided that these life changing, world-shifting undertakings were miracles best left to others of greater intention, spirit and courage than her.

Perhaps she had realised that one far more capable of destroying the ugly inane truths of her father’s grotesque little world would come – and something more powerful would come of it – and her. The world would turn – and she and the Boat Boy would be once more.

The young man in front of him was visibly shrunk by what Michael had said to him. He seemed fixed in his seat, uncertain as to what to do. It was as if his whole emotional and physical being had never considered for one moment that his mere presence, his pursuit, would have any effect other than that of a swift dispatch to her arms and a life lived richly in love and hope with the shoeless girl with the eyes that made everything alright.

Michael’s steady silent gaze, held for what seemed like hours, had eventually filtered through to Doug.

The immovability and the inevitability of B’s decision communicated by the laser straight eyes of this Bear-like man with the vaguely school-boy flop of hair and unnervingly precise movements was clear enough.

Watching the back of the young man as he walked straight out of the café, Michael noticed a ripple run across his shoulders. It was as if the sea was far more than just some rolling strap that he trawled across endlessly in search of a living – it was if it was at work within him.

Before Doug walked out, Michael had handed him a package. In a red plastic bag too large for its contents was a box. In that box was a radio.

B had been very particular in which radio she had chosen for him. She had bought two: one for herself and one for Doug, the one small thread she was prepared to tie between them.

She promised that every night she would listen to the Shipping Forecast and hear the names of the places and spaces across the sea that he had spoken so lyrically and rhythmically of as they lay wrapped in each other.

She would listen and she would remember. And she would wait for the day the world turned.

Michael had thought her stupid. Her ridiculous idea that anything would ever change to such a degree was beyond his comprehension.

Her perceived cowardice needled at him. It could have been such a final and devastating act to unleash upon her father.

Why hadn’t she done it? Michael was too in awe of her ever to consider then that perhaps it was simply beyond what she was capable of.

He was also a romantic; a troubled one perhaps but a romantic nonetheless. The intense degree of his mawkish sentimentality was in fact equaled only in the polar opposite intensity of abject brutality that he had witnessed or had unleashed while propped up inside his uniform, under the excuse of an order to be executed.

Chapter 15.

Tom had originally planned to wander to the bus stop and day-dream his way along the 12 mile bus journey to Auntie Bea’s village, staring out of the window, his head empty bar a neon sign spinning in the dark, its flashing lights reading ‘Closed For Refurbishment’.

But his master plan of genius had been cut short by his mum turning up, toot toot tooting at the end of the school drive.

Tom walks up to the car and opens the door. He climbs in awkwardly, met by his mum’s unusually tense face and the collected, warmed smells of sweets (powdered and boiled), petrol (the cap was leaking) a particularly punchy citrus air freshener and the sticky make up smell from his mum’s lipstick.

Tom looks into the foot-well. There are crumbs and pieces of grit and dirt gathered in one corner, bunching up around a ball of fluff.

He moves the toe of his shoe up and down across the tops of the grit to make a remarkably annoying scraping noise.
He draws his foot back. The action had reminded him that his school shoes are crap and the scuffs along the side prove that they are coated in some plastic stuff to make them ‘scuff proof’!

The grit speckles along the grooves in the standard inset plastic foot-well mat. He runs his heel up and down the grit until it annoys him again.

His mum seems lost in thought and is not immediately annoyed by what he is doing which is odd.

The lack of additional mats in the car was typical of his mum and her scattiness. Two weeks ago there were mats in the car. Now there weren’t. Nobody knew why. Stranger still was that no-one bothered to ask.

Tom looks sideways at his mum. The sun lights up the powdery foundation on her downy cheeks in a way that makes it look like she is glowing.

Tom thinks she is pretty. Big blocks of sunlight move across her face. They make her look really young.

He has an urge to reach out and touch her cheek. She looks at him, the light suddenly shifting behind her eyes like the sun he watches chasing clouds across the sea. He scrunches his hand, and fidgets it in his lap.

He looks down into the foot well again and shifts the ball of fluff a little further west:
just to see if anything happens.

Tom takes a peek skyward. The vapour trails seemed to have calmed down recently: but maybe that is because the Captains and Navigators on the planes have figured out that the poor old Auto-Pilot is having a bit of a wrestle with things not being quite where they should be.

Tom had read in the newspaper about some big argument about autopilots and pilots and airlines that made him slightly go off the idea of flying somewhere exotic.

Having realised that some of the pilots relied a little too heavily on the autopilot to fly the plane (something to do with excessive inflight sleeping and flying in the face of an alcohol curfew 12 hours before flying), the airlines were planning to sack half of them when the Unions reappeared from the lost world they had been in for the last decade, coming out in favour of the Pilots: until that is one said pilot inadvertently parked a plane partially filled with primary school children into a tree just outside Northallerton, having just avoided even greater tragedy by hopping over the A1, skipping like a pebble across about a mile and a half of ploughed field, and jumping skyward again via the half-finished sand and gravel slip road ramp on the new by-road.

There were few injuries but a lot of angry parents – and one very noisy newspaper petition making them change their collectively unionized mind sharpish.

The car idles slowly. Traffic jam. Rubbish. Tom thinks that there is always a traffic jam when you’re in a hurry: it is compulsory.

The journey from his school to Aunt Bea’s village is lined with small nothings. Drake’s Shopping Village. The Burham Industrial Estate: ‘the home of Anglian Engineering Excellence’. And the Fudge Factory. The Fudge factory had a guided tour chaperoned by a woman with dark brown hair and cocoa powder on her hands. She was very smiley and Tom liked her. She did this mad thing with cocoa butter and paddles and they tasted chocolates at the end of it and were given some to take home.

His mother’s car snudges along, at one point pulling up alongside the bus that Tom would have been on had he taken one.
Two girls sporting the almost a school uniform look are screaming and swearing from the back seat of the bus. One girl empties the remnants of a crisp bag out of the window on to the roof of a silver car.

Tom knows the girls from school. Tom looks down at his hands as he hears their attention turn to him.
They shout out of the window.

“Oi loser!”

They laugh. Tom isn’t sure why they find themselves so funny.

“Oi loser, what you looking at down there?”

They screech to each other again. Tom‘s mother speaks.

“Do you know them love?”

“No”.

“They seem to know you”.

“Yeah well, I don’t”.

“They’re a bit rough aren’t they”.

“Yeah well”.

He finds himself beginning to feel like he should stick up for them, even though they are being really nasty to him. How weird is that.

“Wasting your time, there’s nothing down there mate” shrieks Crisp-bag Girl.

Her screechy laughter makes Tom feel quite sick.

The Wicked Witch of the East.
His Mum looks at him, her mouth half opening and shutting, like a fish. She says nothing. He looks up: watching her closely. He is reminded of the animated Human Biology film they were shown at school on Speech & Behaviour.

He looks to see if the ‘thought’ in her mind will become brightly coloured with a face and bounce over loads of synapse things to pop smiling out of her mouth with a ta-da!

She looks at him again, her mouth eventually closing shut and she turns away.
No. She had no idea how to deal with stuff like that.
She could have tried though. She should try being twelve years old and a boy at his school. She should try being him – or the version of him that he thought she and his dad wanted him to be.

He slouches further into his seat. One girl, the one with mousier hair looks at him directly. They recognize each other as mutual friends of Kathy’s.
They silently and invisibly make their peace: and the girl turns to someone inside the bus. A screech and caw lets Tom know that there’s a new victim in town, and they’re inside the bus somewhere.

The car radio is on. The news is packed to the brim with things that, had Tom not been the cause of them, would have been quite amazing to listen to.

They would normally have filled Tom with hope for the world because they were just different.
In the last few weeks the hysteria had grown a little, fueled by programmes and newspapers pumping everyone up.

Tom had got a little nervous at one point because the man on the telly was talking about hunting down the cause of Britain floating off into the sunset (or sunrise depending which way you and it were pointing on any given day).
Hunting the cause like a murderer or some bloke who’d been dodgy and who should therefore be arrested.

Tom looks out of the window and spies a Cumulus Nimbus slightly lost in the middle of the sky. He remembered it was a Cumulus Nimbus from his wall chart. Even the clouds were confused.

Britain (the definition in this instance meaning the English Scottish Welsh mainland with Cornwall knocked off and minus the Hebridean bits) had moved/sailed/floated/mooched (the verbal/adverbial definition of their passage changed depending on the journalist and circumstance) due North for a month or so at 18 Knots before veering to the left in a wide arc – its current trajectory taking it around and down the east coast of North America.

People are weird.

One report told of groups of people attending gatherings at both the English and the French ends of the channel tunnel. 
It was a ‘sharing thing’ apparently. 
In some ways they were mourning what was, like amputees who still felt the tingle and itch of limb long since departed.

The two sets of people, bought together by a separation (which was confusing in itself), agreed that it was really weird that the distance between their respective Chunnel entrances, was increasing at a rate of knots, literally.

These two points, the respective mouths of the channel tunnel were so firmly fixed in their own worlds. Nothing had changed. The distance from each of their respective homes villages  and towns to their respective Tunnel entrances was no different. Same roads. Same distance. Same time to get there. It was just that ‘the other side’ was missing now: an abstract concept.

The gathered people said a lot. Sometimes nothing. What they really wanted to say to each other was that, on reflection, they missed it, the being attached bit, even though they did not know all those people who lived on the other side. They just missed them being ‘there’.
 A television program the other evening had shown how the two tunnel entrances had become little shrines to the departed ‘other’.

It showed a load of people walking up and down with placards and candles. And then a bearded bloke in elaborate robes had told a crowd of candle wielders that ‘the ever-increasing distance between the two fixed points of our English and the French tunnel entrances is, in a way, somewhat symbolic of the time that had elapsed and that which continues to elapse between Our Lord Jesus and Christians today’.

‘It is symbolic’ he said ‘of how a flock and their shepherd can become separated yet still be ‘as one’: fixed in our individual truths and spirituality, yet still deeply connected; both moving in our own mysterious ways: in a state of anamnesis: of living memory’ our being together as real as it ever was.

Then there was a whole bit after that about how increasing distance space and time only strengthens some connections – how time ‘is like a rope, the relationship a loose knot at its middle – pull the rope in both directions and the relationship only tightens, ever stronger.’

Tom had glazed over by then.

Any reference to ropes and knots just made him very, very nervous and he didn’t really understand what the man was talking about.

The up side was that that man in the robes had a rabbi Jewish bloke and Ayatollah Something or other from the British Muslim Society standing next to him, nodding a lot: which made a change

The breaking news about the Tunnel had begun as a ‘Leak and a crack in the Channel Tunnel EXCLUSIVE’ story – growing into an engineering flaw, which in quick succession turned into a crises that became a phenomena.

In the beginning three maintenance men on the French side on entering the works access walkway had been met by a wall of salty channel water traveling in the opposite direction. They had watched in awe, wondering what would happen once the funneling tongue of water ran itself down to a trickle.

To answer their question the tunnel’s structure promptly collapsed in front of them – a happening echoed at the English end almost to the second, tidily sealing the holes forever.

The warmth in the car around Tom was knitting itself into a fat blanket. The flat field between the car (now full of glass trapped heat) and the high blue of the sky caught Tom’s attention. He tried to pin-point the spot in the sky that hovered above the sea where the Tie stood, impassive, as the gurning, churning sea relentlessly rolled up to meet it.

For a moment he imagined a big globe turning in space, a huge peg sticking out of a little bit of the world. The Earth’s Axis. Axes? No. Axis. Or were they powers? They were powers weren’t they? Tom remembered that the word Axis in his history book meant bad things so he closed that random line of thought.

There had been riots in Northern Ireland. From what Tom could see of the archive news footage of past troubles, they loved a bit of a riot over there. The Unionists, a Protestant political party, claimed that ‘the shift is not just physical but spiritual: a desertion, a plot by the Government in Westminster to lose the whole Northern Irish problem in the slopping wake of the Island as they wander off northwards to Greenland’.

Tom remembered that the Unionists had something to do with the union between England and Scotland and some Dutch king called William who was always painted on a prancing horse. Tom sensed that it didn’t take much to see that History was not his strong point.

He turned his hand inside his pocket until he could turn it no further. His inner elbow pointed upwards now. It felt tight and began a dull ache towards hurting.
They seemed quite angry, the people in Ireland.
Tom’s mum had begun sighing now, and looking sideways at him in a way that made him feel weird. Auntie Bea. He really needed to get to Bea’s house.

He sighed along with his mum.
Tom noticed that the man on the radio at the moment couldn’t say his r’s. They came out like ‘w’s like that bloke Jonothon Woss that his mum and dad liked.

There is a girl in Tom’s year who has the same speech thing and he kind of likes it.
The radio man’s reference to a ‘pwess welease by the Fwench Govewnment that had aggwavated and inflamed Anglo-Fwench policy by pointedly announcing their pleasure at Les Anglais finally retweating in the face of a gweater Power within the Euwopean State’ ended up sounding like one of the highly un p.c. comedy sketch shows his dad watched.

Tom thought that the man with the w’s sounded a little uncomfortable; like he wanted the ‘w’s to go away. Which was sad.

The stubble ruts in the fields to the right of the dual carriageway were smoking. Twists of white puffy smoke floated upwards to suddenly stop and hang in the air suddenly with no particular intention of wafting anywhere.
Thinking of which the fires in Penzance were still burning from two nights of rioting. Blimey. Rioting everywhere. He didn’t want to be someone who caused riots. Only losers and wasters rioted, or so his dad said.

Tom was 12. And from East Anglia. And he had scuff-proof school shoes. He wasn’t a rioting natural.

The riots had begun more as a celebration of the fact that the Cornish were to be ‘finally rid of the ‘foreigners’ (as the rest of the English were known).

While it was still mainly theoretical, all seemed very chirpy and friendly – the odd barricade and a lot of beer to be fair.

The right royal result came as, in floating off northwards with the rest of the country, Cornwall had snagged the southern tip of Ireland, crushing between six and eight miles of coast-line on both landmasses at the point of impact.
The only victims had been one shoal of herring (numbers unknown but large), 16 surf huts, three hundred sea birds of varying breeds, two fishing boats, a number of mobile homes and one Irish couple who were up to ‘ungodly acts’ in a hut on the southern reaches of a particular cliff, though the Priest who was in the throes of witnessing said ungodly acts seemed to have got off lightly with only a broken arm and 2nd degree burns.

But the minute that Cornwall realized that it had fully detached itself to bob happily next to the Scillies in the bubbling gulf-stream, it all kicked off.

It seems that a local Bobby, one PC Peter Hudderwell, on secondment from Hatfield Police Station and suddenly feeling very isolated as he watched the other two thirds of the country sail into the distance, took severe exception to the Wicken dancing, dwarf baiting, Cider shot-gunning and general English bashing that was taking place.

He baton- charged a small group as they stood by the bus stop eating chips, each taking a well-deserved break from the general madness.

Five minutes later, with one PC Hudderwell hanging by his foot from the Wicken giant on the green, the fires began to be lit along the coastline.

As he listens to the various news pieces Tom feels exhausted by the fall out from his extraordinary action.

Tom slips his last chewing gum from the wrapper tube and rolls the foil paper in his fingers. He winds down the window to the accompaniment of a rather loud air buffeting noise. He tips his head forward as a fat load of warm air rushes up from where it had been sitting happily behind him in the car.
He wonders if he stuck his head out far enough whether his cheeks would do that flappy dog cheek thing?

He flicks the paper out of the small opening and winds the window up again. Tom likes to look at the litter by the side of the road. He likes to wonder how long it’s been there. He wondered if one day he could go back to that very place and find some trace of the litter he had jettisoned out the window; a small flag to his existence, a connection to an earlier him.

Everything is connected.

There were bets being laid at the bookies as to where we’d end up. Scrunched up against the US of A? Or next stop South America? Or would we swing left again at Jamaica to turn up at our original latitude and longitude. A sort of 3 point turn if you like.

If we misread that thought Tom we might well end up plugging the hole at the mouth of the Meditteranean Sea.

Having read one particular newspaper article, Tom’s Dad had got very over excited when he heard that ‘we seem to be taking the faintest turn to the left, potentially taking the island round to the left of Greenland and directly towards his beloved America

This had left him already quietly contemplating the pros and cons of each state, on the basis of which state to move to when we were close enough to claim Citizenship.

A fat woman with bright blonde hair pictured on the right of the article had stated that we would come to a grinding halt in the middle of the Atlantic (dead in the middle of the Gulf Stream most hoped purely for sunbathing reasons) and in due time raise the flag of the new ‘Atlantis’.

She was mad.

Tom thought that people wondering where they might end up was fun. The bit that wasn’t was what seemed to happen to some people when they were done with their wondering and the novelty had worn off.

Tom was used to grown ups being just there; solid and dull and unsurprised by too much.

Since he’d untied the Tie and they’d all floated off towards a new beginning or a different end, a lot of grown-ups had begun to act strangely. Nervous. Jittery.

Tom couldn’t figure it out. But then he thought about it some more and supposed that they had always lived in a world where life was quite straightforward: sort of fixed.

You had a name, you lived somewhere, in a region of a country, in a town, a village or wherever. It was you that moved if you wanted to, not the thing you lived upon. So that was a bit hard to get used to he thought.

He realised that so many people were attached to so many things in so many ways. To their they way they spoke. To their town. To the fields opposite their house. To the shadows falling in a particular place in their bedroom at 4.30pm when they read a storybook. To the sun rising in one window and setting in another.

Something as simple as going to the supermarket actually involved a whole load of things, and times and memories, and people and places and action and noises and smells, all tied together, in some ways slightly different every time but in other ways always the same.

Tom felt like that scene in Mission Impossible where the bloke reveals loads of red tracer lines of the burglar alarm criss-crossing the big vaulted room.
And Tom was in a sling hanging above it, his nose and right elbow, millimeters away from breaking the lines.

It really mattered where the sun rose and set in people’s world. It mattered to them which way was North.

Tom was also beginning to realize that it mattered even more ‘who’ was North.
If they carried on as they were, North would soon be somewhere quite different thinks Tom, and South somewhere else. And the West, well, who knows where the west will turn up. The only thing certain being that it would be on the opposite side to the East.

Tom wonders where this will all lead: the floating off and the dipping and turning and people’s world being turned upside down.

He reckons that it might be towards a slightly sicky feeling and your head feeling like a big exploding melon if the time Mike and Paul tied him upside down-ish from the goalposts was anything to go by.

He had felt quite scared as he span slowly from the rope tied around one ankle. He’d never been tied upside down before and the blood rushing into all the corners of his brain made his head feel fat and stuffy. It felt like his brain had a blocked up nose.

However much he understood that his up was down and his other the wrong way around, he still felt lost and powerless. He felt really stupid because he wasn’t meant to be that way up: or down.

So perhaps he’d kind of tied everyone upside down from the goalposts. They were certainly looking a bit lost that was for sure.
The man with the slightly irritating voice on the TV programme who waved his hands about all the time had said that ‘the cumulative effect of thousands of years of the interbreeding and interweaving of tribes, Ley lines, Roman roads, and expanding empires sit hunkered in pubs up and down the country wondering what will become of them’.

This seemed a little over the top to Tom and in other ways a bit hard to understand but he got the general idea.

He was in fact getting a lot of ideas from everywhere at the moment.
His friend John’s dad was one of those ‘where’s. Tom hadn’t seen John properly for a week or so now.

They’d been having one of those ‘pass-you-on-the-stairs-at-school-and- say-hi-without-being-weird-or-horrid-but-its-cool-that-we’re-doing-different-stuff-see-you-round’ patches recently.

John’s dad though was popping up a lot recently. Not physically in the flesh. But on the net – he had become a bit of an event on the net.

John’s dad it turns out is a ‘Blogger’.

Which Tom thought was funny as he also went jogging which made him a Jogger Blogger or Blogger Jogger.

Tom’s a bit miffed that his dad doesn’t even know what a blog is really. Let alone be cool enough to write one. His dad had no idea what a blog was till two weeks ago.

Now it seems that if he had half a chance he’d be writing one himself.
 John’s dad’s blog was on a site called ‘whowherewhen.com’.

The whole website is all about how we’re connected in all these brilliant ways with all these parts of our history and the countries around us.

It also banged on a bit about the danger of leaving all of that behind, but Tom tended to ignore that bit as that was the bit he felt guilty about. 
The blog announced that ‘if the island swings left-hand-down and turns on its head, the Scots will become the Soft Southerners; Kent and Sussex will face the North West winds (whoops, that Kentish confidence would be going South metaphorically speaking, along with that prize-winning sunshine basking Marrow).

Tom looked across the hedge that had appeared on the right-hand side of the car, its flat tall green-ness making him feel a little claustrophobic all of a sudden.

Left-hand-down. Funny that someone should describe the instruction for the totally mad idea of a whole island changing direction like they’d describe a wheel turn while reversing into the car park at Sainsbury’s. John’s dad was very clever. He was also the one who took Tom’s dad to the golf club as a ‘guest’.

Tom’s dad had a friend called Alan who sounded a lot like Tom imagined John’s dad to be like. Maybe they were the same person. Tom had realised that he had never actually seen John’s dad, even though he popped round sometimes to pick up Tom’s dad and drive him to the Golf Club.

When Alan came around his dad tended to sit there and listen with lots of deep thinking expressions on his face, though Tom reckons that it was more to do with the fact that his dad found it hard to keep up, was really bored, or was in fact desperately trying to think up smart stuff himself.

Alan had pointed out that ‘if we turn all the way around, East Anglia will finally face up to its anthropological history both symbolically and physically, given that the Atlantic Ocean would be all that sat between the United States and the East Anglian coast, bringing the descendents of the Pilgrim Fathers on both sides of the Atlantic just that little bit closer together’. Tom remembered them from history: the Pilgrims that is. Funny bunch. Big hats.

Alan had also pointed out that the Welsh would be looking across the water at the Dutch and the Danish which would be funny: and make a welcome break from the Irish some Welsh thought, audibly, though some other people who were not Welsh, people in the Midlands specifically, thought it would serve the Welsh right for reasons no-one was able to quite figure out.

Genius Tom had thought.
 But strangely enough the exact same points had been made by John’s dad in his blog. Tom’s dad had looked at him in a funny way when Tom had leapt at the next available opportunity to ask Alan whether he went jogging.
 Especially given that the opportunity had arisen yesterday teatime just as Alan opened the Kitchen door and was mid-way through saying his usual greeting of ‘Anyone in the nuthouse’.

Tom’s dad didn’t realize that it was a clever question to trap the fake Alan who was really John’s dad into admitting that he and John’s dad were in fact one and the same.

Tom’s dad just thought Tom had finally lost it – shooting from weird awkward to plain bananas .
 Tom had never really thought about where we all came from til recently.

He’d certainly never thought about the things that tie people together in their own little worlds.

Tom thought that was all just brilliant. But his head hurt. 
He could hear the hum of billions of ropes twanging now: really, really noisy: lots of ropes connecting everyone to everything, twisting and turning and stretching and humming.

They would never be in the same configuration again, all the ropes that attached people to who they were, where they were, where they came from and where they dreamed they would be going.

All those ropes were stretched and twisted to breaking point now, the hum getting louder and louder, A deafening hum. Like when Godzilla falls onto the electricity cables, and they stretch and wine and then whiplash slash through the air, the hum broken by the odd ping and snap as one after another after another finally snapped altogether.

Part of Tom thought that was bad – very bad. 
And it was all his fault. But another tiny part of him thought that it might just be great. And maybe all the bad things in the world would get turned upside down and good things would appear on the surface: like the shiny worms that popped up all over the place when his dad used the big fork on the flower bed.

Maybe the United State Of Englain was not such a bad place to end up. 
Tom turned his head; but very, very slowly, applying his mind to the delicate and enormous job of moving a head now filled with billions of thoughts and other general amazing stuff (and of course quite a lot of weird and upsetting things too) from left to right.

The temperature in the car had become uncomfortably hot. They turned off the ring road onto the A31 something or other. The sun was now baking the side of his cheek, and it felt like there was a hot hand trying to pull his eyes shut.

It crossed Tom’s now more-than-half-baked mind that this road pointed roughly due south, and, if they were crawling along at about 14 miles an hour in its southerly direction at the same time as Britain was heading north at approximately 18 Knots, they were, in global terms, effectively standing still. In fact, if the traffic got any slower they would achieve the cosmic feat of traveling both backwards and forwards at the same time. Double Genius. Tom silently added the institution of Time Travel to his list of Super- heroic abilities.

Tom felt quite old suddenly. Having to think about what other people might feel was making his head hurt. That must be what it was like to be a grown up; to not be the only person in your life and to have to think about other people a lot – for your head to hurt a lot all the time. No wonder his mum and dad were so weird.

Time travel. Hang on? What would happen if they crossed a time zone? Black squiggles crowded up around the back of Tom’s eyes. A small phut sounded in the middle of Tom’s head.
Thankfully the further they got from the beach and the closer they got to Bea’s village, the lighter Tom’s head began to feel.

 

JulianBorra©2016

AUTHOR’S NOTE: In the process of publishing this story to the blog I am altering the original text of the Kindle Version. The blog published version will be the most up to date edition.

 

SAIL – Cats Cradle, The Shipping Forecast & Bridge To Engine Room

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Chapter 11.

Wednesday. Brilliant.

Tom loves Wednesdays. Well, one particular Wednesday in every month. It’s the day he gets to hang out with his Auntie Bea. Mad Bea. She’s great. She is everything that Tom’s thinks his life isn’t: happy, interested, excited, funny.

Tom feels bad for his mum for a moment. It passes, along with the thought. Easy for Bea to be those things perhaps. She doesn’t have Tom’s dad for a husband and Tom and Jaqui for children.

Mad Bea is noisily unmarried and smokes fags. She can also eat every golden-wrapped toffee in a Quality Street tin without anyone noticing.

She lives alone in a village five miles out of town. Tom loves it there. It is close enough to the sea to go and hang out and make sand angels, walk about, be weird, whatever, and the village itself is cool.

No-one knows Tom there. Well, not in a way that he’d notice. The village is picture-postcardly small, and the people quiet. They don’t really talk to Tom – but not in a bad way, really.

The cottage that Bea lives in is a ‘big wood timbers on the inside, thatched roof on the outside’ kind of house.

(Tom’s father’s words echo in the back of his mind. “For the last time…It’s a bloody cottage!”)

Her house is just off the end of the Church Lane. It has a pub at one end of the road – The Cheapesake Arms – and the East-gate to the churchyard at the other.

The Cheapesake has an odd collection of Sailors’ pottery mugs on one wall and a quirky room upstairs where they have old toilets as chairs and a front door for a table.

Bea loves a drink ‘on the Cheap’ (one of her favourite jokes to self) and Tom has been in there with her on many occasions.

The owner is mad. When people order a bar snack he shouts “Bridge to Engine-room”
down a tube topped with a brass mouthpiece before delivering the order.

The pub smells like Ceasar but Tom is not quite sure as to whether this is due to the Landlord’s permanently damp retriever permanently slumped across the front door step of the pub or the steam coming off the heavy tweed coat of the old man who sits at the far end of the bar.

Bea lets Tom eat pork scratchings and have sips of shandy. She is the youngest person in there by a mile and everyone fancies her.

Inside Bea’s cottage everything is low, and cosy. Tom thinks its a bit Bilbo Baggins, just without the big round burrow door. In the kitchen is an Aga cooking range set into the long wall on the left, tucked under a low beam peppered with cheap looking postcards from around the world. Any light enters the room gingerly through the low leaded windows at the far end of the room. The Aga is always warm and Tom loves to just prop his bottom against and listen to the radio.

Radio plays a big role in Bea’s life. One radio programme in particular more than any other sits at the centre of her whole world. The Shipping Forecast.

At first Tom wasn’t quite sure how it worked: did it forecast what ships there were, where they would be and where they were going? Like a weather forecast tells you what weather, where it is and where it’s going?

Bea had put him straight, eventually, after some quite complicated explanations that he didn’t really understand.
 Auntie Bea understands stuff. Big stuff. Tom thinks that’s why she’ll understand, more than anyone, the extraordinary thing that he thinks he’s done.

Bea gets the Sea. When he tells her about making sand angels and leathery water, she gets it. When he tells her about the sun burning discs on the inside of your eyelids, she gets it. When he tells her that he wants to be a stuntman because they look so cool when they fall off high buildings, she gets it. When he says that he finds it hard to talk to Kathy because she likes the company of boys who know stuff that he doesn’t, she gets it.

Auntie Bea is connected.
The Shipping News is Bea’s obsession, her highpoint of the day or night to be more specific. At first, Tom thought she was just plain nuts as he sat there, hot drink in hand; in the dark.

She was a youngish woman (not a whiff over 30) living in an inlander’s cottage; no boat name, no ship decoration – and oar in the garden or piece of prow or ships timber built into it walls.

Come to think of it, it was kind of weird that, for an old cottage within a hop skip and jump of the sea that there was no association with boats or the sea; at all. Tom wondered whether the cottage had over the years been drawn from its inland home by the pull of the sea.

Anyway. Bea. No sea shoes, no favourite sea film, or song, or shanty; who liked the Shipping Forecast. Nuts.

As far as Tom knows Bea didn’t know anyone who owned a boat, worked on a boat, likes boats, built boats or otherwise. There is no family link to the area the shipping forecast covered. No relation to the North Sea, The islands or Nordic people. Bea had never been on a ship holiday and there wasn’t a North Sea Fish cookbook in the house.
Bea was not a member of Save The Whale, Save The Herring, Save The Cod or Save The Fisherman.
But she loved the Shipping Forecast.

Tom likes the way the Shipping Forecast sounds. He did so right from the beginning. The way the voice speaks as the Forecast rolls on. He would sit there with his head bowed and a cup of tea steaming in his hands.

At first he never looked at Bea. It almost seemed a bit rude; like when he walked into the bathroom without knocking to find Bea in the bath ( no flannel he noted).

Bea seemed to float about on the voice. It was as if she was a little boat trapped on the high ground until the roll of the forecast released her on to the ocean’s back as the wash of the shipping words rose up around her.

Tom used to think that the way she turned the lights off and listened in the pitch black was a bit weird. He felt silly sitting there in the dark.

After a while Tom plucked up the courage to ask her why.
 Bea said that she liked to ‘see’ the places. Tom was puzzled.

“I can’t see them you see. With the lights on. But with my eyes shut: when it’s all dark. Suddenly the pictures, the images just flicker up in my head. It’s like the words. Like I get swept out into the ocean. I feel like I’m flying really, really low across the tops
 of the swells and they’re solid beneath me and dark but I can see. I can see the white tips, the horses spraying across me”.

Tom was starting to get that slightly tight-chested thing that happened when Bea went on one of her flights of fancy: feeling a bit anxious.

“When I used to listen, I always wondered what those yawning stretches of grey black sea were doing as the words poured out into the kitchen, All those words flooding the floor.”

“Have you ever been there?” asked Tom.

“Where? Out there? Middle Dogger in a storm? Crashing the waves in Cromarty crags? Oh no, but up here.”

Bea slapped the side of her head, abruptly and theatrically, which she did a lot and it never ceased to shock Tom.

“…and in here…”

Bea also had the discomforting habit of grabbing her whole chest in a surge-like motion when she said ‘in here’.

“that’s where I’ve been!”

Tom likes her way of speaking when she gets excited. She becomes all lyrical. Or ‘a bit Welsh’ as his dad likes to say. (Tom doesn’t think his dad’s being kind when he says it.)

“So I turn the lights off …and I can see them…big muscular swells rolling in the dark like a giant hand flexing and squeezing”.

Tom looked at her in silence when she said that. But. He wasn’t lost in thought, struck dumb by the power of her description. He wasn’t wrestling a particularly tricky conundrum either. That was the problem. It was the absence not the presence of some chaotic complicated set of thoughts rushing around his head that struck him dumb – not a thought in his head at all. This made him feel quite useless. Something should happen in your head when someone tells you stuff like that Tom thought.

“ Dogger. Forties. Cromarty, Forth, Tyne Dogger South – They’re extraordinary, magical…just, I don’t know, romantic, I suppose, like fire!”

The fire reference threw Tom a bit. But it didn’t fool him. There was that word again. What was it with his Mum and his Aunt and ‘Romantic’?

Tom couldn’t quite see anything extraordinary in these names. He couldn’t see the earthshaking romance in these names. They just made him feel lonely.

“Don’t you…” 
He pauses: but not for effect.

“Don’t you…feel lonely though, when you listen?”

“Lonely? No, no why lonely?”

Her voice goes all round and soft.

“Well, it’s kind of all about flat bits of sea miles away and in the middle of the North Sea, and people drown there, on their own, and we always listen in the dark and… I suppose it makes me feel…lonely”.

Blimey.
Tom realizes that Bea’s eyes do this weird green around the blue floaty thing.
He lets out a small breath and feels better. To mark the moment, his foot, previously happily perched on the edge of the chair, pushing his knee up to his nose, suddenly does a jelly thing and falls off the side. Tom’s body folds over like a squeezed tea bag.

 

Chapter 12.

Bea looked quizzically at the young boy in front of her.

Tom was sitting fidgeting on the chair, pushed up close to the bottle-blue Aga at the far side of the kitchen.
 His awkward half-boy, half-teenage self suddenly seemed to her to have been folded badly and hung on the chair to dry, one leg crossed under the other, one elbow crooked into his lap; and the other resting on the Aga with the steaming tea at the end of it.

The special boy who calls the flat, grey swell of morning a ‘leathery sea’ still had a small way to go before he really ‘got it’ Bea had thought to herself; but he was close; maybe already there; she knew it would be soon.

Bea recognized the quite extraordinary thing lurking in Tom’s ordinarily ordinary self: she had seen it from a very young age.

It would, she knew, eventually drive a wedge between Tom and his mother, (she had never managed to remove the wedge in her heart that appeared there two weeks after Tom shone his little light into the world from the rolling sea of the womb).

These days Tom’s mother was so busy trying to keep Arthur (Tom’s dad) happy that she seemed to have lost her ‘sight’ in these things: the ability to recognize when something is special or different: or even when it isn’t but by framing it in your mind’s eye in such a way you make it just a little magical.

The magic dust had been blown out of her sister’s eyes a long time ago: blown out by Arthur’s grinding everyday-ness and his emotional absences Bea wouldn’t wonder.

That was alright. The world and, more importantly Tom, would one day know exactly what a truly amazing woman her sister was, and what sacrifices she made every day for those she loved.

Viv was special in a way that some people could barely imagine.

Special was a family word in the growing up years of Viv and Bea.
They had been taught to see themselves as special from a very young age: to see themselves as different.

She loved the majesty and the magic of that as a little girl. Their father would read them delicious stories and tell them tales of fine young men and women pure of heart.

The girls used to love to go with their father to the meetings at the country fairs and church halls. She knew that her father was special; different. The way people were around him. The way her dear Bear, ( ‘big paws’, a soft face and lonely eyes), looked up to her father; the way Bear hung on his every word. Bear did everything for him. She loved her father doubly so because what Bear loved she loved also: and he loved her father: for a while at least until the Great Divide

It was only when Bea grew to fully understand what her father really meant by being special; being different: what that meant to him and his cabal of fine upstanding men – and ultimately what that meant for anyone who didn’t fit into that picture – it was only then that the magic gave way to something else: a mute loathing: creeping at first, but one that grew with every twist of his mind and every rule he tried to inflict on her.

Bea was what was called ‘spirited’ and ‘difficult’. Certainly no man from her father’s perfect little England was interested in a girl like Bea – far to independent; far too opinionated; far too…difficult.

Bea wasn’t interested in just being a conservatory to some English man’s semi-detached castle. She had doors and windows and a fine roof of her own. They were open and glass and they let the sun in.

When she was twelve, Bear had told her that she was made for better things. Before the Great Divide, Bear had told her that she was the special one. It was just that her father couldn’t see it. That was while Bear still spoke gently and kindly of her father: an excuse for his every doing never far from Bear’s big bear-like lips.

Bea’s mind tracks back, hand over hand, along the strings and strands of memory to the present.

The special boy.
 No, when Tom, at only eleven and a half years old, had mooted his big theory: that the problem with grown-ups was that they grew up and away from the ground, she knew. Tom really was special. Tom was different. In a way that people like her father would never understand.

Bea was especially keen to see Tom this week. She watches the news. She had missed it at first, too stunned like everyone else at the inane enormity of what was happening. She listens to the radio. She listens to the Shipping Forecast, the reports coming in from the ships, like Sentinels now, in every corner of the earth’s waters, listening, watching and ready to sound their horns if they should witness another land mass inexplicably heading off into the sunset.

But, one by one, the layers and pieces slotted and overlapped and sat over each other. The cat’s cradle of events and feelings and memories pulled tight together, turning in on itself to reveal a new pattern: the rolling spume of TV news footage, and the confusions in the Shipping Forecast, the satellite pictures and the madness of people.

And the phone call from Tom.
 She senses something on the phone when he calls as usual, to say he was still coming, as usual, but also whether she had she noticed anything unusual, which was the most unusual thing he could say.

He was nervous. being extra-ordinary was enough to tighten the life out of anyone. Some never got used to it. Some just pretended they were ordinary.

How easy it must be: how inanely delightful to never once trip over an exception in oneself. How reassuring to know that here is absolutely nothing within or without you that will ever create even the slightest ripple in your little world, let alone a maelstrom of such crashing enormity that perhaps you might drown in the surge of it.

How deliciously…dull thought Bea.

 

Chapter 13.

The clock crosses and uncrosses its arms. The day drags on.
But that’s fine. Time was doing its ‘can’t be arsed to go too quickly’ thing but today it doesn’t bother Tom. Today Tom is very excited. He’s excited because today he gets to see Bea.

She knows stuff. Like the time he described his own first flight over the dark rolling water of the shipping forecast in the dark. Bea got it.

Tom can barely contain himself. Tom wonders about his stupid idea: about the Tie and the untying.

Bea is the only person he could ever tell but he is nervous of telling her. What if just this once she doesn’t get it.
 What if she looks at him as if he is some stupid boy?

A small sick feeling pops in his stomach like a balloon: a fear balloon has just gone off in his stomach. Tom is sidetracked momentarily by the thought of the stomach acid being the reason for the balloon bursting by eating through the rubber.

How will he explain; what should be his opening line?

“Bea, I have untied us”.

No. Too obvious

“Bea! We’re free”.

Too prison break.

“BEA!”

Yes that was it. Simple yet surprising. Calling Bea’s name out really loud – like a shout – in her face – yes, that is, well, simply the best way to announce to his Aunt a happening of such island-shifting, life-changing, scary–making magnitude as this.

Had he ever mentioned the Tie to her? Had he ever told her about it? He’d told her about the beach; especially the bit where no one else went.
 He’d told her about the way the sea there seemed to arrive at the beach’s edge in a leathery flick.
 He’d told her how the sky flashed to bright blue to white phosphorous fizz under his eyelids, so that the world became a big bright negative print of itself when he opened them. He had told her about the way the sun seemed to chase the shadows of the clouds around, surrounding them, closing in on them and making them shrink till the cloud’s shadow disappeared completely: and how at this point, having lost its shadow anchor, the cloud would just float off unfixed and free.

He’d mentioned all of them: but no, he’d never ever mentioned The Tie.

Tom sits staring out of the class window.

The desks around him stand empty and quiet. The class had emptied out five minutes ago. Tom hopes that no one notices that he does not peg it out of the door at the speed of light like the rest. 
There is method in his madness.
 He is merely avoiding the predators; by reducing the time between now and the next class he also reduces the opportunity for torment and torture time.

With a bit of luck the fact that most of the people in his class just think he is odd works wonders – for the most part, everyone couldn’t care less or just don’t notice: everyone except the Caretaker of course.

Tom had noticed that he always just happens to be walking past the window or through the gap in the hedge or by the garages or at the rear of the canteen or the far corner of the playground whenever the terror stalks Tom, his crusty muddy leg and his man-made fibre glow.

Speak of the devil.

The Caretaker looks in at Tom, which introduces Tom to the really conflicted pleasure of finding himself feeling both totally safe and totally spooked out at the same time.

The Caretaker. Always watching.
Tom wonders for a moment: where does he appear from – and where does he go, this funny man who hibernates in his workroom, his big hands straining teabags?

Tom had been in there once to get back one of his confiscated books.
 Tom clears his mind of most of the things rattling around in there, apart from the monumental shocker of having potentially untethered the island that he lives on – but the memory of that Kiss is still there. He can’t shake it. It won’t go. Might as well have a re-run then, thinks Tom.

 

Distant lands

Michael sipped his tea again.
 The silence through the school runways was to some extent rather perverse given what was occurring in their topsy turvy world.

That the pupils seemed quite indifferent to the fact that the country they lived ‘on’ was floating off into the sunset, literally as well as figuratively, Michael put down to bravado (the fixed geographic context of living ‘in’ a country having being replaced by the transient raft like quality of living ‘on’ one by the ‘expert’ on  News At Ten a week previously).

He certainly knew that the young girl that the Davies boy was keen on was not pleased.

He had overheard a slightly hysterical phone conversation between her and what he assumed to be her father while spearing and bagging the rainbow multitude of crisp packets, drinks cartons and cans from amongst the bushes on the school side of the wall by the front gate.

He also assumed that this was not the reaction that the Davis boy was hoping she would have.

His right hand released itself from the mug and drew up to his face, his large fingers, two still hot from the ceramic mug, traced across the lines in the corner of his eyes.

What was it they called them? Laughter lines. Michael could not remember doing that much laughing: not recently anyway.

He did though laugh out loud when the news first broke.

He wondered what The Old Man thought of this.
 He thought of him again when listening to Jeremy Paxman hold forth on the irony that ‘our being cast adrift’ should have such a powerful and opposite effect in regards to its action: drawing us together with such purpose; generating a heightened sense of shared identity, a sense of kinship and a sense of self amongst a group of people that had for the best part of 50 years been slowly drifting apart – until the day the island slipped its mooring.

Suddenly we felt more like The United State Of Englain – or Great Britland – or whichever dreadful derivative hybrid you chose from any given tabloid at any given time.

It did not seem to matter anymore what colour, creed, religion or persuasion you were. If you were ‘on’ this Island floating towards some random future along with everyone else, you were all indeed special.

 You were one of a kind. You were ‘in’, in an ‘on’ kind of way.

The Old Man’s grandson had with one clumsy slip of a knot done more to create a feeling of one-ness; a feeling of what it meant to be ‘Englainders’ (The Daily Telegraph,  June 26th, Front Page, Col 3) between every man woman and child on the island than any of The Old Man’s cruel and divisive little speeches and pamphlets.

Michael allows another rich warm smile of a thought to wash into his head.

Wherever we end up – wherever we might eventually pitch our island anchor, we will be the immigres, the guests; the usurpers, the uninvited, stoutly defending our displaced minority culture and spirit in the face of a indigenous populous wondering who we thought we were and when we were going to leave.

One thing’s for certain – having almost completed the big left turn to head south, on the current trajectory the issue of under whose sovereign state the Falklands (Or Las Malvinas) eventually resided would soon become more than just notional and a matter of constitution.

How funny.

We may end up like some prison ship, thinks Michael, mauling its way through the surf, unwanted, destined to float on until the end of the world or some other cataclysm put us out of our misery.

Mind you, all those people who dreamed of seeing distant lands and traveling to the corners of the earth would be delighted. It might even put an end to low cost airlines! (Michael reserved an utterly random and abstracted loathing for low cost airlines.)

All those people who felt the need to speak loudly about their most recent ‘travels’ in bars and cafes and restaurants up and down the land – all those desperate little itineraries being recited out loud again and again to whomsoever might listen; every one of them screaming ‘please please find me interesting; please find me windswept and exotic; and please ignore the cringing insecure and desperately provincial person hiding inside me’ – perhaps we’d be blessed with their silence.

Now our Island was going places. 

No more ‘3 holidays a year’ hidden from our own conscience on six separate credit cards.  Just pop across to the closest land mass on one of the re-tasked Sealink Ferries

Life was one big cruise.

Michael looked at his watch again. The mote filled light in the centre of the room shifted.

11 minutes to go.

 

 

JulianBorra©2016

AUTHOR’S NOTE: In the process of publishing this story to the blog I am altering the original text of the Kindle Version. The blog published version will be the most up to date edition.

 

 

SAIL – Beaches, Jerusalem & Reality TV

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Chapter 9.

The beach is empty, as usual. Tom walks across it in a swervy stumble, his feet changing direction quickly and often to avoid treading on stuff.

The beach is scattered with a lot of stuff – the odd shell, a broken flip flop, frays of seaweed, brightly coloured sweet wrappers (some from very weird and wonderful parts of the world) – but mainly, the beach is scattered with Tom’s thoughts.

Tom sometimes pretends that there are so many thoughts crashing around inside his head that some fall out of his ear. The swervy stuff is to avoid treading on them.

He scuffs his feet through the sand. One shoe digs deeper into the sand than the other and his leg comes to a dead stop, snapping into a funny shape.

Tom knows that at times like this he has two choices.

Option 1 – He falls over, which is nice and easy; not too cool but also not too complicated.

Or Option 2 – he stays precariously near the edge of falling over, locked in a strange position.

This second option also has two variations. In the first, he stays fixed like a statue but with one leg trembling a lot, possibly for hours, days, weeks; years.

This gives him loads of time to figure out how to explain to anyone who may be watching him how he got in that position in the first place. These people could at any point include beach walkers, friends, family, journalists, world news stations, Kofi Annan, the Dalai Lama; or Kathy.

In the second variation he stands on his trembling leg for a split second and then, genius of all genius, he just carries on walking – a miracle, like the ones in his RE book.

Option 1. He decides to fall over.

Lying on the sand near the sea, face down, and moving his limbs at various intervals is one of Tom’s favourite past-times. He likes the way he feels sandwiched between the earth’s molten lava middle, pushing upwards in search of volcano action, and the weight of the sky, and the various stratospheres, gravities, planets, and all of the milky ways, universes and the cosmos above it pressing him down towards the Earth’s crust. He is the filling in a Hubble meets M Theory sandwich.

The Cosmos. Tom had heard of a theory called Superstring Theory. Which sounded really cool. Having not the faintest idea what it was, he initially imagined it to be a cosmic version of cheese string. Genius.

He then wondered what it could be used for. He wondered what Cat’s Cradle would be like, if you played it with Superstring. Or used it to make one of those telephones from two cups or tin cans.

He rolls his head to the right and the white noise of the sea and earth turning closes down into a muffled buffeting rumble.

At times like this Tom feels that time stands still. Or lies still.

The salty air whips around his nose for a while and then enters it through his right nostril.

This is because his left nostril is mostly blocked by tens of thousands of particles of crushed rock, glass, coral, dinosaur skeleton, boat bits, rust, Nemo’s relatives, the shore lines of foreign countries, glaciers, fish bones, giant squid beaks, crustacea shells, missiles, plastic bags, submarines, pirate’s gold teeth, the Kraken, meteorites, asteroids, volcanic carbon deposits, Moby Dick, precious stones and bits of old car (or sand to you and I).

They have been wedged up there thanks to the downward motion of his Gulliver-like collapse meeting the upward motion of the Lilliputian beach.

The sun is warm on his back. He feels the last of the mud crust fall off his legs as he moves it. Freedom.

Tom turns over. Funny. The sky above him seems a bit confused, like it doesn’t know what it’s meant to be doing.

It’s blue; he’s sure of that. It’s the clouds that are the problem. Some of them are very high and stretched out; long, crispy and wispy. Cloud goujons. A couple of others are small and fat and bobble about a bit.

He looks up at the sun. The cloud shaped shadows it throws on the beach scamper around him.

Tom likes the sun. It reminds him of foreign places and the bit in films where the sun makes a big flare across the television screen like a flame.
He likes the way that, when you close your eyes after looking at the sun, the shape stays printed on your eye-lids, like a smudgy, white circle, surrounded by lots of colours. He also likes the fact that if you wait a while the white circle turns into other colours; like purple and orange and blue and pink.

He likes the way that the sun makes walking from outside to inside feel like time or space travel – like he’s changing atmospheres or centuries.

Tom remembers that he is going to do something. What? Check the Tie? Re-tie the Tie? He’s not sure. He needs to see it.

He climbs up off the floor and dusts the sand from his clothes. The sand up his nose tickles as it falls out. Tom walks towards the place where the Tie is. At first he does not see it. A funny feeling immediately rises up in his chest. Now he does.

The large wizened peg is still in the ground where he left it. For some reason it looks a bit out of place all of a sudden.

The rope is nowhere to be seen.
 Tom looks out to sea. The sun is hopping across the waves now. It’s showing off: like the boys in the park. The little flashes and glints make it look like the sun is scattering bangers across the grey-green hills of the rolling sea.

Tom looks back at the Tie. Something’s different. Something’s changed. He’s just not sure what.

Tom squeezes his brain a bit. It is not just that the rope is off somewhere else doing something other than being tied to the Tie.

Nor is it the fact that unbeknown to Tom, the last sand granule falling out of Tom’s nose at that very moment will, in the not too distant future, undertake an extraordinary journey.

That one granule, breeze-blown across the beach to land on a piece of drift wood picked up by a dog who will deposit said chewed and slobber soaked piece of wood in the back of the family car where the grain of sand will fall off, only to be picked up again on an unknowing piece of luggage that will then get put on a plane with a load of other luggage, where it will then be flown to a peninsular on the south east coast of the United States of America, take a transfer coach journey and finally fall off the bag onto a sandal to be hopped, skipped and jumped to a nearby beach and settle not far from the very spot where 65 million years earlier (almost to the day) an Iguanodon, having totally ignored the portentious whooooompf noise that had echoed around the planet a week earlier and the rather ominous-looking dark, choking cloud gathering in the sky above it, promptly dropped dead on the spot, thereby starting its own journey from being a very large single piece of living, breathing dinosaur to becoming quadrillions of very small pieces of dinosaur; granules no less; one of which, with a wanderlust ucommon to the average particle, would travel far and wide until eventually landing on an East Anglian beach some 65 million years and 5000 miles later to get wedged up the nose of a rather extraordinary though largely unnoticed boy.

No: that’s not what’s different. Tom cannot put his finger on it. He turns and walks back the way he came, thinking of the character Sid from the movie Ice Age for some bizarre reason; and chocolate; but not necessarily in that order.

 

The Cupboard

The cupboard broods in the corner of the room. Michael turns on his heel and walks back across the room,  following exactly the same line along which he came, until he arrives back at the chair. He turns and lowers himself back into the seat, hovering for a second, slung in the holster of his leg muscles and ligaments, before he finally sits. Old habits and ritual tics.

The cupboard. Why this prison of childish souls should be in The Caretaker’s Office he had no idea.

All of those things – the colourful clutter of all of those individual moments of indifference, of dissent, of boredom – confiscated and crammed into, currently, six wheezing boxes bunched on shelves inside the cupboard’s matt grey shell.
 Dirty magazines were put straight into the incinerator. Knives or weapons of any sort were broken up or sent to the local police station. So what was left was the madness of pocket tattle that child after child used to amuse themselves through the monotony, the relentless drone of the curriculum played out through the lips of their teachers.

No wonder the cupboard seemed to suck the light out of the room. Michael draws the mug up to his lips.He sips the tea. There were a few other things of course that could be keeping all of the light for themselves, one in particular, wedged tightly in the bottom of the cupboard wrapped in a damp sack-cloth bag.

Michael wonders what The Old Man is thinking about all of this.

His sacred little island locked in place for so long, floating off into the sunset: and from the look of the last report (and a deft arcing left turn just before Norway), a distinctly Caribbean sunset at that.

Michael smiles.The Old Man would always use the ‘owned’ pronunciation of the word Caribbean: ‘ka- rib-ee-an’: the word’s colourful ‘ka-rib-yan’ butterfly wings clipped, its limbs hog-tied and its head bowed awaiting its next order.

The Old Man: funny. When Michael first met Peter Davis, The Old Man couldn’t have been more than forty; forty two at most. But he seemed so institutional to Michael, so enstated: his voice ground from the Rock of Ages and liberally greased with Jerusalem.

The role had been simple enough at first. Peter Davis required a driver as he intended to do a lot of traveling in the coming months – and he felt the need for a companion who could also ‘do’ for him.

Michael soon came to realise that the provocative nature of Peter Davis would require him to use some of that sterile, unfeeling brutality, nurtured and perfected through his tours of duty, and apply it pointedly against those that might ‘have a go’ at Peter Davis. Eventually he would be asked to apply it to those who had yet to even respond to Peter Davis. The ‘pre-emptive strike’ Peter called it.

“They may be doing nothing at the moment but mark my words they will, so we’re just, well, teaching them a lesson in advance, so to speak.”

Michael had been little bothered by the tasks at the beginning. Their dark dingy beerhall unpleasantness offset by the bright small joys of driving the girls around, taking them on trips, dropping them at school.

Over time, the girls became the only reason for him to stay. The bankrupt spirits of Peter Davis and his cabal of Little White Liars became wearing and twisted even to Michael’s troubled view of the world, the effervescence of his two daughters the only salve.

When he was within a few feet of the girls, especially B, the kaleidoscope of wonder that they emitted served only to pinpoint and amplify the smallness and ugliness of those men their father called ‘sound men and true.’

Watching the girls as they grew up and away from The Old man was one of the few pleasures Michael had towards the end.

He mourned the loss of their innocence but is some ways it freed them.

The girls were very special: and very different – but not in the Old Man’s twisted terms.

As they grew, so did B’s courage, with each new cause, each new revelation, each new hypocrisy of her father’s.

Viv’s reticence grew in spiraling counterpoint to B’s courage. Viv did not lack the courage of conviction. She just chose the path of least confrontation.

She also seemed better able to process and reconcile the truth of The Old Man’s beliefs. She believed they were not the first young people to be horrified by the startling ignorance of their parents’ prejudices. She just felt that she saw so many different kinds of ignorance, and that prejudice thrived in so many hearts, not just white ones, that it felt a little naïve just pillorying her father for his own version.

At first B challenged her father in small ways, teasing him. Not reacting immediately to the sound of his voice. Leaving things where she knew they would annoy him. Inappropriate language and phrases began to pepper her conversation. Willful and spirited they called it.

Then the small moments of anarchy became more layered and sublime.
 She began to wane in the subjects that her father loved and loved coaching her in.

B began to spend less and less time slumped in the cramped little corner of his library study with Viv, leafing through books and asking questions. B’s absences put hairline cracks in the ritual of their shared Saturdays. The death of their Saturday ritual, that of Peter, Viv and B orbiting quietly around each other in the library was a death from which Peter Davis would never recover.

Michael had watched this with a dispassionate eye to begin with. It was not his family and they were not his children. But he found himself beginning to quietly side with B in his mind. Perhaps he was jealous of her ability to hurt The Old Man so much with such a small gesture or act.

He was feeling more and more trapped in his relationship with the ostensibly warm Peter Davis.

 There was a sense of something about him that had begun to disturb Michael a little and that was saying something.

 

Chapter 10.

Tom sits in the lounge. He is feeling brave. Dinner is over. There are meat straggles stuck between his teeth. One strand in particular is dangling down on the edge of his tongue. His tongue plays with the strand. The effect of the tongue strand on his facial expressions makes Tom resemble a nutter.

He turns and looks at his deranged face reflected in the dark rectangle of the lounge windows. He thinks the effect of the trees moving behind the reflection of his meat-straggle demented face looks brilliant. He turns back to look to the end of the room.

Along the left hand wall runs a low, modular ‘Bilbao’ shelving system: currently on special offer at his father’s shop due to sharp descent in imterest. A complete set of the Encyclopediae Britannica run along its lowest shelf.

Tom realised a while ago that if he ever had any great secrets or things to hide: like a million pounds from a bank-robbery or a blood soaked murder weapon or the Dead Sea Scrolls, that’s where he’d hide them. There was little danger of ANYONE in his family opening one of them EVER.

Yes, Tom is feeling brave this evening.

The source of his bravery sit at right angles to him on the ‘three-person Milano Signature Style corner-module sofa system’, locked in the bright all powerful tracker beam of the telly.

The television lights up the space on the sofa between them (as if it needed highlighting). Tom sits at his usual 47 degree half twist.

His dad had wired the telly into the super hi-tech sound-cylinder, but badly, so, subsequently the sound comes out in some schizophrenic shamble, partially from one of the 4 built in speakers and partially from the Sound-cylinder (but only the middle-range)

If you weren’t used to it, it would probably make your brain explode like an alien mind bomb wave. Tom had eventually trained his ears and exact body bearing to adjust to the audio visual 4th dimension his dad had created.

The together part of sitting together was of course a bit of an optimistic description that Tom liked to use to describe the event of both his parents sitting on the same piece of furniture.

Even in these rare moments he’d noticed his dad was a master in the dark art of the invisible shield technique favoured by some of the characters in Tom’s comics – a super power that allows him to be both present yet a million light years away at once.

Tom would normally be upstairs by now, slung over his comics. (He had, on one occasion, fallen asleep face down on one of them. It took two days, three baths, heavy flannel action and soothing Savlon before for the inky figure of Daredevil left his cheek.)

But tonight he is down in the thick of it. The weird feeling that came over him while he was standing in front of the Tie is still there, inside – strange but quite nice in a way. There has been a funny feeling wandering around inside him doing strange things since he untied the Tie.

And it’s doing it again. This time the feeling felt like it had sort of turned around and changed colour but that didn’t make any sense at all.

Tom chews the inside of his cheek. He looks back to the television. The news is rather odd today.

Frankly, the world seemed to have gone stark raving mad.

The old bloke who’s been on quite a lot recently talking about ‘the issue of cultural integration’ in a place called Tower Hamlets had just been on again.

Tower Hamlets. Tom thinks the place sounds quite exciting and medieval, the kind of place where knights, pirates, wizards and monsters lived, all galloping around on heavily-armoured steeds with pounding hooves wielding shafts of light and steel.

Tom doesn’t know any ‘muslims’ and only one Ali but he runs the slightly rubbish video shop his dad goes to sometimes and he doesn’t think that it is that Ali they’re talking about.

He certainly didn’t know any black people, not directly anyway; Diara, the boy at school in his year was far too cool for Tom to know him or anything about him.

And as for the people from the Balkans and Romania that the old man goes on about, that would require Tom to know where or what the Balkans and Romania are and that was a google search away at the moment.

(The Globe that sat on the far shelf in Tom’s room was very, very cheap, and to be fair its spelling of country names was not to be trusted – nor their position for that matter.)

Tom can’t quite make out why this old man is getting so upset about them.
 He had been on again, talking about ‘repatriation’ for coloured people, muslims, gypsies and ‘anyone else who doesn’t like it here’ which as far as Tom could work out meant sending them home even when they didn’t want to go

The place on the news, the ‘where they came from’ part of ‘send them back where they came from’ seemed sunny and tropical with lots of beaches but then again he thought perhaps that the nature and quality of the place was not the problem – that maybe the problem lay in the fact that someone was telling you that you’re not good enough to stay here.

Tom has noticed that every time this old man comes on (because boy had he been on a lot recently) his mother and father exchange funny looks and his mum ends up looking down at her hands a lot.

The old man seems familiar. He looks like he’s from the world that Tom’s granddad and grandma come from. In fact, he looks a lot like the old pictures of Tom’s granddad – but much older.

The screen flickers and a load of graphics whoosh around and now there is a man, a different man, with a map behind him. Whatever this is; it isn’t going to be the weather thinks Tom.

The man gestures to the UK generally, and then points to England and then to the vertical and horizontal lines that sit over it.

(‘Latitude’ and ‘Longitude’ says Tom to himself in his ‘bored in geography class’ voice.)

He thinks that the lines look like a big piece of string has been wound around the globe holding the world together.

Then it happens. As the man speaks and moves his arm the England and Scotland bit of the UK moves northwards. Not only that; as it does so it seems to leave Cornwall, Ireland, and all of the Scottish Isles in its wake (though strangely the Isle of Wight seems to be hanging in there somehow!)

The movement on the map is made double weird by the fact that it causes a massive single gasp from both his parents: the most they’ve done together in years.

The man is then replaced by real satellite pictures of the same thing happening.

The strange feeling inside Tom shifts again rolling around like hot lava in his stomach.

As they sit (along with a few million other people), their mouths slightly open, the front bit of their tongues becoming drier and drier, the man on the television smiles and then stops, realizing that this isn’t a weather report and this is not a smiling matter… …or is it?

Tom finds himself thinking about the Tie. It pops up in his head randomly.
The screen flashes and they are back to the newsreader. Who looks left and the screen flashes again.
There is another old man on the television now: he looks a little fierce. Not because he’s being fierce. He just has one of those faces. Itt is an outside broadcast: from Northern Ireland.

The man speaks so quickly that Tom has difficulty understanding him. The man is from somewhere called Coleraine.
Tom has always felt that everyone else has far nicer names for the places where they live.

Tom pushes his hands deeper into his pockets, sliding further into the sofa, his one and only slightly cool T Shirt (Slip Knot) riding up as his back scrapes down the coarse sofa fabric.
His right hand has found a small ball of fluff and some crumbs in the very corner of his pocket. He shifts uncomfortably as he watches the television.

His body crunches in the middle and slips left a bit. He lifts one cheek up off the sofa a little. A hot funnel of air creeps out of Tom’s bottom, an extra squeeze sending it rocket thruster like into the foam of the cushion.

Top chuff.

Tom thinks that chuff is a great word. To chuff and To be chuffed were twinned like towns in Tom’s mind. To Chuff: to break wind and To be Chuffed: It covered all the bases: taking pride; being pleased with something/oneself.

Genius. To be chuffed about a chuff was therefore pure genius. (He also liked the fact that there’s no French or German translation for it.)  Tom celebrated by knocking out another hot strangled parp of air into the foam.

The man on the television seems to be very upset about something.

Tom catches something about ‘her Majesty’ and ‘the Union’ but the rest disappears into the jumble of lips and teeth at the bottom of the man’s face.

Now the man with the map is back again. He points to the space between a place called Bangor and another place called Stranraer (there really are some silly names in the world thinks Tom).

The arrows running between the two do a squeezing together thing.

Well that’s just nuts. England or Gt. Britain, or whatever you want to call it, is a land mass that’s attached to tectonic plates that float on molten lava beds wrapped around an even more moltener centre. (Tom didn’t know exactly how you explained ‘more molten’ in a word.) It can’t just float off merrily without a by your leave?

Can It?

Tom watches the light from the television as it beams across his parents’ faces.

He imagines the words pouring out of the television like trails wiggling towards them.

Something in the strangeness, the sheer weirdness of what the man on the television is talking about seems to have stunned them.

Even weirder, they seem to have shrunk – their feet suddenly barely able to touch the ground; their clothes sitting on them now the way Jaqui’s used to when she’d been in her dressing up box.

The look on their faces reminds Tom of a time when they had come across a small blonde boy waiting on his own by the coin operated Postman Pat ride at the supermarket. He couldn’t have been more that five years old.

Worrying that the boy might be lost and upset, Tom’s mum and dad walked over and asked “Are you Ok?”.

The blonde boy had turned and looked at them for a few moments before shouting.
”Fuck off!” At which point he ran off towards a rather ‘big’ (Tom always tried to avoid using the word fat) family loading a small car with large bags of ‘summer barbecue’ foods and beer while screaming “STRANGER DANGER STRANGER DANGER”, leaving Tom’s mum and dad speechless, still leaning down towards the space where the child had been.

Yes. It was that look.
Tom thinks about his flannel in the bath and, for just a moment, a very, very silly idea crosses his mind.

All of these strange things going on: do they have something to do with The Tie? That, that would be NUTS.

The feeling inside him turns once more, getting bigger. The feeling seems to answer questions he’s asking himself.
Tom rolls forwards and up off the chair, and leaves his parents locked in the beam of the telly.

He’d swear that they were now closer than before. 
A damp bramble smell floats through the space by the door to the lounge.

Tom walks through into the hall to find Ceasar at the bottom of the stairs half sitting, half walking in circles.

Ceasar looks up at Tom. Tom runs his hand across the top of the dog’s head and under it as Ceasar lifts his head up to land his face squarely on the now upturned runway of Tom’s hand.

He feels across the silky flap of Ceasar’s ear to the pinked inside.
There seems to be something electric running along his arm into the dog’s head.

Tom wonders whether it is to do with the feelings he is having. As he moves his foot he realizes it isn’t; Tom is wearing a pair of striped socks that contain more man-made fibres in one toe than there are in the whole sofa.

The fur on Ceasar’s neck crackles as he draws his hand away.

Tom walks up the stairs towards the comics and the flapping fabric walls of his darkened room.

He stops. Come to think about it there was something odd about Ceasar though. No slobber. Ceasar’s mouth was as dry as a bone (which is quite an odd way of describing it when you are talking about a dog).

Tom walks into his room, his hand smarting from the shock off the handle.

BANG.

He reels and spins, the snub nose round from the spitting barrel above crunches into his shoulder. He collapses across the edge of his bed, half on and half off, in a wheezing right angle. His cheek drags across the sheets as the weight of his lower body drags his upper body back over the edge of the bed to the floor below. His cheek jars against the divan and finally he slumps heavily to the ground.

His arm is turned under him, one leg at a right angle, trainer half off and his face turned towards the dark space under his bed. The dark brown pelmet brushes against his cheek.

Bourne stares down at him from the metal walkway railing of the deserted quayside warehouse above, shakes his head, and walks away. Exotic music plays somewhere nearby. The thoughts in Tom’s mind get foggy as he lies there

Somewhere in another corner of Tom’s mind he realises that it is possible to smell distance.

He realizes that he can recognise tiny shifts in the depth and density of smell between those at the far, shadowy cool-wall side of the space under his bed and those floating around closest to his nose.

The collective smells of hot shoes, old die-cast metal figures, brightly coloured lego plastic, various kinds of dusts and ink stained comic pages wrap around his face like a big smelly tape measure.

Should really be just one big smell: an under-the-bed, stinky, petridish smell.

But Tom was realizing that what should and what would were very different entirely even though he wasn’t sure why: or what for that matter.

The Tie. Tom enjoys the fact that the Tie might be linked – he might be linked to these tectonic events – to all of these events: to the news.

Him.

A small corner of him tucked away in there somewhere is sure of it. Not certain. But sure. Like a Should to the Could.
But something bothers him. If his very, very silly flannel of an idea really was true then that was quite extraordinary, in the way the great wonders of the world are quite extraordinary because they are, well, extraordinary in a great big see them from space’ kind of way.

Tom felt a little bit sick all of a sudden and his head began to buzz, but not in a ‘big-fat-bumble-bee-on-a-sunny-day’ way.

Tom suddenly didn’t know whether he really did want to be extra ordinary.

What if something went wrong? What if England floated in the wrong direction? What if it crashed into something and everyone died?

What if they knew it was him? Or would anyone even believe it? Him?

Tom rolls onto his face. His nose presses into the carpet. He breathes in and immediately regrets it. An enormous pressure builds up behind his eyes. He sneezes.
Mmmnn.

If the ‘island- floating-away-like-my-flannel-even -though-it-would-be-against-all-the-laws-of- Physics’ thing is true it means something even bigger than it being extraordinary. It means that right here and now, he’s the only person in the whole world who knows why.

Mr. Brilliant-I’m-So-Clever on the News who seems to know everything doesn’t know it. Stephen Fry doesn’t know it. His head Mistress doesn’t know it. OK, Stephen Hawking may have figured out the science of it but even he didn’t know it.Tom feels a bit dizzy.

Tom thought he was going to be sick.

To be the only person in the world who knows something; that was fine for people who think and do extraordinary things, like Einstein, Da Vinci, Eminem and David Blain.

To realize that you are the only person in the whole wide world, the universe even, with that thought, that knowledge in your head was fine if you were like them.

But Tom was crap at Maths: and he had mud under his school trousers: and had only sort of kissed Kathy: and he got slapped a lot.

Kapow! It got worse. Or just bigger. 
Perhaps he was also the first person in history to realise that he had realised that he was the first person in the history of the world to know something.

Tom’s head began to hurt. Good job he was lying on the floor.

He loved being on the floor. Any floor. He just likes being close to the ground. It helps him to think clearly. It makes him feel OK. Tom doesn’t feel lonely when he lies on the floor.

Tom thinks that maybe that’s why adults are so weird.

Tom thinks that maybe the problem with growing up is that you do exactly that: grow up and away from the ground. You got to look at the carpet really close up and put your ear on the ground and hear the sound of things that didn’t move or breathe inside the house – humming and booming and burring and rubbing and all the other weird noises you couldn’t quite put your finger on. You got to look at drops of water and bugs hanging on blades of grass and make grass look like it was fifty feet high because you can barely look over it, and the prickly bits would tickle your skin.

He pulls himself up into a squat, then stands up only to fall across his bed. The sheets are cool against his skin. He looks up into the corner of the room and its flappy shadows. It seems impossible: a piece of rope and piece of wood and England; and him.
Tom sees the face of Nigel’s mum. She smiles at him from out of the shadows. Tom is smiling now, so much so that he doesn’t notice his eyes slide shut.

An Active Imagination

Michael looks to the far side of the room again. His eyes track down the front of the brooding cupboard to a point just beneath it where the darkness wells. Michael looks into the rectangular void.

The faint trace of a frosted line under the cupboard’s base offers the only evidence of the salt pool’s recent existence.

The frosted trickle running down from a small opening in the pressed box steel of the door above it reveals from whence the water came. He had soaked the floor overnight and cleaned it with detergents in the morning till barely a trace was left.

He looked to the right of the cupboard. On the far bench, pushed to the back against the wall sits a pile of used newspapers. All are meticulously refolded, having been read from the beaming masthead to the final line with any particular articles of interest cut out with the orange handled kitchen scissors resting in the drawer beneath the scarred table- top. Michael had been amazed at the lack of hysteria over the last few weeks.

At first, the newspapers had adopted their usual hyperbolic sensationalism, pumping up the fear and anxiety with doom laden stories of Armageddon: the island crashing into Greenland, a new ice age: the coming of new diseases and of course the role of global warming in the separating of Britain from its waspish perch on its Teutonic tectonic plate. Carbon Monoxide and rogue ozone holes were to blame apparently.

According to the Sunday Mirror’s Environmental correspondent – a curious position Michael thought – the rays pouring through the holes in the ozone layers had altered the temperature of the Gulf Stream to such an extent that it’s waters had, over centuries (already the flaws in the argument were large enough to drive an island into), loosened the strata of rock that operated as some sort of glue to such a degree that the Island had eventually loosened and simply ‘come away’ from its shelf. 20 points for insanity.

Such active imaginations. A part of Gt. Britain has proven itself to be a loosening scab finally dry enough to shed the skin on which it grew. The man wasn’t fit to write a classified ad in the East Anglian Times let alone a two-page special report full of bollocks in a National newspaper

Michael takes a slow sip of his tea, feeling the temperature change as his lips touch the cool lip of the mug.He luxuriates in the brackish taste, delivered by the flat blackness of the leaves powdering inside the bag’s ‘dynamic filtration systems’.

Michael lifts his left arm and brings the scratched face of the classic Longines watch to where he can read its dial in all its elegant circular charm.The watch had been a gift from The Old Man while their relationship was still young and while he still valued the difference between Michael’s opinions and his own.

23 minutes until he ventures out again. This prospect does not fill Michael with the dread it once did.

 The invisible rope that ties him to the centre of this room plays out as far as he needs it to but never too far as to create any sense of panic in him.The one thing that does fascinate him about the way in which ‘the Action’ as he calls it has affected people is not the sheer immensity of the anthropological melt down it had engendered in every person in every street in every town up and down the country.

No, the thing that had really floored him was the seemingly infinite ability of particular Television Production Companies to take the best and worst that the world and its shambling humanity could throw up and figure out how to confect them into another tawdry piece of Asylum-eye candy.

One particular production company had taken a previously very successful but waning programme format of theirs and upgraded it for the inhabitants of the new ‘raft-like’ reality.

A newspaper article featuring a behind-the-scenes perspective of the programme had been very detailed, marveling as much at the engineering and the human choreography as at the resulting emotional collapse and random sexual acts the programme generated.

Michael consumed the detail quietly and thoroughly, his finger tracing line after line, his facing hand holding his interest at any one time on one of the many explanatory diagrams and aerial maps facing the article.

From what he could surmise, the old format featured a ‘closed’ house filled with randomly but particularly chosen people: there but for the grace of their various emotional fractures, flaws, social tics and proudly worn proclivities. A sort of boarding house for people with emotional and sexual Tourettes.

These people were then given jobs and activities to do jointly and severally that would begin to stretch their hearts, their minds and hopefully it seemed their libidos to breaking point.

Throughout this journey into the bowels of the human psyche Michael also gathered that an external audience would vote on whom they liked and disliked and who would be ejected until there was one person standing – they may well have crashing psychosis, claustrophobia and a sexually transmitted disease by that point but yes, they were still standing.

But the genius was in the programme up-grade: and their sublime use of two particular factors hewn from the new floating dream of their Island reality.

The first factor was one of Disorientation – to make the ‘house’ mimic the new floating-away status of The Great British Island, they had placed the whole compound on a floating platform, which could be (in the tiniest of increments) re-orientated in such a way as to be wholly unnoticeable to the housemates: not consciously anyway – their north could become south and their east west, all without them having any idea of why or how – all taking place under their very feet through the effortless brilliance of superior track and bearing engineering.

 The organisers would hold parties or games that involved all housemates to enter into highly animated and very physical activity while the house was ‘shifted’ to its new axis.

The second factor was one of Identity – every housemate had been put forward by someone who knew of a startling and identity-altering truth that would or could be revealed at their most vulnerable point – the truth that you had been adopted for example, or that you were born with two sets of genitals. Something, anything that could pull the rug from under you.

The intention was that the house would be left in one position for just long enough for the primal sensors of the contestants brains to register those things that anchor us in our state of being: where the sun rose over the house, where the shadows fell at tea time, which way due north was, whose window the sun set through.

At that point, an event would be called and while it was in full swing the house would be shifted again.This resulted in the contestants becoming more and more disorientated internally, the feeling becoming more and more intense with the passing of each couple of days. The greatest psychosis coming from them being uncertain as to why they had begun to feel anxious, disorientated and upset in the first place.

(The incremental cruelties unleashed by this shift in the axis of someone’s very being was quite remarkable to Michael. The engineering of distress, far outreached the clumsy objectives of water boarding and the cattle prod. Entertainment fueled by extraordinary technology truly was both the blight and the light of human existence.)

As the contestant’s behaviour became more erratic, hurtling towards their various tipping points, the Identity grenade would somehow be dropped into the room.

In once such instance, Mark’ With a C’ as he liked to call himself knew nothing of his Identity revelation before he entered the house.

He thought he was just your average mixed-race (3 to be precise: Ghanaian, Portugese and Swedish) gay guy with an I.Q. of 110, and the potential to be the next Damien Hirst, raised in a one parent family by his doting bi-sexual artistic mother after his father had died of an overdose in Afghanistan.

And so he entered his third week still thinking as much. Until on the Tuesday afternoon, 15 minutes after the end a synchronized blind-folded belching competition, he was called to ‘The Room’.

It was difficult to hear what was being said after a while. His screaming had become so intense and high pitched as to render the human ear incapable of hearing anything.

The ambulance eventually arrived and at the point where sedation had overcome him (dramatically of course) the waiting audience discovered the true horror of it all.

Mark with a C, of The Factory, Homerton, East London had in fact been born Derrick with a D in Strathpeffer, an elegant greystone Victorian Spa Town long fallen for grace in the Scottish Highlands.

He had been raised in a loving two-parent household, his mother, a district nurse and his father, the manager at a local engineering firm doting on his every wish until, at 17 years of age, gainfully employed and with a charming young girlfriend called Tina, Derrick with a D had banged his head on a step ladder and subsequently found himself 600 miles from his immediately forgotten home and in Hoxton Square with blunt trauma induced amnesia, dressed in a stolen exotic dancer’s outfit and a fifty pound note.

The story revealed that, living hand-to-mouth, he had become somewhat of a local celebrity. At some point in the following two years he endured a deep dive ’holistic hypnotic’ memory reclaiming session with the locally infamous Maroushka at the invitation of a local artistic benefactor. Through this process, the ‘truth’ of Mark with a C was uncovered.

Bang. Shock. Hysteria. Crash.

The news rocked the world – and unsurprisingly, one small house in Strathpeffer in particular and the gay community of Homerton in general.

Cue public Soul searching. Fracture. Repair.

Interviews with parents ensued, two slightly shell shocked people somewhat overwhelmed by it all, filmed outside their small, neat Greystone cottage.

Tina’s weeping entreat for the return of Derrick with a D was splattered across an inappropriate number of news channels and newspapers. From the look of the hundreds of photographs and interviews she choreographed, the shock of Derrick’s discovery had turned her once mousy hair quite blonde, and her teeth a gleaming Hollywood white.

Her assertion, though admirable, that she would take Derrick with a D back just as he was, even if that had to be as Mark with a C, flew somewhat in the face of the wishes of Mark with a C’s two partners.

Is Derrick with a D lost for ever? Should mark with C prevail. Or should Mark with a C return to the life he once had?

Txt DERRICK on 8679 now. Or Txt MARC on 8468.

The day after whichever #REVELATION sewered out of the televisual pipe, Michael would find the papers filled with the minute detail of the previous night’s emotional melt down, embellished by the journalists ever outraged commentary, the confetti of advice and shared experience sent via texts and emails scattered across every page – and an interview with the most recent ‘victim’ of course.

Baseness was a repellant human trait that Michael could only marvel at. It demanded respect purely for the fact that its stamina and resilience far out stripped that off its polar cousin Civilization. The civility of any human being could be stripped away in very little time it seemed, to reveal a thick, gristled streak of almost impenetrable Baseness.

It seemed to Michael that however far you dug into the sewer of humanity, there was always another layer of Baseness beneath it, surpassing the last in both the weight of its vulgarity and the banality of its cruelty.

Michael had humanity pegged as a slightly worn grubby scratch card spinning through the cosmos. Cosmic Litter. And as with all scratch cards, when the shiny foiled surface was removed, the revelation beneath it was engineered to mostly disappoint.

It seemed to Michael that God (if, contrary to the protestations of Dawkins and Hawking, he, she or it really did exist) did indeed play dice with the universe.

 

Tech, Purpose & The Aspergers Economy

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Tech is nothing without Purpose.

And in our increasingly hyper connected world, Purpose is nothing without tech.

Purposeful companies and businesses increasingly use tech, digital platforms and the social networks to shape, co create, disseminate, sense check and activate their every purposeful initiative amongst the crowd.

We are beginning to move beyond the cultish tech for tech’s sake ‘everything’s genius’ approach to all things digital. People are not blindly saying ‘yes’ before they even know what they’re being offered.

And it is not only in the masses’ response to the latest highly questionable i-phone up grade new grade what grade launch that we see a little of the emperor’s clothes being shredded. A number of financial analysts regard the herd of Unicorns that have appeared  in the last 3 or 4 years as ‘fluffy stock’ with questionable valuations. Simply put they’ll trade and make cash out of them while they can but they think they’re a little puffed up in the value department.

Even the hard-core geeks and nerds – those applying the genius of AI and machine learning to their business, platforms and product ideas – are using them to unlock more humanity in the tech and in the customer experience, not just capacity and capability.

But being more human isn’t a purpose. I would say its an evolutionary imperative.  Just because some tech or platform play is possible or probable doesn’t make it palatable. You can’t guarantee that everyone will just continue to have an appetite for everything because it’s cool or does more shit that the last one.

Moore’s Flaw is that, although the keep doubling it trajectory of hyper accelerated microprocessor capability might be a fact, generally, people are not linear and they are far from modal. People are suspicious of being hyper accelerated, and after the first rush tend to push back against it. This is something to do with their emotional sense of risk, control and threat and how they respond to it, beyond the rational Should I? Shouldn’t I?

In some ways the tech future scapers need to apply a mechanism somewhat similar to how John Maynard Keynes’ Animal Spirits was applied in the world of finance and economics – where he pointed to the lateral and randomly applied instincts, emotions and proclivities that ostensibly drive human behaviour in regards to the adoption of risk in financial situations. Understanding how people feel emotionally about the adoption of hyper accelerated tech and its dizzying ability, for example in the work place, would make for a far richer and more realistic tech and digital landscape.

But I digress.

If Tech is turning the world, beyond the increasing humanities of its evolution, is their a purpose it might embrace beyond its direct impacts in society? One rooted in its community?

Is there a massive unspoken cause that it could rally around – one which is rooted in its own culture and expertise – and ultimately that delivered a mutuality of interest for every stakeholder – employees, customers, suppliers and partners?

In rifling through various pieces on tech and society over the past few months, Scott Wilkinson, head of Brand at Virgin Media Business and myself came to a thought.

The answer might lie in its heartland and population – and by that we mean the teeming populous engineers, inventors, entrepreneurs, manufacturers, developers, coders and designers et al who keep this massive multi Trillion dollar industry turning.

There is much spoken of the ‘on the spectrum’ nature and culture of the super tech geek world – or any geek world for that matter.

But we have noticed that most of the ‘noise’ is around an almost cultish celebrity status given to people with ‘astonishing’ minds.

High Functioning Autistics – the celebrated ones – have become a sort of ‘new rock n roll’ – the super brains – and in the tech industry these human super processors are the Natural Intelligence that shapes Artificial Intelligence and astonishing paradigm shifts in the world.

The fact that in broader popular culture the likes of Courtney Love, Darryl Hannah, Stanley Kubrick and many other HFAs make no secret of their condition is redeeming and very helpful to remove the stigma that still surrounds the condition.

But having an above average IQ, the intellectual skills and the successes that they do still sets these HFAs a long long way away from the average person with Autism Spectrum Disorder.

People who exist lower down the ASD spectrum with less immediately identifiable symptoms will find life far more difficult as their behaviours can be misunderstood.

So the question is this – beyond the rock n roll of HFAs, how many ASDs exist in the Tech Sector?  And if that number is highly over indexed versus society (researchers estimate that 1% of the population have some form of ASD*), and if the sector is proven to host a disproportionate number of ASDs and equally profit from them and their condition, then perhaps therein lies a Purpose for the Tech Sector rooted in a pure truth and within both its interest and expertise to act upon it.

Tech Guru Rajesh Anandan, founder of software company ULTRA testing only employs people on the spectrum, and for what he sees as very very good reason, the benefits of their engagement far outstripping the immediate issues of their behavioural difficulties.  The idea of Aspies being celebrated and valued in tech circles is far from new.

My interest lies in those millions who still live in the shadows – those who have not truly identified their condition and struggle with its impacts – those who have not stumbled into tech as some Wardrobe to a Narnian world where they feel more at home and alive.

Is there an Action Group to be created drawn from the heads of the Global Tech Players – to set an agenda for helping those with every level of ASD in regards to education, training, employment and community – what better use to put a world leading ‘tech campus’ of smart, energetic, highly connected people to than taking care of their own?

Does a purpose rooted in unleashing opportunity for all those people who otherwise struggle with ASD in its lesser forms fit with the global tech culture?

No idea. Simply a thought. Something that revealed itself to us.

This kind of initiative may already exist. It certainly deserves greater exploration.

Perhaps the sector might think ‘not interested’ – or ‘we already do enough’. It is always hard to get people involved because it requires investment. And Purpose rarely unlocks investment. But profit and finance does. Securing growth does.

Perhaps they will only do it if someone puts a value on ASD as one of the engines of the Tech sector’s astonishing rise and success. A value that they feel compelled to protect.

Perhaps that what’s we need to do. If we were to be able to measure the  impact and value of ASD in the tech sector and present it as a highly particular economy – what I tentatively call The Aspergers Economy for want of a better label  – that would change the lens on people’s perception and appetite for investment. By rooting the value of the sector within the gift of a certain group, perhaps the value of their contribution as a highly productive constituency driving a global economy worth in the trillions of dollars; perhaps people might the be prepared to invest in the resilience of that global economy by improving the  opportunities of the primary actors in its success.

That might be a Purpose worth pursuing because, ultimately Tech is Nothing without Purpose, and that Purpose has to be more than another AI story or ‘look at my slidey new interface’ youtube film.

 

 

*SOURCE: Foundation For People With Learning Disabilities –

http://mhf-ld.unified.co.uk/help-information/learning-disability-a-z/a/autistic-spectrum-disorder-asd/

Sail – ships, txts & torment

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Chapter 7.

Tom rarely talks on the way to school.

 

Primarily because talking in such a way as to resemble a conversation requires more than one person (unless, like Tall Paul, a boy the year above Tom, you have a mental condition that enables you to have a number of conversations all at once all by yourself).

The glaring absence of anyone else walking beside him put paid to that.

The School gate opens on to Boudicca Road, the main road into town.

Every morning a load of scruffy nylon pupils, crap satchels and back packs, swarm and stumble towards the gate: ones and twos, gangs, small clusters colliding, breaking off, merging with the odd lone glob coming in from the side.

Tom thinks the gathering of students look like the mercury globs in his science lesson that he watched all sliding across the dish into one big mercury blob.

Tom is officially one of the lone globs.

Tom’s friend John rarely walks. He cycles to school, so he comes through a side entrance by the bike park.

Tom sees Kathy up ahead with her friends.

He watches her legs moving backwards and forwards. Amazing. For Kathy walking looked effortless.

Tom’s legs don’t feel like that. He is not very good at athletics or sports of any kind really: except running, but that tends to be more a matter of survival than a burgeoning sports interest.

Tom likes the way her hair does the pony-tail swingy thing as she walks.

It reminds him of being on holiday in Wiltshire and seeing a horse swishing away horse flies off its back which Tom thought was pretty cool.
 Not that Kathy swats flies with her hair.

The teachers at Tom’s school are funny but not in a funny-ha-ha way: except Mr. Moore who is actually quite nice most of the time and talks to Tom about stuff.

The others are from the Dark Ages with huge Land That Time Forgot hands, smell old or have dodgy hair or are young and trying to be down with the kids.

When Tom sees the men teachers and the sixth form boys it makes him think of the documentary he saw about Silverback Gorillas.

The pupils at his school are just like any other really: scruffy, weird tie shapes or worn super short with a fat knot (knot size decreasing dependent on the size of the person and the hand that yanks it downwards) trainers, or black shoes – short skirts, leggings: half uniform, half street wear.

Tom doesn’t know why they bother with uniforms. It’s not like anyone really wears one.

But then again if he had to turn up every day looking like a bloke with only three sweatshirts, one jumper, one hoodie, three t shirts (without rubbish graphics on them) and trousers that frankly should be arrested for being a bit shit, he’d struggle a bit.

And anyway, he doesn’t resemble any known singer or actor in the living world so it’s not like he’s lining up a signature look.

The girls tend to try and look like the girls in the music videos like the one Tom found his dad watching on the music channel.

Tom knows that everyone is trying to make everyone else want to snog them but it just doesn’t really happen in his world.

It’s a mobile thing.

Smartphone and Tom are two words that don’t really occur in the same hemisphere – or universe for that matter – though the Smart thing confuses him – it seems the smarter the phone the more of a div the owner is – not that he’s going to tell anyone that though.

You did two things when you had a phone as far as Tom could see it – you used it and opened yourself up to other kids being really cruel to you and ending up feeling not very good; or you had it nicked off you by West and his mates; which made you feel not very good.

But that was probably just because he didn’t have one.

As for the girl thing – if Tom has to have some weird line shaved into his hair and pretend to have a pencil goatee beard to be attractive to girls he’d rather not do the girl thing.

 

The boys are mostly gobby and generally not very nice and some of the girls are worse. When they’re not TXTing cruelty, the boys talk about girls, football, PS3, girls, fighting, snogging and loads of feeling up boasts that are just made up as far as Tom can tell.

Tom’s dad reckons that they all need a sound beating. That in his day one bit of lip and it was the cane or the strap. It had taken a while for Tom to realize that he wasn’t referring to a type of furniture or luggage accessory.

The girls are like his sister, just younger or older. Tom does not really like any of them and they certainly do not like him (not that they tell him to his face – they write it in the TXTosphere or in scratchy biro on the speckly blue toilet walls.)

As he doesn’t have a mobile he remains curiously untouched by ugly TXT world – but the biro scratchings are different.
 They require Tom to then spend three or four break-times trying to write over or rub it off which makes him seem even weirder).

Tom sits in the classroom. He takes a deep breath, sighs and looks out of the window.

The view isn’t bad.

He does regret the deep breath though. Taking a deep breath at school, though good for general disaffected youth posturing can be a dangerous pastime.

The danger lies in what comes with it.
 A deep breath in Tom’s school arrives packed with a thousand smells and a million particles: old floor wax, chalk dust, a thousand shoes, fear, pheromones, glue on a stick, metal shavings, Bunsen burners, gymnasium ropes, angst, sweat, cabbage, pack lunches (cheesables, cheese string, monster munch), fresh paint, old paint, cheap perfume, multi-coloured felt tips, the fur and lint corners of metal lockers, hormones: sherbet, homework book paper and the flat nasal hum of crayons and pencil wood.

And Kathy: that’s the good bit.
 Tom can smell Kathy’s soapy self at a thousand yards.

He sometimes feels like a dog he saw on the telly once when he smells her – in a powerful sense of smell way that is.

It was a programme about the country with old blokes with shotguns and flasks of stuff who speak English like it’s a foreign language.

The dog is called a pointer which kind of makes sense because when it smells a bird in the bush it freezes and points in the direction of the bird.
Tom feels like that when he smells Kathy. She sprays on a funny perfume to act grown up but the main thing you can smell is the Imperial leather soap.

Tom knows Imperial leather soap because it is posh soap that Tom’s mum bought once but his dad told her it was overpriced rubbish; that she was being all fancy.

“It isn’t going to make any difference you know, whatever the advert says”.

He wasn’t sure but he reckons his Dad was not being very nice when he said that to his mum.

The smell reminds him of the time he looked into Kathy’s eyes and got stuck. Heavily, breathlessly and hopelessly stuck.

Having little else to do but be stuck he thought maybe her eyes could do with a little more exploration. Kathy’s eyes were blue-ish.

Then he noticed that they had a greeny ring around the blue bit. He was that close that the eye thing and the Imperial Leather thing got fused in a white hot flash like Sand Man and sand.

The ‘swimmy can’t move my limbs’ thing went on for a while: right up until she barked the word ‘What?’ That unstuck him.

That’s how Kathy smelt. Of Imperial leather, swimmy things: and the future.

Sometimes Tom stares out of the window and tries to imagine what that future is but he doesn’t get very far.

Tom looks up to see a raggedy line of birds flying. They are all over the place. Some of them are bumping into each other. Weird. One flies off to the right and then seems to stop and wheel back left again. They seem confused, as if they are unsure where they are going.

He also notices that the vapour trails from the planes are a bit all over the place too.

Tom normally watches them when the school teacher drone kicks in. Wondering where the big metal cylinder is going makes the afternoon hop along nicely:

America? Timbuktu? Or Gran Canarias like Tall Paul’s parents?

Given the state of the trails, which are at best wiggley and in some instances, a bit deranged, the passengers are probably asking themselves exactly the same question.

Suddenly Tom’s head feels funny. It’s his forehead. At exactly the same moment somewhere in the distance, he hears a huge slap noise.

He realises that there will now be a succession of events that he can’t do much about.

He falls off his chair backwards. The metallic scrape of the back legs of the chair tends to be a warning: a warning that in a split second or so the back of your head will probably hit the front of the desk behind you.

He puts one hand down with little effect. The seat jabs into his back.

He is now lying in a heap on the floor.

His hand goes numb from the wrist, the numbness working its way up to his elbow. One of his legs feels chilly around the shin.

He feels the grit on his cheek from the dirt on the floor. He can really smell the old wax on the floor now. Its quite nice in a way.

Tom thinks about staying down on the floor for a while.

The Stunt Man comes to mind and Tom wonders whether his chair fall would look out of place on the credits for some action movie.

His mind turns to the burning sensation rising up in his forehead.

He cannot see the hand-print but he knows it is there. Mike probably. He is the best ‘spammer’ in Tom’s class.

He’s spammed more people than anyone else in the school, both boys and girls – something one of Tom’s teachers referred to as very egalitarian (an enormous word that Tom looked up afterwards though he pretended to know what it meant at the time).

To Spam someone is to hit them loudly and publicly on the forehead with an open palm while shouting Spam’ead – preferably with one or more bystanders filming it on their stupidly smart phones. The victim is usually required to be quite clueless, vulnerable, easily embarrassed or at best, all of the above. The Spam rating improves by degrees according to both the effects of the aftershock (with falling off a chair backwards rating quite highly) and the ‘funny’ rating the film gets on youtube.

The laughter in the classroom is a huge jumble of high and low pitched voices. One or two of the voices are breaking which makes them sound like aliens.
The only person he is really listening for is Kathy.
 Is she laughing?

And if she is, how is she laughing? Is she laughing in a ‘Yeah, good! ‘cos he’s a moron’ way: or is she laughing in a ‘divo – but I really like him really’ kind of way? Or is she laughing in a ‘thought I fancied him big time but I’ve changed my mind now because he’s a ‘spammed-14-times-in-three weeks-loser’’ kind of way.

Tom realises that his shin is chilly. His leg is sticking in the air and gravity has rolled his trouser leg down. This is not good.
Tom always thought his legs looked a bit like cheese string hanging out the bottom of his shorts. Long trousers were a savior – unless of course they roll up.

In this instance he is victim to a double whammy? The trouser leg heading south with the rest of him is fine but for the fact that his leg is heading north. This reveals Tom’s lower leg. More importantly it reveals that Tom did not shower after football.

He has crusty mud on his shins and knees and he still wears his mud encrusted football socks. He’s not sure what’s worse: a reminder that he is a bit crap at games or thinking he is really a gypsy who lives in a caravan and never washes.

A large hand (Silver Back probably) grabs most of the back of his shirt, school jumper and (he hopes this is unknowingly otherwise it would constitute premeditated cruelty) some shoulder skin.

The Hand pulls upwards. Tom’s mind takes a while to think about the level of the pain. At a certain point it decides that the pain is enormous and just as Tom gets level with the desktops, he lets out a shriek.

This isn’t great either. The shriek is very high pitched. He cannot believe the noise came out of his mouth.

Tom listens for Kathy’s laughter.
 As he is helped (dragged) upwards by the owner of the big Silver Back hand, Mr. Arlington, his CSI senses register that the teacher’s breath smells of instant coffee, cigarettes and meat pies.

For Tom, though humiliating, this constitutes his 15 minutes of fame for the day. For one of those rare moments he actually exists. Not for the greatest reason but hey.

As he is marched to the door of the classroom he senses rather than sees one person at the back of the classroom, their body locked in the satanic silhouette -the silhouette made by someone standing with their mobile held out in front of them. By 3.30pm that’ll be collecting votes online. Nice.

He is posted through the door. It slams behind him.
Tom can’t believe his luck.
He brushes the specks of dust off his cheek. He rubs the area through his trousers where the crusty mud is. The mud falls down the inside of his trouser legs onto the floor.

Tom looks down at the dry mud. It makes him think of that film his dad loves  where they had bags of earth from the tunnel up each trouser leg with pegs and strings which they would release as they walked around the exercise yard letting the tunnel earth fall out of the bottom of their trousers.

He’s in that weird no mans land time. No teachers stalk the corridors. And Arlington will forget that he is there. An opportunity to chip off and out presents itself. Just got to get past the Caretaker’s Office.

Tom reckons that he can get to the beach before it gets too late. He needs to see The Tie. See what has happened to it.

The laughter inside the classroom has stopped. Tom looks at the corridor and the doors at the end of it the light spilling through them and up the polished corridor like paint glowing burning halo white,.

He walks towards the doors. What difference is half an hour going make to the history of the world and his school report anyway?

Tick Tock

Michael had begun to meter his day by the clock of the Davis boy and his peculiarities. The boy’s physical idiosyncracy and general catastrophe of purpose announces his arrival and departure around the school like a klaxon call. The shadow of his oddness draws in and out of Michael’s conscious world like a rhythmic breath.

Michael looked in some wonder at this boy wandering through his life like some gangling puppet: hanging in a shambles, the strings of his oddness jerking him along, for all intents and purposes mostly acting against the physical laws of the world around him.
 

From what Michael could gather, far beyond the oddity, the spaces inside the boy’s head constituted something beyond the otherworldly-ness of his body: they constituted another planet entirely: a whole universe perhaps.

The boy had a habit of chatting to himself at length, patently discussing with great vigour the many topics jumbling around in his head. The only external physical evidence was a slight jigger of the head, his lips muttering in some silent catechism punctuated by small gestures from one or both arms, each seemingly slightly overstrung between the elbow and the jiggling hand at the end of it.

This made him the source of much mockery, though he was mostly too immersed in the internal debate to notice.

There was the distinctive scuffing on the outside left and inside right of his black school shoes. These were due to his particular habit of leaving Maths class through the same left hand door: one push, one step and then a right turn.

He would walk along the side of the canteen on the tarmac side of the kerb, one foot in front of the other, both scuffing hard against the curb in a precarious tightrope as he burbles on to himself inside his head. The more he watched him, the more Michael began to find a rhythmic peace in the boy’s chaotic routine of self and lack of recognisable purpose. Perhaps there was some redemption for Michael in the dreaming boy who walked the beach.

Dreamers. A voice in the back of Michael’s head chimes in. Flakes and losers: one and the same. If you lack focus, if your head is in the clouds, you can’t apply yourself. Dreamers don’t tow the line. Dreamers are the dissenters.

And that was the problem really. Michael had always disliked Dissenters: all of them, especially the ones that didn’t deserve to be here in the first place. If you didn’t grow up in England; in Michael’s England, perhaps you wouldn’t know that.

You can’t just swing in to a country from the middle of nowhere with your head full of rubbish and expect the world to give you everything.

Michael realizes that his left hand is stirring the tea with too much vigour.

Michael’s right hand drops to his outside coat pocket. He touches the broad, rutted leather spine of a small perfect-bound book.

The cool leather feeling passes up through his arm to meet the voice of the bully that is rising up behind his throat and his eyes. His fingers run themselves along the outside of the book connecting to every small crease, pit and scar on its surface.

His breathing slows. His mind wanders back to the Davis boy.

As always the ‘Thugees’ pursuing the Davis boy will have fallen in behind him without his noticing, somewhere near the main school doors.

They will have begun the provocation immediately: small jabs, an ear flick: clipping his trailing heel right or left to trip him. Seemingly harmless enough. But very pointed: and very effective.

Michael watches the motes of dust in the middle air as he stirs the tea. He breathes deeply and, to his ears at least, loudly.

Provocation was something Michael knew much about. So he tended to keep an eye on the Thugees as they shadowed boys like Davis: though Michael’s Law of Intervention was strictly applied.

He stepped in only if he felt the moment had arrived: the point at which the cord gets cut.

He was all too aware of how quickly the fear-fuelled jibes of the bully can become something much worse. Michael knows the point at which the cord attaching a person to kindness gets cut.

It was something Michael had learnt on his journey to a place a long way away from himself: a place deep inside his own skin: a place where he huddled; a place from which he had repeatedly observed his every fear and failing pour out of his mouth in vile anger at any dreamer and sponger that thought they could just arrive in Michael’s country and strike an attitude.

Michael could also recognize the subtle nuances of body language: the physical shift: the moment where the words might harden into fists and worse.

Michael recognized these subtleties for two reasons: firstly he had been trained to know and recognize them; in himself and in others: and secondly that he had subsequently exercised that knowledge in places far enough away from his own conscience and those he loved and whose judgement mattered to allow Michael to undertake actions that would eventually destroy the joy that once resided in the beautiful young man with the boyish hair swept across a high forehead, strung tightly upright in the uniform that meant so much to him.

He had personal experience of what it meant to pass through the physical shift from brutalising to brutalised.

Michael watches as the small wave of tea surges up behind the slowing spoon to sweep around it and dissipate to nothing.

 He taps the spoon twice on the right hand side of the mug and places the spoon on the kitchen towel, folded three times length ways and placed to the left of the kettle.

To the right of the mug, a vaguely translucent saucer plays host to three used teabags, its edge peppered with rectangles of chipped orange glaze.

Each bag has been particularly, precisely and economically compressed, one half folding over the other like a collapsing sack.

Michael allows the silence to swell up around him as the kettle element completes its last cooling creak. He listens. The white noise is unbroken by running feet, raised voices, small cries or pleadings. Good.

 

Chapter 8.

The radio handset swings merrily from its stretched plastic cord, minding its own business – amusing itself.

As the boat yaws it clatters from one side to the other, see-sawing across the face of the steel-paneled bridge. Its canary yellow paint is pitted and chipped from decades of swinging from port to starboard.

The mouth-piece hums with the sweet fug of a million breaths. The paint around the Talk button is worn through to the white undercoat.It emanates the odd crackle but otherwise holds its tongue: this is a well-disciplined ship.

Doug is curious. He rarely feels hysterical, or scared or spooked.

He’s been criss crossing the North Sea for enough years now. He’s seen it all.
 He’s been out here a good hour and is expecting another hour to go past before he sights land yawing across the fat rolls of the grey-black sea.

His Trawler, Canny Lass, lopes through the swell, rolling her hips in time to the lunar rhythms of the night sea surges. Doug’s face already has the salt freeze on it and he’s only stepped out onto the deck once.

The spray creeps through his oilskins, whatever he does. He raises his hand to his face and rubs away the powdering spray.

The foreshortened middle and ring fingers on his hand drop into the lined cracks in his cheeks, the increased sensitivity of the skin on the stumped fingers marking every line and rent of his face in detail.

He draws his thumb over the curious surface of the stumps to erase the buzz.

Strange. If he didn’t know better he could swear that was land ahead – just faintly, darkly, thinly, distantly. But land nonetheless. His thumb presses on his middle finger.

No. That would be insane. That would require the Scottish coast (and Scotland for that matter) to have moved almost 30 miles due North.

He’s only been out three days.

Doug cranes his head backwards and looks up. Bugger. The stars are tucked up behind the night-time cloud cover.

He looks again at the ghost land ahead.

The strangest thing is, as far as he can tell, not only is he moving through the swell towards it; but also, if he is not mistaken, it seems to be doing exactly the same thing towards him.

Doug peers down at the ships Navigation system. It seems to be as confused as he: it is registering echoes of the land where there is none and nothing where the land seems to be.

The wipers wipe, sweeping the spray left and right, the thup thup rhythm to his thoughts.

Doug momentarily switches off the Bridge lights. His eyes scour the horizon: A girl once told Doug that he had ocean’s for eyes.

Doug switches the lights back on and muses the options.

Either he’s lost it, destined to end his days in an asylum OR the Great British Landmass was up to something (and the Islands weren’t invited – he noticed on his plotting Sonar that they seemed to be falling away left and right into the void – peeling off like a sortie of disengaging aircraft).

Doug turns, walks the three steps across to the back of the Bridge and reaches for the swinging hand set of the radio.

The line bursts open with a click crack snap. The white noise of the open channel is almost deafening.

Doug speaks into the handset. In the background The Shipping Forecast rolls out on to the bridge from Doug’s trusty old radio.

Doug looks at the mesh over the single speaker and smiles. 
It is as if she speaks to him every day through it.

In the same way some people put their ear to a shell and believe they can hear the sea, Doug believes that, if he puts his ear close enough to the plastic shell of that old radio, he can hear her breathing as she sleeps.

The ship’s radio crackles.

 

Growing Up

The swell of the tea rolled across his tongue.
 Funny thing, growing up – in that it does exactly what it says on the tin.

As if triggered by the ringing of an invisible, relentless and cruel clock, every fibre of every young body suddenly wills itself with almost superhuman effort to stretch into a longer larger greater curved and ripped self: a self capable of grown up things in a grown up world.

Such a terrible crime growing up thought Michael – and dreadfully over-rated.

He turned the thought over in his head, palming it across from one hand to the other.

Growing up. There in the word structure of the phrase lay the problem – the very truth of its terrible theft.

The problem with growing up was that it expected you to do exactly that: grow upwards away from the earth and all its wonders.

And in doing so every magical musty beautiful thing our young senses had hoovered up while our nose was to the the carpet, floorboards, long grass, bushes, fields, pavements, parks: under bushes, trees, flowerbeds, lawns, fence posts, kerbs, tarmac, mud, puddles and roots – all those kaleidoscopic things were suddenly expected to be set aside in favour of something so, so inferior.

Growing up and away from the ground diminished everything. Every immaculate detail of being and existing in childhood was made suddenly small; insufficient; seemingly incomplete and naïve.

Michael watched child after child after child rise up out of their beautiful, low-altitude thinking, feeling selves into a confused and disconnected gambolling adult – a condition from which as far as he could tell, none of them ever recovered, the lie of their adulthood their dirtiest little secret; the terror of their being found out the engine of the most audacious teenage confidence.

Adulthood as far as Michael could tell was a form of vertigo. A precipitous dread of falling and failing carried in the breast of every grown up who thinks they have their act together.

To Michael most gown-ups were just children on stilts: their unformed and fragile selves tottering precariously through the everyday: armed with all the emotional intelligence and maturity of a small child in a nativity play sporting a stick-on beard and a strangely gruff voice.

The spiritual blindness was only part of it. The physical ramifications seemed lost on pretty much everyone. The tremor, the vibration; every growing pain like an early on-set Parkinsons of the soul, signaling every time their out of tune selves teetered towards the precipice of the adult.

Growing up was theft as far as Michael could tell.

The greatest riches a child could ever imagine lay in the area between the damp earth and some 12 inches above it: and in the space between a child’s eyes and something less than a palm width away.

Growing up stole the opportunity for a closeness of being that fuelled the senses of every child who’s ever thrown themselves on the floor and suddenly just liked being there, turning their cheek to press on the surface on which they lay.

Adults seemed to forget very quickly that a million warps and wefts of sight, sound and smell float in the seeming void of everything between the ground and yay high – a teeming brilliance that most adults would barely remember let alone recognize as being of any importance whatsoever.

They forget simple facts: like the fact that shadows have a smell – an obvious observation for a child hiding hunkered under the dank shadowed canopy of a large misshapen bush in an old wood: their fast breaths from running under the count down to ‘coming ready or not’ sucking up the mulchy smell of wet trodden earth rising up from the ground beneath them.

There was an honesty in the closeness: the proximity. There’s not enough room for posturing and fakery between a child’s senses and the tiny bug on the blade of grass they watch intently.

Michael had watched the Davis boy sometimes as he slumped on the canteen table, his face buried in the wrestle of his blazer and undone shirtsleeve.

Michael knew that at that very moment the boy was taking comfort in closeness. He knew that the boy was drinking in the smell of his shirt, the powder that washed it, the smell of his skin beneath it, aware that the shirt had sat in the machine for a few minutes too many, a slight dampness underlying the Bold scoop happiness of its whiteness.

Michael knew that as the boy sucked in air that he would be vaguely aware of the slight smell of charring emanating from the small circular burn holes in his blazer sleeve from a little light magnifying glass in the sun experiment.

.The beach also drew out the wonder in the boy. Michael had happened to see him once while taking one of his regular walks away from himself.

The boy was crouched, his arse parked on the sand, rummaging in some small circle of something, the back of his trousers like a litmus-paper reading of the sea water they had soaked while he rooted about in some daydream.

Michael had watched as the boy searched in small pools of water for answers to questions he had not yet thought to ask. Perhaps thats where the use of ‘unfathomable’ had come from for things beyond our comprehension. 

Running his fingers along rock crags and chipping moluscs, the boy obviously took irrational and regular delight in discovering the great map written into every beach surface: in every cleft and texture, in every dune and ripple, in every groove and undulation; in every flat expanse and in every dark corner and rock bottom.

Michael had seen him as he stared endlessly at the wind-flicked water as it fractured the light and sent it splintering outwards.

The boy deserved to know the ebb and flow of what rushed through his veins.

He deserved to know that the hypersensitivity he felt in every atom of his being and every action and ripple he unleashed in the world was an inherited condition: and one that ultimately led to the dreadful exception of being amazing.

Being amazing – being far from average – was Michael hoped, something that the boy would hopefully one day learn to forgive in himself.
  

And the tragic comedy of it all? In this higgledy-piggledy boy, the comedy of all that white-hot, hormonal creaking, elongation and sebaceous madness was almost secondary to the singular plunge into the unknown he had taken, unwittingly and innocently with a flick of the wrist perhaps, but nonetheless, this boy has unleashed something his grandfather could only have dreamed of. Not only that, he had done it uncluttered by any of the toxic ugly reasons for doing so that his grandfather harboured within himself .

Michael wondered whether his still-born sexuality had something to do with his own quite bleak and clumsy  journey to growing up. Perhaps his heart, cast adrift as such an early age, was already lost before the climbing angst began. 

But, strangely for all of this, on reflection, Michael felt quite positive about the process of growing up.

He truly believed that once the lucky individual had scrambled through the cloud-strewn rare air of growing that, actually, the primal rub  of feral chest beating and sexual proximity that came from young adulthood and onwards: its scents and odours and cavernous recesses and damp delicious fustiness, represented the closest we could find to the childlike pleasure of rummaging in nature’s closet.

Crass perhaps. Too much detail maybe. But that’s how he felt. And if the bestial and visceral nature of ‘pick a market town any market town’ on a friday night was anything to go by, he was standing by it. Not very scientific. But highly evidential. 

Michael wondered whether this might offer some form of explanation for the socio-sexual compulsions of all those adults, packed sardine like into every on-line swinger and adult dating site.

He wondered whether a quick survey might just turn reveal them to be the fiercest bug watchers, tree shadow dwellers, stick trench diggers, puddle swimmers and bark inspectors of their generation, all desperately trying to rediscover their super sensory selves once more in the dark musty corners of any web site they could find.

The lip of Michael’s chipped china cup clipped his own. The smokey Lapsang tang rolled under his nose and on to his lips. The smokiness did its work.

Grown ups. Bunch of fakers the lot of ‘em.

 

 

 

JulianBorra©2016

AUTHOR’S NOTE: In the process of publishing this story to the blog I am altering the original text of the Kindle Version. The blog published version will be the most up to date edition.

Sail – flannels, flailing & Jerusalem

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Chapter 5.

Tom opens his eyes. Morning.

His room is warming up nicely, the sun fuzzing through the gauzy primrose yellow curtains.

He looks at the ceiling and his eyes follow a small crack in the plaster running in a squiggly line outwards from the plastic cornicing.

Cracks: the house was moving. Not a surprise really. Even the house wanted to go and live somewhere else.

Tom runs his tongue over his teeth; they feel weird.

He cups his hand, puts it over his mouth and breathes out. His breath is a bit smelly. Ok, more than a bit – it mings.

He slides one leg out from under his steaming bedcovers and dangles it in the cooler air. He moves his toes: they hurt but he’s not quite sure why.

He slides the other leg out and swings his body up and out of bed adopting a zombie like posture as he does.

He is a zombie. He is dead from the neck up at least. He’s a head zombie. A head zombie-mind-reader. A mind-reading-head-zombie-body-stealer.

He crosses his room to the ‘thresh-hold’ – and steps out onto the landing on his way to the bathroom. His feet scuff the carpet. They feel heavy. He can hear the clatter-ding-caw of breakfast stuff going on in the kitchen downstairs. And the muffled sound of his parents below speaking ‘at’ each other.

Some people think his parents are talking ‘to’ each other but Tom knows better because there is this thing they do – a ‘not listening’ thing – where they just talk over the beginning and ends of each other’s sentences, like Mr. Baker does when Tom starts wanging on because he’s taken so long to answer the question that he’s half forgotten what the question was.

Tom looks in the bathroom mirror. An average boy glances back at him..

He stops brushing his teeth. He looks at his hair in the mirror. It is really average brown-ish and cut in a weird shape around his head, like a space helmet but without the really cool bits.

His face sits in the middle of his head. He leans close in to the mirror. He tries to look at his face properly to see what he really looks like but his face gets in the way. He makes his eyes go in and out of focus a lot and waits a bit to see if his face changes at all.

He’s stayed up late one night and watched a Greatest Movie Moments programme that was packed full of film clips. A woman talked about great movie ‘silhouettes’ – like Indiana Jones with his hat and his whip. And the man from a film called the Exorcist, under a street light.

He tried a few of them out. Weird.

Sometimes he thinks that if he stares hard enough his face might warp into someone brilliant looking; but no. Nothing. Just average, dull, boring him.

And now his eyeballs feel really achy at the back from him making his eyes do weird stuff.

His body isn’t much better. He lifts his arms up. He does Hulk power arm shapes. He lets them flop down again. He hunches himself over so his shoulders go all round and sloped.

He is skinny and he looks funny in his matching Y fronts and vest.

The bang on the door makes him jump.

It is his Dad. He is in a bad mood. Something about being late and ‘what do you do in there all day?’

Tom thinks that’s a bit unfair. Jaqui spends much more time in here than he does. He puts his toothbrush under the tap, rinses it and puts it back in the holder.  His Dad bangs again.

Tom’s dad is pretty much the same as all of the other dads in The Close: same looks, same clothes, same interests.  It’s like there is a secret dad shop somewhere in town where all the dads go to get kitted out.

Tom can’t understand why his dad wants to look like the rest of them given how rude he is about them. He mows the lawn, washes the car, stands by his fence nosing about other people’s visitors. Just like them.

Like all the other dads he seems to have a lot of passing conversations with Mirka, the Au Pair at Number 23 about nothing in particular: certainly from what Tom can make out anyway.

Mirka is a teenager from the Czech Republic and she says she is studying.

Tom made the mistake of saying Czechoslovakia once. He wouldn’t be doing that again.  He wasn’t sure whether the hot prickly feeling that had crept up his neck onto his face was because she shouted ‘stupid know nothing dumb ass’ really, really loudly and everyone heard or because he thinks she is very attractive.

Tom’s dad has a super power of sorts. He is the Invisible Man. They were at the pub once and his dad was trying to get served and even though he was right in the front of the queue almost every one else got served before him.

The barmaid girl whose eye his dad was trying to catch actually asked Tom what he wanted and he had to the do the nod and eyes thing in the direction of his dad.

His dad’s face had gone red. Though Tom wasn’t sure whether it was anger or embarrassment: hard to tell really. Sometimes Tom’s dad’s went red but then he would let out a huge fart and his face would go back to normal. This wasn’t one of those times

Tom’s dad is quality.

Tom overheard his dad and mum talking about a dinner party they had been to. He felt really bad after a while because he allowed himself finding it hard to imagine the other people at the dinner party finding his Dad really funny and interesting.

He couldn’t imagine anyone saying ‘That bloke is really interesting: funny, bright; yes, I really like him’ about his dad; which is a bit harsh as his dad must be a bit of a laugh to be invited in the first place.

Tom’s dad has two pairs of nice trousers and wears his leather coat with everything. He drives a silver French car and wears a fancy french after-shave on special occasions.  Whenever the commercial for it comes on the telly he strikes the pose of the male model and whispers the name.

He has slightly bow legs and pigeon toes but won’t admit to them claiming that he has “misshapen muscle mass due to playing football semi-professionally… which, by the way is one of the many reasons we don’t see your grandfather; ever, because I’m a football man and he’s a rugby union snob and anyway, let’s face it, he’s a twisted old…”  at which point Tom’s Mum would shoosh or nudge his dad into silence.

Tom had never really considered why he never sees his grandfather. He supposes he should do but what you don’t have you don’t miss perhaps.

Come to think of it none of his friends had their grandparents.

Well, Nigel did – a grandfather – his dad’s dad – but he was up in the North somewhere – pretty rich by all accounts – but since Nigel’s mum and dad had split up Nigel didn’t really see him.

Tom’s dad runs a small furnishings shop in the town specializing in ‘styles for modern living’ (as claimed in his small ad in the small ads bit of the local paper) – Tom thinks the stuff is OK but there’s a lot of corner units made out of something called plywood and, to be honest, he’d heard his Dad say that they would go up like November the 5th if you dropped a fag on them.

Tom can sense his dad leaning into the bathroom door preparing to hammer even louder this time.

His mum shouts up at his dad to tell him not to shout at Tom.

Her voice sounds funny – it’s got a sort of ‘leave him alone’ and ‘don’t be mean’ tone This confuses Tom as she’s not really a softy like Nigel’s mother.

Tom thinks his mum looks a bit lost sometimes. Tom thinks lots of things about his mum: some of them are not very nice which then make him feel bad inside for thinking them.

He’s decided that she is a lovely person who just got sidetracked into being not very nice or a bit mean sometimes, like Doc Oc’s nanoparticle electro-molecular conflation experiment accidently going horribly wrong, turning a totally decent professor bloke into a marauding genocidal maniac.

Aunt Bea says Tom’s mum has got a lot on her plate. As far as Tom can see that’s half the problem. She doesn’t. She’s got too little as far as Tom can see. She always eats funny little portions and goes on strange diets that feature in her magazines and she just gets more tired and really grumpy

Tom’s mum works as a manager at a local supermarket. She likes her job. She has a couple of friends from work who pop round sometimes. One of them, Tina, sticks her chest out a lot and she wears a lot of makeup.

Tom’s dad calls her an ‘old tart’ under his breath when he thinks no-one’s listening– but the other one, Annie, seems alright.

Tom’s Mum likes to make the house just so: not that his dad ever notices.

She is not that old. Tom thinks that she is pretty; just not like in an actress kind of way. If you look at her closely there are millions (OK, maybe thousands: three thousand or something like that) of weeny blonde hairs covering her face which her powdery foundation sort of hovers on top of. Maybe it’s hovering for a reason.

Even from upstairs her can tell that she is not happy.

Tom’s mum has little explosions of loving Tom too much, and sometimes not much at all. Sometimes she seems disappointed in him: or she doesn’t like him; something anyway.

Tom’s dad doesn’t help. He seems to look straight through her with x ray vision. It’s as if he believes somehow that if he doesn’t focus on her for a bit and then does again she’ll have turned into someone else. His dad’s eyes are like those of an android programmed to kill without conscience.

The photo albums are full of photos of Tom’s parents having a laugh. There are a few with his Granddad and Grandma, not that he would he be allowed to call him Granddad if he ever did meet him – because “he would think it sounded common”.

Tom knows that something bad happened. If you’ve got a dad why wouldn’t you see him? And his mum and Aunt Bea seemed very close with each other. Why wouldn’t they be close with their dad?

Funnily enough they do look quite grand, his Granddad and Grandma. Tom wonders whether that’s where all those complicated words in his mum come from. They sound like they come from the world that Granddad looks like he comes from.

He looks a little bit like the Attenborough bloke that his dad always watches on the telly: but after a few too many family buckets of Ken’s Lucky Fried Chicken.

Maybe it’s a good job that they don’t see them and they never talk about them. Tom was told that the first time his Granddad held him Tom pooped his nappy with a massive farty bubbly noise and then vomited all over his Granddad’s trademark linen suit and expensive Italian hat.

The situation was made worse apparently by his Aunt Bea saying, “Sick, yes, but what insight, what a critic!”

His father is normally crying with laughter by the time he gets to this part of re-telling the story and Tom has never had the courage to ask him what’s so funny. Insight is a word he doesn’t really get. And why would a baby throwing up be critical?

Anyway.  He reckons it might be to do with his Granddad being a shit or something. That was what Aunt Bea had sort of half shouted in a bit of a shouty conversation with his mum on one of their curry nights in.

Tom is dressed now. He walks down the stairs, his hand sliding along the edge of the glossy-white banister.

He looks out of the window that looks out over the Close; at the houses that look just like Tom’s. Tom’s house is pretty average.

It is a sandy brick and white weatherboard ‘new build’ house on the edge of a market town by the sea.

His dad had told Tom that the town expanded in the late 1950s – that’s when their house was built. The only reason his dad had told him this is that Tom had seen a house off the high street with a small stone shield in its front brickwork with ‘built in 1815’ engraved into it. When Tom had asked his dad why their house didn’t have one of these his dad pointed out that writing 1968 on the front of the house wouldn’t be quite as cool.

Tom’s family went to visit a cousin once down in the West Country – somewhere near a place that sounded like a Cider drink – and their road looked exactly the same as his but just the other way around, sort of.

Tom thought that perhaps that made their house a bit like a McDonalds. You could go anywhere in England and find the same – same road, same house, same families. Just in a different place. Which was a shame because when they had driven down to Devon once for a summer holiday Tom realised that all the old houses and buildings looked slightly different from one place to the next. Maybe that’s why old people looked so confused. They come from a time when their houses and streets looked like theirs – not everyone else’s. Maybe they knew where they were once. And didn’t anymore.

For a while Tom thought that maybe all their houses looking the same makes England look a bit dull (apart from the nutter at the end of St Margaret’s Road who put paving slabs across the front wall of his house and some weird plastic bird in a small pond at the front being attacked by old toy wrestler and superhero figures and a Tamiya model of a WWII Tiger Tank).

But then on a school trip to look at European Cathedrals (weird idea really) they had driven through Belgium and all their houses were the same too – different to Tom’s, but the same as each other. So maybe everyone liked being the same.

Except Tom.

The upside was that Tom did quite like having to write out his address or say it out loud

Someone had obviously thought it would be good to reflect some local piece of history in the road names on the estate: in Tom’s case it’s a bit of Roman and Saxon thrown together – the excuse being that there were the remains of an old iron age hill fort and burial mound nearby.

So, at No. 23 Ethelburga Close, off the Boudicca Through Road (and just across from Legionnaires Drive) on the Wessex Estate, you’ll find Tom, his mum and dad, his sister Jaqui; and Ceasar.

Distinguishing house feature? A small tuft of Pampas Grass in one corner of the front Garden. The people who lived there before them had planted it and Tom’s dad couldn’t be bothered to dig it up, even though he hated it.

The Wessex Estate is sandwiched between the main road coming into town and Seaway along which you’ll find the rubbish football club and sports centre and the VW dealership full of shiny cars they can’t afford.

Everyone seems to admire them but Tom’s dad says VW a bit too smug for his liking and he seems to always hope some strange fate will befall them. Maybe he’s just jealous.

Between the Wood and The Golf Club is a track leading to the sea that smells of damp bark and burnt rubber.

Beyond that is a smart road called The Drive that snakes into the south side of town, with the Golf Course spreading either side of it. The Drive is full of very big houses where everyone looks like they have just been on holiday.

When you’re in the middle of the Wessex Estate you could be anywhere (or No Where thinks Tom).

Eventually you might realise that you’re near the sea because of the seagulls.

You can also tell because some houses have small covered boats in the drive or in their garages; and windbreaks and beach stuff in brightly-coloured plastic and stripy canvass. There is one house with a cool Volkswagen Van outside sprayed kind of bright orange and sea blue.

So; kind of could be anywhere seaside-ish but no great shakes.

Tom is frozen on the stairs eyeing the pampas tuft flopping in the wind. He hears the sound of distant pounding.

Jaqui rushes past Tom on her way up the stairs. The static from the man-made fibres in her crop-top and mad tights meets with the buzz of his just scuffed sock shuffle skin. The air fuses in a static lightning flash.

She punches his arm. The smell of brambles fills the air.

Tom’s sister, Jaqui, is pretty average as girls go. She is older than Tom. He wishes she wasn’t his sister.  He can’t understand why she doesn’t feel the same. How can she bear to be Tom’s sister. She hates Tom (or that’s what he’s decided). Her friends laugh at Tom and throw things at him. When Tom’s sister gets annoyed she hits him with her trainers or those mental cork wedges she loves, which he thinks is funny. This annoys her even more.

He did not find it funny the other day though because as he tipped out the backdoor into the garden with her in hot pursuit he tripped over the hose reel lying across the path.

He fell on the bit you wind the hose around and the tap went into his ribs. He thought he might throw up it hurt so much.

He laughed. Not because he was going to throw up but because in her rush to spam him across the forehead with a random trainer she tripped over Caesar’s water bowl and twisted her ankle.

She got really angry with him and his laughing didn’t help.

He said that she was just angry because she was probably going to meet Dangerous Boy and she wouldn’t be able to go to the wood and snog him if her ankle was twisted. He knew because he had seen her.

That didn’t go down well.

She only stopped hitting him on the head with her trainer because their dad had come out and pulled her off him. He thought she had over reacted a bit but thought better of saying anything else.

He knew why she was really upset. Her best friend Tina (who Jaqui quietly believed was much prettier than her) was seen with Dangerous Boy last week.  Jaqui was frightened that Tina was going to get off with him: he’d heard her say so when she was talking to Chivaughn, Chavayne of Chardonnay or whatever her name is.

Once Jaqui had been dispatched and things calmed down Tom noticed that his dad smelt of that after-shave from the blue bottle and he was wearing one of his new shirts – so he must have been on his way somewhere special.

As he walks away Tom sees two huge slobber marks across the back of his dad’s smart brown trousers. Nice.

Damp brambles.

The pounding of something heavy up the stairs follows the smell of brambles.

Ceasar gallops up the stairs after Jaqui. He passes Tom, another static flash and a huge swipe of slobber is left clinging to Tom’s school trouser leg. The slobber is undecided as to whether it should run down his leg as gravity dictates or follow the static upwards towards the light flash emanating from around Tom’ s head.

A damp woody, rotten smell fills the air.

Their dog, Caesar is pretty average apart from the fact that his name is the same as a Roman Emperor. He fits right in at Ethelburga Close opposite Legionnaire’s Drive.

There is nothing imperial about him. He is an average everyday mix of retriever and terrier. He smells of damp brambles and has bad breath.Caesar came and licked Tom’s face while he was watching the telly last Saturday and Tom had to wash his face with Dettol: twice.

Tom is frozen in static shock on the stairs. He sees his face reflected in the window glass. He looks like a nutter. His hair has breached the vice like grip of hair product, and is now sticking up proudly, ignited by static,  The awfulness of his life, which Tom is never slow to celebrate most of the time, is put to one side as the sheer genius of static electricity fills his head.

He imagines building up enough static to be able to stick balloons and small cuddly toys to himself and walking into his Physics class, introducing himself as the lesson for today at school: that would be genius funny.

Tom’s school is a comprehensive secondary school called St Michaels. It is built out of prefabricated steel and glass. It’s got different coloured plastic panels which are all a bit faded. The colours are all apparently called things like Mute Blue, Ethereal Yellow and Whist Green.

Tom found out the name of the colours from the caretaker once while waiting to go into see the Head Mistress. Tom thinks that the caretaker is strange. He watches Tom a lot. Sometimes it makes him feel really uncomfortable.

He might be a nutter John said.

What if he ended up like that child on the front page of his dad’s Sunday Paper that is otherwise full of pictures of half dressed women.

Tom, the obedient child, buried under the floor of the sports hall by the caretaker. John had got a little carried away to be fair. But the caretaker is kind to Tom so that’s fine.

When they started bullying Tom a lot, the caretaker seemed to always be just where Tom needed him; and he was brilliant at making the boys leave Tom alone without winding them up; which was more than he could say for Mr Poulter, the Art teacher who always managed to just make it worse.

The thought of school fills Tom with a big fat ‘so what’. He arrives at the bottom of the stairs and swings right.

The radio is on in the kitchen. Tom takes a bowl from the cupboard and the third box from the left in the line of cereals.

It is vitamin enriched which apparently gives you a happy heart. Tom thinks that maybe he should eat a box, call customer services, demand a psychological assessment and then threaten to sue them under the Trade Descriptions Act.

The smell of old cooked food wafts out at him as he takes the milk from the fridge. There is one really nasty smell in the middle of the overall waft. Tom can’t quite put his finger on it. Judging by the smell he reckoned that even if he were to put his finger on it he would probably require a paramedic.

He scans the fridge. It is most likely to be the cheese that his dad bought home the other evening.  It was drippy and yellowish. It smelled like a dead person – not that Tom had ever smelt one but he’d seen them on the telly and they look pretty smelly.

“A cheese with its own postcode” Tom had said.

He thought that was very funny. He had heard someone on the television say that about someone’s nose because it was so big. He thought it kind of worked for the cheese.

His dad said that his comment just showed what an ‘oik’ he was. A look passed between his mum and dad, which resulted in his dad going quiet; but not for long.

“This is a fine cheese” his dad said.

Tom assumed that it was like those posh cheeses in the ‘Finest’ section of the supermarket. Tom said that it was fine as long as it was nowhere near him; which he thought was equally funny.

Tom eventually spies it, lurking just behind the half empty soya milk (yeecchhh) double wrapped in cling-film, sweating. Tom closes the door leaving the cheese to sit unpleasantly in the dark emanating its cheese violence.

Tom imagines that somewhere in the labyrinth of one of the computer games that he doesn’t have there is a level which requires you to traverse a sea of this stinking cheese.

He sits down at the counter. He starts to shovel in the cereal. He can hear Jaqui stamping around upstairs. The plasterboard ceiling creaks and groans. She has lost her ballet shoes. Funny.

The kitchen radio drones on over the wet gravel crunch of Tom’s cereal eating.

There is a man on the news. He is from somewhere on the south coast – a ferry skipper. You can hear the whistling of the wind in the background as he speaks. He is all worked up about his ferry trip taking 10 minutes longer than usual and him being late and he’s never late and how something’s odd with his compass.

The Bermuda Triangle is mentioned a lot. Tom’s dad is not quite sure why the man is so upset. “10 minutes late? If the 7.37 to Liverpool Street was only 10 minutes late I’d eat my shoe”.

Speaking of which, Tom hears a massive thud upstairs. Jaqui has either fallen over the dog or one of her legs has dropped off. Tom hears the dog charging down the stairs.

He squeezes slightly further along the breakfast counter and puts his left arm lengthways, protectively along the side of his bowl in readiness.

There is a politician bloke on the news now. He is talking about the ‘special relationship’ between the British and Americans reaching right back to the war.

He talks about ‘slipping the yoke’ of Europe, which reminds Tom of some of the language that comes up in English Lit. All very Shakespearean.

Another politician, a lady this time, says that the relationship is not as good as we think and only the Americans really benefit from it. She says we should be ‘aligning ourselves more with the European Community’.

Tom makes a note in his head to look up ‘aligning’ to make sure that it means what he thinks it does because it sounds like ‘malign’ which he vaguely remembers is bad.

The woman blahs on about economic superpowers and import tax, isolationism and agricultural grants: and not getting closer to the Americans being a good thing.

Tom tries to gather in a rogue piece of cereal with his tongue from its current position,stuck to the outside of his lip like a crusty spot (not dissimilar to a thing Jaqui had on her lip for a week and about which she got all weird and went mental with with cover up and stuff.)

His tongue slips over the oaty circle which drops to the counter top in a small blob of milk.

Tom’s father would love the British to be closer to the Americans. He’s always going on about ‘dodgy foreigners, bloody French! And the Italians! All big pepper mill, alo beoootifool layydee and sparkly eyes on that holiday in Rimini”. Toms mum always gives a little smile when he brings this up.

Tom reckons his dad was angry because they couldn’t really afford the holiday so he felt better if he told himself that they were all dodgy and ripping him off.

And as for the Germans “Don’t start me on the Germans. Bloody EU. Bloody Edward bloody Heath” was what it all boiled down to with his Dad. Tom isn’t sure who Edward Heath is but he admires his ability to irritate his dad.

Tom becomes nervous. Tom thinks about the Tie a lot while listening to the radio and ambling around his cereal. Maybe he would go to the beach after school and see the Tie. Maybe he should re-tie the Tie.

He couldn’t really think of a good reason other than maybe he shouldn’t have untied it.

Ceasar’s smell precedes him like an Early Warning System. Tom feels the weight of Ceasar against his left thigh as a slurry of slobber trails along his left arm.

Tom sees Ceasar’s black nose sniffling across the top of his arm. He turns and places the bowl with the little cereal and milk left in it on the floor. Caesar wags his tail, licks his lips and farts.

Ceasar licks the bowl swishing it from side to side across the tiles and towards the other side of the kitchen with furry pink swipes of his tongue, clatter scrape clatter as it goes.

The DJ on the radio introduces a golden track from the archive.

Ohhhh, I am going to Barbados, Woooh, lovely country, Ohhh I’m going to Barbados, Woooh, by the sunny Caribbean seaaaaaaaa’

Tom is pleased that no-one can see him sitting, listening to Old Bloke Music

 

 

Cat’s Cradle

 Michael had ceased to be amazed by the cat’s cradle of life a long time ago: the way by all things are connected. How the fingers of one’s life continuously turn and twist, yet the string is the same string, never changing its length, thickness or design; continuous, steady, fixed.

 The padlock across the cupboard doors glints in front of him.

 The flat grey sheen of the cupboard’s sprayed steel surfaces seem to almost glow. His gaze shifts across the room to the table opposite.

 A bucket, a small plastic bottle of detergent, made misty by the chemical, and some wire wool sits beside a random tumbling stack of blue latrine hygiene tablets.

 Michael remembered the first time he came across words about the Davis boy scratched in the loo cubicle. The usual thing: questions of sexuality; acts privately undertaken.

 Michael wondered whether the boy’s grandfather had any idea that he was ‘that one’ in his class. The outsider; the loner.

 Not that his grandfather would or could be of any help: he had chosen the degree of his involvement (or the absence of it) a long time ago. Not that he would know what to do with him anyway.

 The minutiae by which young people navigated life; the small intuitions required to help them do it: these would be utterly alien to him. To the Old Man youth was ‘another country I’d heard of long ago’.

 He was only good for the puffed chests of little men. He was only good with grand gestures and flattery: cajoling thin-spirited people into turning his ugly little ideas into actions (Michael never could bring himself to use the word Ideal when it came to The Old Man). Bierkeller Cod oratory designed to turn a man against someone who couldn’t help but stand out to be seen; that’s what the Old Man was good for: very good at making other people the butt of everyone’s disappointments: especially his own.

 Michael reaches up and runs the coarse palm of his hand around his face: his calloused fingers bump across the lines and the rents of skin that gather below his cheek and under his jaw.

 Michael had, for a very short while, wondered whether he should contact the Old Man: to let him know. A word had not passed between them since the day he turned on his heel and walked away from the planning table at what was laughingly called their HQ; scattered with scraps of pamphlets, slogans and statistics: ‘massaged’ facts and figures on and about everyone seen as ‘not quite Right’.

 His hand traces up and around his eye, the hard skin of his finger-tips running over the crow’s feet, like tyres on a cattle grid.

 Michael has long since lost the habit of flannelling his open hand across his face and over his high forehead; the physical tick of the fractured and the damaged.

 He has not lost his habit though of reading the lines, rolls and pocks in his face while he thinks, as if in the braille of them somewhere an answer to the questions stumbling around inside his head will be found.

 The men in that room: that funny little room packed with the purveyors, the guildsmen, of the Little White Lie: every motto another Little White brick with which they would rebuild their little England: their little island locked fiercely and immoveable in the top right hand corner of the right part of the world, just above Europe.

 For them being above Europe was always so much more than just geography.

 Their absolute belief in their superiority was faintly ridiculous, arch revivalists of some misty bygone age where all things good were good and whole and unsullied by others: outsiders.

 Michael picks up the kettle, the weight of its boiling cargo tipping it forwards in his hand. The tea bag is already in the mug, waiting, perfectly positioned at a right angle. The thick funnel of boiling water pours over it, drawing out the perfect pitch of colour and taste.  He uses the spoon to scoop and squeeze the sodden sack against the side of the mug before hoisting it out.  The spoon descends again to stir. Meticulous. Military precision always. Even in the making of a cup of tea: especially in the ritual of a cup of tea.

 The two girls had been with the Old Man outside the hall that summer evening. B was two years old at the time, wrapped tight in a light blanket over a baby dress of country cottage cottons. 

Viv was four, or five perhaps: he could never remember the exact difference in their ages. For all her floral swaddle, B was spirited and contrary even then, wriggling to break free of her ‘mother’s’ grip (the beautiful, eternally patient and ultimately screwed over Anne), her small pudgy arms flailing and grasping at invisible sparks of life. Viv just stood anchored to her father’s leg, taciturn and disappointed by everything even then.

The sound of more running feet tumbles through into Michael’s consciousness. Again, he turns his head slightly, as an animal might, reading the intention and objective of the pursuers and assessing the victim’s ability to spoil it.

The passing laughter that accompanies the running feet jangles and claps between the walls of his building and the one opposite. Michael turns back and continues with his tea ritual.

 When Michael first realized who the Davis boy was, he had promised himself that he would watch out for him: not for any particular reason and certainly not as any mark of respect for his previous employer: he would ‘just because’.

 (For years Michael had believed that the laws of fitting in; the codes of similarity, were the things to be protected and defended at all costs. Now, difference was all that mattered to Michael. B had been right all along. It had just taken him a while to realise.)

 As time passed, Michael grew accustomed to the boy, gradually allowing the recognition of his presence into the cloistered monotony of Michael’s routine. Over the recent months he had become quite attached to him and his characteristic quirks and geeks.

 It became patently clear that the boy was, in many respects quite odd: certainly to someone like Michael.

 Michael had been brought up to believe that all boys should be upstanding, blindly loyal to Queen and country; honourable; mischievous sometimes, certainly, but never showy: and certainly never extraordinary or different.

 The skin at the corner of Michael’s mouth gathers upwards in an unexpected smile; the tiniest movement; barely discernable but a smile it was. Those silly rules: Never stand out. Be a ‘man’. Don’t be too good with books.Ideals are dangerous: especially those of the more extreme political, religious or aesthetic kind (unless of course it is the unspoken and wholly understated one of a fine white Christian kind that Idyll and Empire are built upon).

 There had been little room in the little empire that was Michael’s schoolboy heart for quirks and oddities – boys who demonstrated them were usually ‘straightened’ through some form of attrition; emotional, physical or both.

 Some things never changed: the running feet animated proof that to be different, to be extraordinary, to be more than everyday was viewed with deep suspicion and, for the person being extraordinary, a wholly dangerous past-time.

 By some strange reverse Michael had begun to find himself viewing the boy’s quirks and oddities in a positive light: and as time passed they became more; greater; turning and morphing until they revealed themselves as ‘good things’ – quirly little beacons of redemption.

 In some twisted reverse of logic they brought to mind all of his brittle traits and rituals that B used to tease him about: the way he always wore the same shoes with the same suit or jacket on the same day: the way his hair was always combed to attention via a series of four identical sweeps of his comb choreographed with the same immaculate precision every time; his penchant for eating exactly the same pub lunch everyday – a sandwich of honey roasted ham on white bread, heavily buttered and smoothed with English mustard, two pickles, and a sliver of farmhouse Cheddar set to the side; the way his broad bear-like shoulders always rolled in a shrug executed with military precision – Bear – how he loved that she called him Bear.

 

Chapter 6.

The bubbled water laps up the sides of Tom’s thighs.

Tom likes to jump into the bath early before it has barely begun to fill up. He enjoys the feeling of the water level creeping up his body, slowly welling around his ankles and creeping up the outside of his thighs. It tickles and feels slightly odd in the fact that his skin below the water is warm while the skin above is chilly, prickled with goosebumps.

Tom imagines that he is a spy strapped into an icy flood chamber in the subterranean grotto, the laughter of his evil nemesis echoing around the chamber as the water creeps ever higher.

The school day was pretty ‘not’. Tom spent most of the day enjoying the farmy grass smell floating up from the playing fields into the open windows, closely followed by the sharp tang of the fumes from the two stroke engine of the clanking machine cutting it.

He jams his arms down along the outside of his thighs, wedging them against the milky avocado plastic of the bath. They could at least have changed the bathroom. Everyone on television keeps making jokes about avocado bathrooms.

As the bath fills up, Tom gets that weird sensation of having hotwater whooshing around his legs, while his back pushes against the cool plastic surface.

The faded yellow flannel floats over his hips, barely touching. It bobbles and ripples a bit but the tiniest contact with Tom’s Thing keeps it fixed in place. Immoveable.

This little island of floppy yellow cotton is quite important to Tom.

Tom does not cover his Thing with the flannel because he’s shy. It’s just that everyone in Tom’s house acts like he isn’t there. They just walk into the bathroom, do stuff: sometimes even talk to him.

But that’ll change Tom thinks. He’s not sure when but he has a vague feeling that it will: soon.

He thinks about the Tie. Doing so makes his stomach feel funny. His toes, the right ones in particular, are the keepers of the water level. They, wholly independent of whatever is going on inside his head, monitor the water and act as required, knowing just when to turn the water off to maintain the perfect depth to ensure the flannel stays put, hovering over his privacy.

Tom is still amazed that he untied the Tie. It’s been there forever. Maybe since the beginning of the century. Maybe longer.

And what’s at the other end of the rope? What does it do? Tom senses that it is something really important. He senses that it might have something to do with the really extraordinary thing that he is going to do one day.

Maybe it’s a clue. Maybe he has to look for other Tie clues. Maybe he will find a lost treasure. Maybe there’s a rock tied to the end of it that will give him brilliant superpowers.

To be honest his current slightly average superpowers are getting him down. Maybe he has said maybe in his head too many times now and the word sounds funny to Tom, like a made-up word that he hasn’t really heard before.

That happens to Tom a lot. If he stares at a silly everyday word long enough or says it enough times, it begins to sound like a made up word, or a foreign one. Shoe for instance.

He thinks about the Tie a lot: and his untying of it.

It is quite hard to concentrate on what he is thinking because his whole face is in pain

from pulling a Maori war face one hundred times in the mirror. He saw some Maoris doing them on the news his dad was watching last night.

The face pulling is called a Hakka and it involves pulling faces that mean that you are going to gut and chop into pieces anyone who crosses you. It was part of the Maori Welcoming Party for a visiting Royal, which Tom finds a little confusing. Gutting you seemed a rather unwelcoming promise.

Tom tries pulling another killer warrior face to see if doing one more cancels out the pain of the first one hundred. As he does so he wonders again what on earth the great big piece of rope could be attached to: a fish perhaps, like a big fishing line: for giants. Or maybe there’s a boat somewhere, out in the middle of the North Sea that had anchored itself in a Bermuda Triangle like zone, lost on the other side of the fourth dimension, the only evidence being this big anchor rope that just appeared out of nowhere. Which Tom had just slipped free.

But that was just silly.

The Tie itself was so old and wizened.

(Tom loved that word: wizened. It should have been onomatopoeic – another word, one of Tom’s showing off words, that he loved – once he knew what it meant. But, ‘wizened’ just looked like it sounded, and was a bit like ‘wizard’ which was the name for old blokes with long wrinkly faces, which was cool still. It just made it an adjective apparently.)

Perhaps its magical?  But Tom couldn’t figure out why; or how.

Tom sponges a trickle of bathwater into his mouth, swills it and fountains it in a big arc back towards his toes. It leaves a taste like the water in Aunt B’s kettle.

Tom’s sixth ‘toe’ sense has lost sight of the water level for a moment. As his toes crab up to turn the dimpled plastic tap left in three and one half turns something unusual happens.

The flannel ripples along one edge, and without much further ado, bobs a few millimetres to the right. Unlike before though, it continues to do so.

Toms feels the vague tickle of disengagement and then nothing.

The flannel seems to stall for the briefest moment, and then heads off towards his feet, rippling down its sides like the Manta Ray that he’d seen on one of his Dad’s fave Blue Planet programmes.

Tom watches it closely. He cannot get the Tie out of his mind. A very, very silly thought suddenly occurs to Tom as he watches the flannel bobble on un-attached.

No. That’s a ridiculous idea.

The flannel bobbles and sinks, a small wash-pool of water filling the dip at its centre, only for the centre to float up again, the whole thing turning slightly and then righting itself. It continues, still heading south towards his toes, which now sit one set hiding under the other, a little sheepish at their recent failure in the tap department.

Tom suddenly feels very, very chilly. He draws his knees up to his chin, the sponge clutched in his fists and held tight to his lips. He sucks the bathwater through the sponge, feeling the air travel through the porous bits as it does.

His mind wanders.

The chatter of the automatic weapon fire clattering across the tiles of the chamber startles him but he makes no sign of it.

Suddenly the large moustachioed henchman reaches into the freezing water, fixing his scarred, muscular fingers around the pale noble neck as he drags the young Bond out from the ice pool, gouts of water rolling off the struggling form.  The young Bond’s body collapses, folding over the sharp, brutal edges of the frozen ice pool.

They had tortured him for 48 hours. He had said nothing. His body glistened with a mixture of sweat, ice flakes, droplets of blood and victory. The light flares and fades. The young Bond’s eyes begin to close.

(After a rather protracted conversation with John about Bond Vs. Bourne, Tom had stuck with Bond, more out of loyalty to his father’s childlike love of From Russia With Love – especially the theme tune by some bloke called Matt Munro.)

Would Verushka find him in time, help him escape from the Evil Island and bathe his battered body lovingly and adoringly back to health in her exotic villa?

The massive hammer blows on the door rouse the young Bond. He reaches weakly for his coral pink towel with the small tear half way along it, the result of some previous over-vigorous back toweling.

Verushka would come soon he knew. He just had to be patient. (He’d considered changing the name as it sounded too much like Veruca but he couldn’t think of any others)

“Get a bloody move on. Your sister needs the loo.”

Funny. Verushka’s voice had taken on a manly angry tone not dissimilar to his father’s.

In the fading light, the last thing he sees is the foaming scurf from the flood chamber trickling down the muscular strands of his arm, twitching and pulsing.

He is floating now. The sky is the sea; the sea the sky. As his eyes mist over, the white out of death almost welcome, he sees the sandy yellow edges of the Evil Island floating into the distance.

Is he floating way from it? Or it from him.

Three explosions echo through his head.

“I said get a BLOODY MOVE ON!”

 

JulianBorra©2016

AUTHOR’S NOTE: In the process of publishing this story to the blog I am altering the original text of the Kindle Version. The blog published version will be the most up to date edition.

SAIL – Ropes, beaches & butterfly catchers

 

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Chapter 3.

Tom likes walking along the beach. He also likes walking to the beach. He likes the smell of the earth in the woods that you have to walk through to get to it.

Tom has been going to the beach regularly now for almost a year. Well, 7 months. And a week. 
The main entrance to the wood that leads to the beach is just at the end of The Avenue – a road full of big houses that back on to the Golf Club.

His dad goes to the Golf Club – but only if someone invites him. Tom doesn’t go through the main entrance to the wood though. Tom cuts across the main road and in through a gap at the roadside.

The wood is big; the tree canopy high and the air is cool; and there is a big crater-like bit in the middle of it that with a bit of work could be something amazing – like a moon station or A Knight’s Lair.

There is an old camp made out of branches and bits of scrap stuck together into a dusty criss-cross thing full of shadows – but he doesn’t know who built it: it has been there forever.

There are tall peeling white trees growing up the sides of the dip. The trees have grown over in an arch, tunnelling the light down to a small bright torch-like circle of light at the end.

Tom likes the idea that there is a magic land where dragons might live or some such thing through the arch and into the circle: but not really.

At the other side of the wood, furthest from the golf course, there is a break in the bank and the barbed wire. Once through the gap, the earth gets sandier and the thicker trees transform to pine ones, their needles like a spongy mattress on the ground where the earth turns to sand.

Tom likes the way the smell of the air changes on a windy day as the sea breeze blows through into the woods.
 Salty pine.

Tom likes Pine trees. The other word they use for them – con-if-er-ous – Tom has to break down into pieces and say slowly, otherwise he tends to rush it and say carnivorous, which is silly as the trees are hardly going to eat a hamburger or sausages or something. But then again there are carnivorous plants that eat flies.

The air in the woods gets this weird rubbery whiff every now and then – which really throws him. This is a recent thing though – last week a boy at school showed him a condom: took it out of the pack and blew it up like a balloon. Tom tried to do the same but he suddenly felt a bit funny putting his mouth over the bit where you’re apparently meant to put your willy in. Then his lips and fingers got in a muddle and the ribbed tube of puffed air fired off around the playground, frootling and parping as it went.
 The wood sometimes smells like condoms.

The beach is the best place, ever. It is long and curves around a bit of land that sticks out into the sea: a promontory as the local national Trust map describes it.

The bit of land used to have a big house on the end of it but it’s been pulled down now with only bits of old rubble left.
Tom knows because he climbed up there once.

Apparently, in the Second World War, a spy lived there and used to send messages to German U Boats with a torch or something. He was ugly and had a strange wart on his nose that people couldn’t help but look at apparently – but he was caught and put in jail or shot – or so the old man with the Labrador that Tom sometimes meets on the beach says anyway.

They talked a bit once. Tom hadn’t meant to. It was just that Ceasar and the man’s Labrador started doing the sniffing thing to each other and Tom and the man ended up standing by them as they sniffed. Then Caesar decided to jump on the man’s dog: which had all got a bit embarrassing. So they chatted to cover their embarrassment: well Tom’s at least.

Some days (increasingly), the beach looks like someone’s kicked their shopping down it .
 Once it looked like someone had actually kicked Tom’s mum’s shopping down the beach because, on closer inspection, the various wrappers, tins, packets, empty drink bottles, and the fish finger and cereal boxes,  were exactly the same as the stuff Tom’s mum buys – exactly the same – except for the rotting dead seagull; and the half a flip flop, the discarded bike tyre: and a pair of broken funny glasses with the big nose moustache and eyebrows: but exactly the same otherwise.

Tom doesn’t only walk on the beach with Caesar. There is a bit of the beach furthest away that he goes to on his own. It is a funny bit of beach. All flat and quiet. He never sees anyone there. Which is fine. He gets to think about stuff: like Kathy, and the stealing problem; Nigel’s mother; and other stuff: like his bike being un-cool.

Today, Tom is thinking about Mrs. Goodrich, ready salted crisps and the school caretaker sorting that thing out with those boys who’d been pushing him around. Oh, and he’s picturing himself kissing Kathy but with the body of Daredevil. And perhaps with his blindness as well. That would make all of his senses super sensory. So the kiss would be to the power of like 100.

He kicks the shell in front of him. Tom likes the way shells leave soft shapes in the sand that just melt away; that disappear as if by magic.

He is on the special part of the beach today. The sea is very quiet and flat.
 He walks a few yards and comes up to the Tie. The Tie is his name for a great piece of heavy rope that comes up the beach out of the sea and ends in a huge knot tied to a huge wizened old peg in the ground.

It seems like a million years old, gnarled and polished. The knobs on it look a bit like Nigel’s stones.

The Tie is a kind of distance marker for Tom’s mood. If he’s slightly ticked off he might walk as far as it but no further. If he’s in a massive funk he usually walks straight past the Tie, for a little way at least, until he gets bored and turns back.

Today is no different. But Tom is feeling a little strange today.

He doesn’t like the way everything about his life seems so… so flat today. Not that he doesn’t feel that way most days but today he cant’s seem to fly away from his own head.
His daydreams normally do the job. A small dream of pop stardom, Minecraft fame or maybe being really cool and Nigel’s mum thinking he was cool perhaps; 
Or just being on a flying dragon for a bit of a laugh, though of course they didn’t exist: not in East Anglia anyway; something like that usually sorted things. Just not today.

Sometimes he day-dreamed that he could make time stop so that he could go and kiss anyone he wanted too. But he used to get lonely very quickly in that dream; and anyway, everyone’s eyes reminded him of his dad’s eyes so he didn’t stay in that dream very long. He only really began the dream to be able to kiss Kathy without her pushing him away. It just went wrong and got a bit lonely when he could kiss everyone. He liked the idea of kissing Kathy. And the girl in the sweet shop perhaps.

While Tom is thinking of kissing, something happens that really surprises him.

As he walks back past the Tie he stops.

He looks at its gnarled knobs and the huge rope. As he does so a big fat fist of an idea, like Sandman’s huge sandy hand in Spidey 2, seems to punch him in the head. BOOM.

He will undo The Tie. Yeah. Why not.

He studies the huge flaxen rope for a bit. He wonders whether he can undo it. Tom is a little shocked by this sudden need to untie the Tie but he isn’t quite sure why. He leans down and touches the rope. He likes the way it feels under his fingers. The rope is very thick and frayed but it’s really soft to the touch. The underside is all slick with green slimy stuff and hangy-down green bits.

Tom flicks through the reference book in his head: algae. Or Zombie slime.
 He sees that some water and some grains of sand have clung to his sleeve where he’s reached around and under the rope. He pulls the sleeve up and tries to dust them off. The grains stick to his fingers, so he stops. They remind him of breadcrumbs.

He takes the end of the rope and pushes and pulls it a little: the knot is very loose. It slips through easily. He pulls the rope through, unwinds the last hitch and looks at the rope now undone laying across his left arm and into his right hand. The rope is really thick: as thick as his leg. But it is surprisingly light. He tosses it up in the air and it seems to almost float back down. He puts the rope on the floor, laying it alongside the Tie.

Tom looks at the Tie (though having untied it he wonders whether he now needs to change its name).

He finds himself hypnotized by it. The wood is veined and lined, like a long, wise face: a long ancient face in the sand. A tree face: like the long faces of the old trees in that film. He reaches out and runs his hand over its smooth surface. He rolls his hand into a soft fist, pushing it into and around the deep worn dent where the rope had been rubbing and pulling against it.

Tom finds himself wishing that he was a rope sometimes. Then he could just untie himself: well, the ‘himself’ that he doesn’t really like: the ‘himself’ that lives in that house with those parents and that sister: and that life. Tom will check his life to see if there’s any evidence of beautifully worn bits like on the Tie. Nope.

Being a rope doesn’t really fit into his secret set of super powers but that doesn’t matter as he is thinking of binning them anyway since he overheard Kathy calling John a baby for wanting to be like Iron Man.

He suddenly feels bored and hungry. Breadcrumbs. Fish Finger breadcrumbs. The rope: a long fishing line to great big fish fingers. Fish Fingers as big as ships. Fish & Ships.

With this expanding idea  in his head, Tom shuffles off down the beach.

His mind wanders. It wanders over to Nigel’s mum. It did that a lot at the moment. Mrs. Goodrich also pops up again. He is feeling that funny feeling. He thinks that it is the same feeling that makes his sister want to meet boys: dangerous boys that she knows their parents won’t like – boys who wear expensive trainers while living in very small houses with their mum.

He kicks the next shell that comes up in his path. It skittles across the sand until its edge catches end on, turning sharp left into the soap-suds sea.

Tom walks on.

Unseen, the rope far behind him laying across the beach stirs. A million quadrillion grains of sand dislodged by his untying, shoal around the hidden length of the rope snaking in through a slot in the rolling grey back of the sea to some dark deep place beyond.

The rope’s end moves, a few millimeters perhaps? towards the sea’s edge – or perhaps not even a millimeter – maybe. But none the less, move it does. Withdrawing.

 

 Odd Jobs

‘So unlike his Grandfather’ Michael had thought when he first made the connection between the boy and The Old Man.


At first Michael had thought the boy was just a born victim: one of those people that just seem to walk through life with a ‘kick me’ sign permanently attached to their back.


His hand traced across the bench surface to the edge of the paper towel where the spoon sat attentively, his distorted face caught momentarily in its shining upturned bowl.

Pursuit was something that Michael knew a lot about; the sound of it, the smell of it; the sheer lung bursting ‘mnng’ of it. Michael had often been the pursuer: and he was very good at it.

Eventually though he had become the pursued.


One day, with little warning, his conscience had turned on him, wild eyed and angry, dripping with such bitter vengeance that to spend even the smallest passage of time in the quiet black silence of his own company terrified him. Once started it had rarely let up; harrying him first through his sleeping and then through his waking hours.

It was only after many years of self-inflicted solace, willing himself to face the anger and shame naked, without distraction or excuse, that he had finally become able to spend much time alone and happily so.
 Michael had originally come here, to the school, to hide: his escape not from some act of criminality or legal wrongdoing – his country had demanded and he had obeyed – but from the product of his service. He had to untie the knots that his acts had sheeted through his heart and soul.

He had thought that the monotony of the school: the odd jobs: sweeping up the rubbish: fence painting amid the smell of the freshly petrol-cut playing field grass; dispensing acid blue tablet after tablet into each urinal every other day; wrestling the twin brush polisher and its acrid smear across empty parqued corridors; light bulb maintenance: quiet sanctuary found in desperately dull and repetitive acts.

Therein lay their beauty he had thought, their simple powerful attraction. Perhaps the monotony of these acts, the very act of becoming one of the invisible people undertaking the relentless and inane maintenance of things unseen; someone whose everyday was as far from his previous incarnation as one could of thought possible; that would save him. Save His Soul: S.O.S.

Blue Tablets. Urinals. That reminded him: there were some particularly nasty biro scratchings that he had to remove from a cubicle wall in the Girls’ Toilets. Girls were so different to boys in so many ways but both seemed to become one in their shared cruelty. Funny thing graffiti. Seemed a bit old fashioned now, hiding your own bitter insecurities by scratching some nasty words about someone else on a wall. These days Children teetering on the barbaric edge of puberty were far happier txting cruelty, circling a chat room or blocking and burning faceless avatars in digital hyper space. Old school graffiti seemed almost courageous in the face of the digital cowardice of the average teenage troll.

The graffiti referred to Kathy: the girl that the Davis boy hung around with. It would be removed before break-time, a small act of damage limitation. Kathy was worth protecting, if only for her rare taste in boys.

He had become so used to seeing the Davis boy alone. He was quite unusually taken aback the day he first saw them together. Michael thought that she would be quite overwhelming even to a young boy of exceptional maturity; and the Davis boy was about as far from that as you could get.

How the Davis boy interpreted her was beyond Michael; but so were many things.
 To Michael the girl seemed highly contradictory in her character: both tomboyish and yet at the same time very physically self-aware: feline almost.
 He also noted that though in some ways she struck him as street smart and worldly, in others she also seemed to be, consciously at least, devoid of any idea whatsoever as to why her chemicals and the boy’s might be wrestling so violently in the ever-decreasing space between them.

 

 Chapter 4.

Tom loves teatime. It’s a great time of day; though a little weird sometimes.

Tom walks into a kitchen that smells of fish fingers. He loves fish fingers.
He puts his earlier fish finger musings down to telepathy, one of the many superpowers that he hides from the world, along with his human form’s Silver-Surfer like ability to merge like molten shiny metal into the surface of the bath water and his ability to invisibly extend his stride to superhuman lengths, thus rendering him able to cover great stretches of ground while outwardly looking to anyone watching him as if moving at a normal human pace.

He has recently downgraded his cosmic ability to harness electric energy to sub super level 3.
 He had originally thought that his harnessing powers were far greater than could be explained by science. But, having taken Dr. Reed’s ‘empirical’ (February New Word No.17) approach to the science of super-humanity, a closer inspection of his socks revealed that they contained a far greater percentage of man-made fibre than his mum led him to believe. They were in fact supercharged conductors of electro energy all by themselves. His Intel Outside.

As if to prove the point, his socked foot scuffs the kitchen lino as his hand brushes against the oven door firing a static charge across his hair and teeth. There you go.

Fish Fingers.
The essential and only rule regarding Fish Fingers is that they are super-crunchy; sometimes potentially a little burnt on the outside (which requires grilling them for 4 minutes longer than it says on the packet).

The achieving of this super crunchiness inevitably leads to shrinkage of the actual finger of fish meat itself which in turn creates the much prized ‘gaps’ into which the condiment of choice can be applied.
When said piece of crunchy fish finger with shrunken fish stick gets swooshed around the plate on the end of a fork these ‘gaps’ collect the condiment of choice (ketchup in Tom’s case) surrounding the finger of fish inside.

Breaking the Fish Finger into three pieces is recommended as breaking it in half just makes for a high level of disappointment after just two crunchy bites.

The crunchy, crumb-iness is a key part of the whole fish finger moment.

The combination of slightly spongy fish stick and over murdered breadcrumb case, when chewed into one-ness a few times makes for a really toasty mash. Top-banana-full-enjoyment is achieved by allowing your tongue to turn the mash around for a while to get the most of the burnt-crumb-ketch-oven-fish-tray-ketch-bread-board- ketch-crumb-fish-burnt-fish taste before swallowing. Nice.

Tom shuffles into the bench seat at the breakfast counter. He does not understand why they call it a counter because counters are what they have in shops; but his Dad says that it is the American style of living. His dad loves America. He watches all of the American forensic cop shows as well as a healthy assortment of ‘supernatural-sleuth-meets-child- prodigy-who-becomes-a-Medium’ shows.
 His mum calls it ‘getting his NETFIX’

His Dad sometimes imitates the voices of the tough cops when on the phone to his friends. But not only are most of the really, really tough CSI/Medium/Cop people on telly women: but also he isn’t actually very good at sounding like the men ones he can remember – which makes Tom feel embarrassed when his friends or Nigel’s mum come around to visit.

Nigel’s mum doesn’t say anything but his dad usually ends up sounding a bit like the bloke with the funny accent at the Post Office (who is always drunk; apparently).

His mother, still in her work uniform but now wearing slippers, moves about the kitchen. Tom drops his arms into his lap and then puts his face sideways on the counter top. It feels cool and nice against his cheek.

The smell of the Formica reminds him of the way his skin smelt when he had chickenpox; a sort of sweet funny smell; like John’s Nan’s talc. The reason he knows what John’s Nan’s talc smells like is because they spilt it all over the floor by accident while nosing around in her bathroom cabinet last year.
 He can see some tiny grains of sand on the formica surface. They must have come off his sleeve. He feels for the wet bit. It is dry now; almost. He blows towards the grains and watches as they tumble across the Formica surface.
His chest makes a funny wheezy noise at the end of the blow.
 Tom looks through his arms at the floor. He moves his head to one side as his mum’s feet scuff past. He hates her slippers.

Nigel’s mum wears shoes that are brown or black with pointy toes. Tom finds the way that she walks in them really nice. He thinks her ankles must be weak though because her legs seem to wobble every time she takes a step; which must be painful or uncomfortable. It also makes her bottom move from side to side a lot.

His mum’s ankles never wobble. Not because they’re all big. She doesn’t have ankles like the old ladies at the bus-stop, all puffy and wrapped up in a big bandage.
 Tom’s Mum is young really. She’s just got ‘not skinny’ ankles.

Wonder Woman has big shiny wristbands that deflect bullets and rockets. Nigel’s Mum has ankles.They are like the ones he sees on the women in the fashion magazines at the hairdresser where Tom’s mum goes to once a month.

The Vicar at the Christening they all had to go to recently – no Kathy and therefore rubbish – had said that there is a reason for everything in this earthly life.

So perhaps his Mum’s ‘not skinny’ ankles are a clue: to something.

Tom imagines that he has another mother, a real mother, who is an alien; and that she has left him with his Earthly Mum and Dad (agents of the Empire barely disguised as human) but only until she comes to claim him again on the death of his real father, the Grand Galactic Vizier, at which point Tom will take up his rightful place as heir, ascend to the throne and ultimately and majestically lead the Empire in a big Universal punch-up with some rather ugly aliens.

In this other world – a ghetto waste-scape that looks a little like an American version of Ipswich after a few bombs and the odd fire – everyone has Supercharged Subarus that convert into x wing fighters; which is quite useful.

This is all highly classified information of course.
 Tom remembers Kathy telling John that she thought that him wanting to be Iron Man or Captain America was childish so Tom tended to keep his intergalactic-ness to himself; mostly.
 His mum puts the fish fingers and peas in front of him. The fish finger joy backed up by a number of peas (straight from frozen) means Tom stays quite chirpy until the last pea explosion (you place the pea in the middle of your tongue and press the tongue upwards until the pea effectively pops with a little ping of pea-ness).
 Suddenly, Tom doesn’t want to be here. He wants to go to his bedroom.

At times like these, when his bubbly balloon suddenly pops and flops inside him, he notices that she watches him, his mum: looks at him in a strange almost otherworldly way.
 Not otherworldly as in the alien woman in Voyager episode last night. That would be weird. That woman was from the Phargel Constellation, had streaked blue hair, wears a short skirt and has an inappropriately tight top of strange scales that edge round her ribs and only half cover her ‘not small’ breasts. (Tom felt very grown up when he said or thought the word ‘breasts’.)

No; his mum just looked Otherworldly; like she was looking at him from the bottom of a bath full of water.

Tom could see her mouth making words to herself and pulling faces while she jabbed at the peas that had escaped into the sinkhole.

He recognised what she was doing because her face looked like his felt when he was having conversations with Kathy in his head – only realizing that his face was moving because people on the bus were staring at him.

The Lost Hours between a chirpy, fish finger scoop teatime and the nine o’clock news tended to pass unnoticed – hence their name. Tom spends them in random model making – a killer combination of coloured brick, old tat and mixed kit pieces – school-book leafing, cunning parallel universe Minecraft interjections (imagined) and daydreaming of course – nose pressed firmly to the varnish card cover of his science work book; though as the Lost Hours are by their very nature not recorded or measured you’d be hard put to piece together exactly what went on at any given time

The games console that he got last Christmas lies in a pasta pile of leads and controls to the right of his bedside cabinet. Being cheap, it broke within two days of him getting it so he just pretends that he is another ‘thumb crazy computer game kid wasting his life away, losing the power of both speech and physical movement in the process‘ as the newspaper his dad reads had it pegged.

The short walk upstairs is pretty uneventful though somewhere in his head he is vaguely aware that being 40 or so sock scuffs into the journey he shouldn’t touch anything metal. By the time he gets to the top of the stairs this brain wave has been over-ridden by the occupational hazard of his having to open his bedroom door to get in it.
 The massive static shock from the door handle makes him jump, as always.

Tom opens the door and looks at his room. The room doesn’t look like much. A box. It looks like a room someone has made up to pretend that a boy like Tom might live there but not really; which is true in a way.

All of his comics are tidied into a pile on the white and once flat packed desk that he had helped his dad put together. (Tom’s dad lost one of the plugs that held the side panel tight and Tom found it and his Dad squeezed his shoulder and he half put his arm around him until he stopped.)

The only computer in the house that is any cop is in his Dad’s office in the spare room. The computer in Tom’s room is really a glorified word processor from his Dad’s shop. It doesn’t have any graphics packages to speak of or anything like that and there are sooty edges around the input slots where it used to sit in his Dad’s stock room sucking up the dust from the furniture foam in the Returns room. (There was a lot of dust, as Bernie, his dad’s old and very wheezy, puffer-wielding warehouse man would tell you at the slightest opportunity.)

So the computer in Tom’s room just sits there, not doing terribly much.
The desk was meant to be a way of helping him do more grown up stuff: a place to do his homework and ‘pursue interests’ he might be, well, interested in: like advanced model making, learning a new (Earthling) language. It should have also included Googling really difficult words or funny pictures – but that would require a computer that worked.)

Tom never really got further than reading his comics when he came to his room. He certainly didn’t do homework. He hasn’t told his Mum that he owes about 20 bits of it to Sausage Beard.

In the back of his mind somewhere, Tom reckons (though ‘hopes’ might be a better word) that something really monumental is going to happen – something that will make the world forget completely that he owes any homework.
Maybe the stalking alien pod robots will arrive in a big bang of huge explosions and cause so much chaos as they chase people around the planet that everyone will forget everything:

His Mum and Dad will forget that they don’t like each other.
 His Dad will forget to take them to a Harvester for his mum’s birthday and take them somewhere brilliant and different instead.

Kathy will forget that Tom tried to kiss her in the woods.

And Tom will forget that he thinks he is rubbish.

The second hand on his plastic non-digital clock ticks noisily. 
It starts to get dark, as it always does about now.
 In the book Tom is reading in English the writer said that ‘darkness fell’ which they all though was a bit random; like darkness was an old person or someone with too much shopping.
 Tom also thinks it’s a funny thing to say: but it makes sense in a way because it is like someone drops a big blanket over the world; a big blanket that falls in super slo-mo.

When he switches on his table lamp the walls do this weird thing – where they change from hard white plaster with posters and stuff stuck on them to molten lava or big dark blankets that seem to move a bit when you look at them out of the corner of your eye.
He picks up a comic.

He hears them downstairs now; his parents. They always try to keep their voices down but it never works. They always end up shouting in the end. Calling each other names.
 He knows when his Mum is upset because he can hear her slippers scuff, scuff, scuffing around from one side of the house to the other: she has a habit of walking from the lounge to the kitchen, turning around and walking back into the sitting room because she has remembered something else that she wanted to say to his Dad.

His Mum is scary when she gets mad. She uses words like some people use poison darts or ninja throwing stars. Maybe Tom’s mum is a ninja master of flying dagger words (Tom loves that film; sneakily watched it at Nigel’s house when his Mum was out).

When he told his Aunt Bea that when his parents argued his mum sounded like someone from one of those legal eagle or high court programmes on the telly, Bea had said that his Mum was naughty to do that.
 Bea didn’t know this but Tom overheard her having a go at his mum on the telephone telling her to ‘get over herself’ and to stop it – ‘you’re trying make him feel bad – like he’s stupid – and you know it. So stop it – its wrong’.

That seemed pretty fair to Tom – if she was picking on him because she knew he couldn’t keep up or match her, that was like bullying – like the bullies knowing that you can’t run fast – or pronounce a certain kind of word – or understand their riddles.
 His dad is a bit weird. But he is not stupid.

There was a time when Tom and Jaqui, his big sister, would still have bothered to sit downstairs during one of their parents’ fights, even though all of his Mum’s walking in and out of the room had never failed to make him feel a bit sick – like he was on a boat in a rough sea.

He puts the comic down on the desk after a few minutes: Creepy Tales. It is an American horror comic. It is brilliant: short stories of people who have boarded ghost trains and planes, fallen into the twilight zone, woken up with wings, played cards with the devil and some such.

Tom slump slides further into the chair at his desk. One finger reaches across the desk and catches the edge of the small plastic bag – drawing it back across the surface towards Tom’s face. The same finger rummages ina plastic fold and drags out a shining flat square from its interior.

He smells it first, the acrid plastic and ink: his new CD purchase. Genius. His previous weekend’s purchase.

Tom couldn’t resist taking it out of the bag, holding it up to his nose and thumbing the sleeve edge a lot on the bus home, the security sticker seal yet to be broken.
 He used to think that having a new CD was brilliant because it made him interesting. Until the rip download kids laughed at him. Ripping free music was all well and good but if you don’t have a proper computer and no smart phone, well, CDs it is!

He thought McFly rocked. He had planned the day perfectly. The purchase was made at approximately 11.15am on Saturday morning from the Resale/Second Hand music shop (the only half groovy place in his town, England, Earth and the Universe).

This allowed 15 minutes for the journey home and then a full one and a half hours of appreciation before lunch.
The final act – placing the CD in the player (an old one of his sister’s) – took place only once you had checked the disc for scratched messages from either the band or the record label and made sure there were absolutely no smudges, scratches or bits on it.

Tom’s dad had found him squinting at a CD sleeve and started banging on about the lost treasure and pleasure of the record sleeve – how you took home the sacred vinyl  – unwrapped it and tapped its heavily printed cardboard sleeve – how, you’d get into the real detail – the small print – of how all the credits in the sleeve note had to be read in full and memorized – The band members, the catchphrases and in- jokes, their instruments, track listings, track duration, guest musicians by track.
Then there was the producer, engineer, assistants, coffee maker, clothing designer credits, studio/s (usually including a re-mastering at somewhere windswept and international like Montreux or L.A) the record company, the distribution company, rights reserved, the ‘with thanks’ listings with funny bits, the names of the tour manager, roadies, lighting company, haulage and equipment shipping(live albums only): every last detail to be read hundreds of times; searching for a new piece of information to be shared, something in the background of a picture unnoticed, the labyrinth of hidden jokes to be discovered.

Information was power his father said.
 Tom didn’t have the heart to point out that that was what Google was for.

Nigel has an i-phone AND i-watch of course so all of this was lost on him. He just downloaded. And Tom was at least one working printer away from printing out the sleeve notes, even if he had wanted to.

Jaqui just listens to the music. She reckons reading writing on the packaging is for losers.

As Tom studies the small writing it collapses into a big squeeze of black scratchy lines and blurry pictures.

He raises his head from the desk.

Umpft umpft umpft baa da da umpft umpft umpft baa da da umpft umpft umpft worp worp worp wa wa wa wa umpft umpft umpft

The banging tune seeps through the plaster-board wall between his bedroom and Jaqui’s. He knows it’s plaster board with an echoey gap because he had once tried to screw a large volcano clay model of his attached to a bit of chip board to the wall with his dad’s hammer. The hole stayed a hole for about a month.

It’s D Wayne or R. Kayne, Kanye K, Canned Key Or Key West pumping out of Jaqui’s room: which is good.

Not because he really likes Who Wayne Whatever.
 He doesn’t really know anything about him apart from the picture on Jaqui’s wall.
 It’s good because the general noise helps to drown out the voices coming from downstairs.

He gets up and turns towards his bed. Tom makes his body go straight like he’s been hit by a small caliber, high velocity bullet from a gun. The Sniper’s Choice.
 He falls face down onto his bed pretending to fall from a really high building, like the fat guy with the beard in CSI the other night. His face presses into the cool pillow.

Maybe he should learn to be a stuntman; spend all of his time falling off really tall buildings, leaping bikes over canyons and living in America somewhere surrounded by comics and being able to buy Frothing Blood capsules any time he wants to. He lets his arms and legs go limp.

He wonders if there is an exam in Stuntmanship. Or Stuntpersonship – Mrs. Field’s would never allow an exam for ‘anything-man-ship’ in her school.
He listens to the sound of his own breathing for a bit. It sounds funny, like the sea. He thinks about the Tie for a bit. Maybe he should go back tomorrow and tie the rope back on.

His mind wanders to Kathy.

He wants to think about her in that way that makes him feel nice: but he just thinks of how she flicked his ear really hard as he walked down the corridor to Double Maths and then ran off laughing when the shock made him turn right, crash, into a locker and cut his lip.

 

 Memories

Michael’s eyes pull focus, the bright wrap of air in front of him falling away into a featureless bleached blanket.


It’s nice here. In the white nothingness .
He waits for his mind to play out any distinct memories of his own beginnings with girls across the white screen in his head. Small wisps of things flitted in and out of the edge of his consciousness. Always so difficult to recall these things he thought.

Michael spent a lot of time butterfly chasing memories across his subconscious, net flailing this way and that. He would, though rarely, sweep one towards him, just for a moment, hold it up towards the light, breathless for just a moment, before it quickly and silently slips the net and is gone.

These rare moments came in all manner of formats: a smell, a song, a flash of fabric, a passing movement, hair raised skin, a texture, a play of light refracting.
 A few skittish recollections shuttered up inside his head: of clumsy fumbling; fibs and bravado; presents promised; the slipshod clumsiness of pretending to know how things worked.

None of them are tangible enough to grasp and feed into the process running in his head – so he backs out of the realm of the butterfly catcher, and the wrap of white nothing comes back into focus.
 Graffiti. Michael believes that you can discover a lot about someone who indulges in graffiti: the highly personal and cruel kind of graffiti at least.

He had little to comment on the graphic vagaries or tribal tags that were regularly spewed across the side of railway tracks, tube tunnels, and, curiously, the walls that ran behind Supermarket.


He had daubed the odd wall himself. His neck ran hot with shame at the memory of some of it. He had become quite adept at hanging cruel ridicule on a wall, for all to see.

Spiteful; mean; spiky words fashioned to cut down a person where they stood. Or simply words set to inflame the simple minds of those most useful to his bright, all-white cause – those quickest to anger and confrontation.

There was no artisan skill, no crafting of Michael’s art. He simply carried the urge to render petty hatreds on any vertical surface he could find with him, from school wall to garrison latrine to public podium.


(It did not matter where in the world he peddled his trade: every encounter with them – foreigners – seemed somehow to hone the ugly little crusts inside him, and the twisted anthropology of his own superiority.)

He had found it a very short and simple walk from a wall to a pamphlet and from the pamphlet to a website forum and from there to the hustings.

As time passed, all those things that sat strangely in Michael, had begun to draw together:

To say Michael had a fragile sense of self and a troubled soul was a remarkable understatement – and there were a few things vying for top spot in the Why stakes:

his deeply buried insecurity, teased nicely into shape by his beautiful, elegant yet feckless mother – a woman who slashed the spiritual and emotional cord between them at exactly the same moment as she dispensed with the physical one:

his Tom Brown schooldays concept of manliness pumped into him on the playing fields and prefect studies of his desperately provincial major-minor school

the small-minded provincial bigotries of his father, and the mediocrities that passed for Member’s at his father’s club; trading smug little sips of superiority across the lip of their gin glass:

the shocking banality of war and battle and the cruelties; the staggering abdication of humanity and conscience that glory and winning demands; and the faces that never leave you.

It was that young man, with all those things rattling around inside him that The Old Man had spied that day as he passed the town hall.

Michael, his straight military back racked high on his hips, the thirst of his recent tours of duty being quenched by a little bitter-soaked British summer evening.


The Old Man had walked up to Michael and handed him the Manifesto.

Michael remembered how he had immediately felt unnerved by The Old Man’s look: the man who would in no short time become his ‘boss’ and mentor: and he remembered how quickly he had set aside the small red light that flickered in the back of his mind in the fix of The Old Man’s green grey eyes.

Michael looks up and away from the memory, as if to control it; moving it back into a manageable form; back into its box.

He looks across the room towards the corner furthest from the door.

One erupting crack runs through the linoleum between him and the cupboard set in the far corner – tracing the ragged line of his gaze: its erupted edges revealing the equally erupted concrete beneath it; as if a rope running under the floor between him and the cupboard has been wrenched upwards to reveal a deeper truth.

 

 

JulianBorra©2016

AUTHOR’S NOTE: In the process of publishing this story to the blog I am altering the original text of the Kindle Version. The blog published version will be the most up to date edition.

SAIL – The End of the Beginning, CheeseBurgers & the Running Boy

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THE END OF THE BEGINNING

An un-ironed old man sits sipping cool lemonade, a thick-rimmed glass tumbler clutched tight to his advancing stomach.

His forehead, beaded and shadowed under the broad rim of his Borsalino hat, wrinkles intermittently, a rippling rumba to the words inside his head.

Tinny music from his ‘new wife’s’ old radio crackles the length of the garden, alarming two finches flitting amongst the branches.

The finches remind the old man of two bickering children he once knew: girlish voices at the edge of his memory echoing through the shadows of his beautiful and very English garden.

A Sandpiper percolates between the rhododendron bush and the large privet hedge edging the west side of the garden.

Its yellowish legs and white shock belly flash in the half-light as it engages in a near miss with a portly Collared Dove flying in the opposite direction at a dignified 40 degrees.

The sound of the sea reassures the old man, its salted rolls riding up against the sandy shoulders of his small stretch of quintessential East Anglian beach below, just beyond where the green lawn drops away from sight.

The vast stretch of water in front of him is deeper in its hue than he remembered, the cool grey-purple pitches of the North Sea now long gone, now replaced by the obsequious blue of the Mid North Atlantic.

Once there was a time when he could see clear across the water to the skies of Nordic myth: Asgard used to float somewhere above his not very wild blue yonder as the setting sun warmed his back.

Now the sun sets across the water in front of him – and a thin thread of land runs like a sore across his horizon and a scar on his future, a small grey speck at its middle.

Titusville: ridiculous name for a town. And only a few miles from the launching pad of ‘Man’s greatest journey’.

They thought going to the Moon was something. Lord knows what they were thinking about this. He certainly knows what he thinks. And as he thinks it, the very large and very American Collared Dove, currently sitting above him in his very British ash tree takes a shit on the shoulder of his unstructured linen travel jacket, as if to simultaneously both underline his thought and file an objection.

There was a time when, if there was one thing he knew, it was that the Britain he loved was ‘going to the dogs’. That seemed like such a distant certainty now.

He had taken to wearing the linen travel jacket everyday as a totem of their ‘journey’ to wherever in God’s name they were going.

He looks at the bird slop edging down his lapel.
 The old wives’ adage crosses his mind.

‘Good luck my arse?!’ he mutters as he dabs at the dropping with a well-worn silk hankie.

Good Luck? Not for him. Not bloody likely.

 

 

2 DAYS EARLIER

The salt water at the base of the sand bank pools in swirls of ribbed green grey, its job done.
 The tide, having yet again successfully deposited tons of deep-sea detritus along the East-Anglian coast line, is now withdrawing to its place further out to sea to contemplate its next tidal ‘dump’.

A passing silver and blue sweet wrapper plasters itself against an very old, very gnarled, very large wooden peg (more a mooring post if you will) set half way up the beach, whipped there by a snap of breeze.

A heavy wrist-thick flaxen rope runs up from the sea to spool around the wizened peg, shining green dreadlocks knitted into its length.

Two knots, like staring eyes in the long weather-worn face of the peg, look curiously over the top of sweet wrapper, as if reading it like a paper.

BraCao Ping screams the bright writing on the front of the wrapper. BraCao Ping: a testament to the fact that no one can make confectionary quite like an impoverished South American country can; especially one with tons and tons of gelatinous and potentially toxic animal by-product to play with.

The wrapper’s haphazard graphic flag of madness flutters against the peg.

A light grasp of Colonial Old Spanish and Barrio vernacular would tell you that BraCao Ping is a ‘rip ping of sweet hot thing for your mouth’.

‘A Unique Flavour & Texture’ the pack says.

BraCao Ping’s principal ingredient is synthesized in a laboratory to do a smart and passable impersonation of a citrus fruit (though which fruit no one was quite certain).

The wrapper grows restless. There’s a whole beach to play on. And the large peg suddenly seems a little…well, inert.

The cloud shadows roll across the beach, their sun-burned fringes flaring about them.
The wrapper sets off to follow them.

There was a time when the BraCao wrapper would have traveled almost six thousand miles to wash itself up on this beach – but not any more. Not even the half of it – or the half of the half of the half of it.

Funny old world really.

 

CHAPTER 1.

Cheeseburger. One of those words that starts to sound quite funny if you say it a lot.

Cheeseburger cheeseboorga chizzbirga chissbuwrga schisbuga, shisbugga, shisbugger. Bugger.

Tom likes cheeseburgers. He loves Nuggets. Loves Large Fries – especially the ones left right at the bottom of the cardboard sleeve because they are smaller and crispier and have more salt on them. The other good bit is that by the end of the box-bottom scrabble your fingers smell of friesnuggetfiletburgernoodlesbatterketchup – which means you can stick them under someone’s nose.

As Tom walks past the fast-food restaurant, he notices that the deep fat fry and plastic smell wafting across the pavement transforms itself to the sharp citrus medicinal shower product smell sliding out of the Chemist next door.
Weird.

His Dad takes him to the restaurant sometimes for a treat. It has bright red plastic seats and a fat old lady who sits at the serving counter looking utterly disappointed with life. The restaurant is called Ken’s Lucky Fried Chicken but written to look like KFC; which is a bit of a con.

And they don’t just do pretend Kentucky Fried Chicken. They do pretend burgers, nuggets, filets o fish and Chinese take away.

His dad says if Ceasar (their dog) ever goes missing he’ll know where to find him. Or order him. Tom walks on.

He kicks at an old Ready Salted Crisp Bag skipping along the pavement towards him. Its open end closes itself around the toe of his trainer. Tom tries to kick it off but it just rolls down further over his trainer. It now looks like his trainer has pulled a rather jaunty red hat on. He looks around. He doesn’t know anyone. Thankfully he is on his own.

Tom spends a lot of time alone funnily enough. He walks everywhere because his bike is always broken. (Not really; it just isn’t a very cool bike so he avoids riding it mostly). He walks up and down the high street quite often and likes to look in the shops. Sometimes he runs up and down the high street because the cool boys from school try and put him in the waste bin outside the Library.

Tom looks around him: his eyes flick from one side of the street to the other. The sound of the crisp bag rackling on the end of his foot keeps him alert. It reminds him that smart phones are the Great Satan: and that he doesn’t want to be on Youtube; again.

The boys and the waste bin thing is embarrassing: but not as embarrassing as when the girls from his school do it.
Which is why he spends a lot of time ‘not at the bus stop by the war memorial’ and ‘not outside the Sweet Shop’ where they tend to be.

Where Tom ’is’ is mostly defined by where he is not: in life anyway.

He likes to go to the beach near his house though. He goes there a lot. It is like a beach that he saw in an old film that his mum was watching one Saturday afternoon. His mum thinks beaches are ‘Romantic’. Tom was going to use the word romantic at school but he looked it up first, which was a good job; it turns out that it doesn’t mean what he thought it meant.

Romantic is a word Tom thinks but would never ever say: saying it would mean a ‘slapping’ from anyone close enough to deliver it: or Kathy holding him down and doing the ‘spit-dribble-on-to-your-face-almost-but-not-quite’ torture.

He likes the feeling of her sitting on him and he thinks she does too but then her face goes funny and she smacks his forehead as she climbs off him.

Tom likes Kathy. They kissed once – ish. She lives in a house just down the road.

He likes her a lot: fancies her maybe. She is nice looking in an eldest sister kind-of-way but not as in a weird fancy your own sister way but someone else’s sister.

Kathy makes him feel a bit weird in a nice way so, yup, definitely more than just a friend.

He does not have many other friends. John is alright in an OK way.
They like the same things, specifically doing nothing in particular.
John’s dad is very nice so they tend to talk about him most of the time. John seems to need to talk about his dad a lot (which is weird because, from what Tom can tell, his dad isn’t around that much so he can’t be that great). Tom does not like talking about anything much these days so it works out just fine. But John lives on the other side of the town and is only allowed to ride his bike over to see Tom once a week.

So he is a friend; just not a ‘see you tomorrow’, stones up at your window, back garden neighbour kind of friend.

There is also Nigel. Tom visits Nigel every now and then to keep his mum happy (Tom’s mum that is, though she says that it makes Nigel’s mum happy as well).

Nigel and his Mother live just two houses along. They used to live in a big house in the village near by.
Nigel likes to polish stones and has a stone polishing kit. Tom knows that Nigel is a bit soft. He has a soft face, and his hair is very shiny and thick. Tom imagines that’s what rich people’s hair is like. Nigel’s mum has thick shiny hair too. Maybe that is what the advert means when it says a ‘rich, lustrous sheen’: maybe it means that the shampoo gives you rich people hair.

Nigel goes to a private school up the road. Some of the boys from the town shove Nigel around a bit when he is at the sweetshop, stealing his money and giving him kicks.

Tom’s mum feels sorry for Nigel’s mother who seems to be in their kitchen a lot – and cry a lot. Tom thinks she looks like a sad angel; like she should be an actress or something.

She tends to smile at Tom while he eats his breakfast. She sometimes smiles in a scrunchy-eyed-squeezy-tear-down-the-face way which makes Tom feel a little odd.

Roger, the man who lives across the road from Tom’s house drives a Yellow and White sports car. It is really smart.

The man likes Nigel’s mum too. His wife doesn’t though.

Tom thinks this is a little unfair and he can’t see why she gets annoyed when her husband takes Nigel’s mother for a drive to ‘cheer her up’.

Roger thinks he is above everyone else on the estate: including his wife.

Tom heard him calling her ‘silly cow’ once but not in public. It was only because their kitchen window opens on to a small alley that runs through to the parade of shops: and you can hear everything if the window is open.

Tom doesn’t like Roger.

Tom does like chocolate: but he likes stuff like the walnut whips his Mum gets at Marks’s the most – and biscuits, though they make him feel a little bit sick sometimes.

His Aunt Bea taught him to bite the top off a Walnut Whip and then lick out the centre which should be creamy but isn’t because the ones they’ve got have been in the cupboard for a while

Some of the chocolates at the Corner Shop are pretty duff.

Mr. Sharpa the shopkeeper probably buys old stuff so half his bars are usually a bit spongy and not good for ritual eating.

That’s why Tom feels OK about stealing stuff from his shop: because it is old (though he did take a whole new Box of Rolos once).

It’s ‘a cry for help’ apparently, his stealing; or so the lady that turned up at the school to talk to him said.

He’d been caught stealing again (big deal – it was only the third time) and the school had asked him to talk to her: Mrs. Goodrich.

She is about the same age as his Mum. But she is alright. She doesn’t look all worn out like his mum. She has shiny hair like the woman in the advert and Tom looks at her legs a lot.

Between not very nice Roger, Nigel’s shiny hair and crying mother and Mr. Sharpa’s duff chocolate, life can get into a little bit of a tangle as far as Tom is concerned.

But there’s always Kathy.
And Mrs. Goodrich’s legs.

 

2.

Tom loves going into Mr Sharpa’s shop.

He loves the way it smells.
If he shuts his eyes, the smell of all the different sweets make mad coloured patterns behind his eye lids: like looking through his kaleidoscope, though the newspapers that smell like the compost bin at the end of the garden ruin it a bit.

Having a frozen statue kaleidoscope eyelids moment just inside the doorway of the shop isn’t always the best idea.

The fat bloke who smells of tea bags and waits until everyone has left the shop before he buys his newspaper walked straight into Tom, knocking him out of the way.
Three times by last counting.

The fat bloke always seems ‘preoccupied’: the polite word Tom’s Aunt Bea uses for when you’re lost in your own little world daydreaming or something.

Tom doesn’t think Fat Bloke gets just how brilliant it is to have sweets that smell like kaleidoscopes.

The shelves with all the magazines on make Tom a little dizzy sometimes.

He found out from Dr. Benson – or Dr. B as his mum calls her – that this is possibly because the varnishes used on the magazines to make them shiny have quite a lot of chemicals in them.

Maybe that’s why the grumpy bloke who smells of tea bags bumps into him.

Maybe all the chemical smells from the magazines he takes off the top shelf have gone to his brain.

Funny place the top shelf.
 Very mysterious. Tom is not quite sure exactly what is so bad to be kept up there, but given what seems to be freely available for the dumb boys with smart phones at school to look at and snigger about the magazine stuff must be REALLY bad.

When Tom tries to look up at the magazines on the top shelf his neck ends up at a funny angle and his head feels really, really heavy for some reason, which makes his neck hurt and gives him a headache.

He doesn’t mention that to Dr. B though: just because.

He doesn’t go near the shops at the moment.
Not that he wouldn’t like to given half a chance and an armed guard.

He’d like to go to the shop a lot more often: Mr. Sharpa has a young girl working for him who is really pretty and Tom would like to talk to her. Well, more than just the universal ‘Just those…oh and these. Ta. Thanks’ vocabulary of your average confectionary transaction, which was all he’d managed so far.

Not that he knows when she’d find the time to talk to him. She is always on her mobile ‘you know like yeah like, you’re kidding, never, I would! – laugh laugh – you never? – cackle caw – tosser’.
She’s boom tasty.

He noticed the other day that she walks home along his road, so she must live nearby. He knows that her brother is called Vince and he works in the Greengrocer on the high street.

Tom is definitely interested in a ‘I know she’s not Kathy but…’ kind of way, though he’s not exactly sure what being interested actually entails.

So, it’s not because he doesn’t want to go to the shop. He does. And it is not because of the stealing.

It’s the hitting that’s the problem.

Shops that smell of Chocolate and funny smelling magazine varnish should have a health warning as far as Tom concerned; especially running up to Guy Fawkes’ Night.

It started when West goose-necked him after he didn’t hand over the contents of his pockets immediately.

West was after the usual of course: an expensive smart phone, until he copped a load of Tom’s ancient Nokia hand me down.

So after that he just moved onto pilfering any loose DS games, actual money (mental), cool pens, kit. Anything.

What West finally got out of Tom was £2.37 in assorted change, one Driller Killer badge with a broken pin stem (lifted off Jaqui’s last squeeze), a biro with Reed Employment written on the side, and an old chocolate coin from last Christmas.

Tom had found the shiny coin in the far corner behind his bed at the end of a ’machine-gunned spy falling from a helicopter down into the ice crevice with fading out scream to make it sound like he’d fallen a really long way’ moment.

Maybe that’s why West has decided that Tom was his new ‘bitch’. (Tom doesn’t get the use of the B word, given that West is most certainly white, never been to prison, isn’t in a proper like you see on the telly gang – and he doesn’t breed dogs.)

Being told by Miss Goodrich that ‘West is probably just a boy who obviously translates the inadequacy of his upbringing and his continuing battle with obesity into negative physical actions and demonstrations against weaker boys’ didn’t really help.

In Tom’s world, West is a fat bullying tosser. And Tom is his bitch. And that really wasn’t going well for him.

Things weren’t helped by the fact that Tom thought he was saying ‘batch’ at first. Afterwards Tom realized that West was actually saying Be-atch but how was he to know.

West got annoyed that Tom didn’t understand what he was saying at first, as if it made it less, nasty.

When the contents of Tom’s pockets finally lay scattered on the floor in front of West, Tom thought he might get laughed at for carrying around a Christmas Coin in the middle of June. But West was bored by then. And momentarily distracted. He’d spotted Nigel’s rich hair coming down the road. Nigel called to Tom but Tom just scooped up his debris and slunk off. No fear. Soz Nige.

Anyways, on most occasions West just hit Tom or nicked his sweets or most usually both.
And to be fair to West, he did have some creative flair. West liked to give his bullying a seasonal flavor.

In November the light violence was brilliantly illuminated by gunpowder.

A load of rockets had been nicked from Mr Sharpa’s shop in the week before Guy Fawkes Day.

The Whodunnit question was answered the next day by the screaming whizzwhistle of a rocket as it hurtled past the sweet shop door on its way towards Tom’s head, fired from inside a nearby hedge.

It wasn’t just Tom of course. West also fired them at passing cars: oh, and cats.

West used to live on the estate on the other side of the town before he moved two roads along from Tom.

Tom’s dad said the estate was full of unsavoury types – dodgy he called it. Full of trash.

The dodgy estate has two-story houses made of red brick with slate roofs and scruffy old curtains in the windows.

Some of them seemed quite happy to have their trash actually in their front gardens.

Some have put a drive in with ‘crazy’ paving. Tom doesn’t know what’s so crazy about it. Something about the place made Tom feel really depressed. Tom thought that was probably what made boys like West unhappy and made them hit him and take his sweets.

He supposed that’s what the ‘physical actions’ were that Miss Goodrich had spoken about.

Tom has heard that West nicks mobiles off the older kids so, in one way, Tom is glad that he hasn’t got a smart one, but in another, he still feels a real loser when they all show each other stuff off the internet and instagram each other.

Tom knows the estate that West comes from because the bus to the open-air swimming pool goes through there.

Tom likes the swimming pool. He likes water. He likes to take a deep breath and make a star shape, and just sink to the bottom, the sound like a big wooly wet blanket around him, till his chest feels like its going to cave in and die.

21 Seconds is his best. But he thinks he might have forgotten to count 13, 16, and 17. He gets really dizzy so it is more like 18 seconds.

But the water isn’t as much fun as the sea. Tom loves the sea. He also likes the beach that the sea rolls up over.

  

Running.

Michael sits at a table beneath the window. He faces into the room’s interior, both feet planted squarely on the ground in front of him. His body tips slightly forward, the weight of it pitching down each leg, the pressure closing down the tiny space between the ball of each foot and the floor. He enjoys the feeling of connection.

A thin, flat light pours over his head, fixing it in a halo of bright, fragile air. The table at which he sits is set lengthways against the wall beneath the window, a chair placed at either end of it.


Michael sits at one end of the table, his back against the metal seam between the glass above and the steel panel below.

The table’s steel legs seem to hang beneath it, their patina of rust and chipping like long tassles to the floor.

(The whole school building is constructed out of concrete, steel panel walls sprayed pastel blue and green and windows set into peeling white steel frames – a mixture of clear and frosted wire security glass and toughened plastic panes slightly bowed by the sunlight of fifty some summers.)


The stiff, plaster-beige folds of Micheal’s work coat gather beneath his leaning frame. His left hand is set firmly on his knee: the other hangs, slung over the side of the cracked and chipped table-top.

Michael sits, a little lost in himself: as always.


The air hangs in a warm, hollow fold at the centre of the room.


The cooler stagnant smells of oil, electricians tape, stale tea, cooked meats, wood pitch and the inside of drawers hang like shadowed cloths around the room’s edges.

(The reek of the previous Caretaker’s cheap and profusely smoked cigarettes has finally lifted, though it has taken all of Michael’s six years here for it to do so; the pocked tar muddied ceiling tiles above him the only evidence now of the thick tobacco plumes that once stained the air.)

An inconsistent sun pours in through the frosted wired glass. It falls across the polished steel toe-caps of Michael’s work boots, creating two dark shadows which appear and disappear as the sun tides in and out.

He looks at the floor.

The cracked plastic flooring has begun to reveal the similarly cracked concrete beneath.

Michael is lost in thought until, quite suddenly, the present rushes into the room, with the escalating caw of the boiling kettle and the shrill whistle that always follows it.


Michael smoothes his hand across his mostly grey hair with its yellowing blonde temple streaks like sandstone welts through granite.

He shifts his weight forward and goes to stand. The tightly wound long muscle strands, unseen beneath the time-shined fabric of his work trousers, allow him to undertake this action with a lightness, pace and deftness that verges on the feline: an unusual physical characteristic to find in a fifty-something year old man. 

It is a physical characteristic in which Michael still takes enormous yet silent pride. His own memory might fail him every now and then but his highly trained muscle memory never did.

As he walks across the room towards the sink, where kettle and mug perch, he is suddenly struck by a feeling of ‘ inconsequence’ so powerful and yet so banal as to, for the merest fleeting second at least, give him little reason to even complete the next step.
 He stops.

The feeling passes, unlocking his legs in the process

 As he approaches the bench, something outside the room catches his attention.

The muffled sound of one pair of running feet swiftly followed by three or four more pairs in hot pursuit, spills in from the outside.


The sounds are accompanied by a frosted shape and then four more, rushing past on the other side of the glass behind him.


Though no external sign of interest in the outside events seems to invade the locked room of his routine, inside Michael every sense crackles and turns, unfurling their antennae to collect every miniscule scrap of information they can of the pursuit outside.

The sound of running decreases until the white hum of the ordinary returns.

The kettle coughs a couple of puffs of purposeful steam through the loose fitting lid and the cream and brown plastic switch pops ‘off’.


Michael absently flicks through the rolling file of young faces that he stores in his head, each carefully logged and categorised. There are many boys and girls that the first pair of running feet could belong to: many that spend the last ten minutes of every class hiding in the hollow bleak cavity of fear that bubbles up in their chest before break-time; a quietly worn fear that seizes them every time they come to having negotiate the space between one class and the next; every journey peppered with the potential for some kind of nightmare scenario: sometimes succeeding but mostly failing in getting past unscathed.

Michael looks at the wall, one hand on the kettle. Who’d be 12 years old – and weak.

Michael’s hands instinctively reach out to rest on the edge of the bench on which the kettle and mug sit.

He places his thickened palms face down on its cool surface
.

The chopped and sawn indentations of a thousand small cutting and shaping jobs had removed the bench’s perfectly tooled right-angled edges a long time ago.


The candy-striped scores, ruts and scours in its surface filled with decades of every colour and hue of paint, present a jolly depth and subtext to the surface’s dull brown flatness.

He enjoys the familiar feeling he gets from setting his hands upon the bench, the bristling of it across his neck punctuating his thoughts.


The first set of running feet had been quite particular – a little clodding: as if a pair of outsized shoes strung from jangling trousers were being repeatedly thrown to the floor.


The Davis boy.
 T. Davis. Yr. 7.

At this moment of informed recognition, if you knew Michael’s face really well –  if you could read the infinitesimal shifts his emotions rarely played up into his face, you would have seen a brief shift in Michael’s expression, an ill-defined echo of some deep-seated memory, a feeling, passing across his face.

Funny old world. Goes Around Comes Around.

 

JulianBorra©2016

AUTHOR’S NOTE: In the process of publishing this story to the blog I am altering the original text of the Kindle Version. The blog published version will be the most up to date edition.

23.06.2016

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Why dig up an 8-year-old, slightly clumsy, over-written story to publish in chapters on a blog?

Firstly because ‘SAIL’ (the writing of which I scratched over for 2 years) has a good heart and some redeeming tracts of writing in places (just).

But mostly because one very British day in June and the aftermath of it compels me to do so.

The nature of the story – that of a young boy who inadvertently unties England and in the process of doing so unites himself with his true beginnings – has an additional resonance given the spiritual and soon to be constitutional separation of our fair island from our Europeans cousins.

So that is what I shall do.

Starting tomorrow, I will upload two chapters of SAIL, on every successive Friday for 12 weeks.

I will put the Amazon Kindle Publishing link at the bottom of each published chapter if you feel the need to leap ahead; but after 24 short weeks you’ll have it for free.

Accelerating History, Universal Rules & Tappist Conundrum

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The future is Now – or just a hop, swipe and a quark in front of the moment we’re in – apparently – and every leap forwards we experience just another masterful identification of yet another inflection in technology – another opportunity or possibility seized by one silicon valley giant or another (and at which they ferociously throw themselves like a clown-masked bank robber sprawled across the bonnet of Frank Cannon’s Mark IV Continental, money spilling from his pockets like confetti, killer app strapped to his oversized gloved hand, joker grimace mouth frothing with messianic fervour).

And as each Now is seized, another rush of them pop up in its wake. Not one. Many. Nows are like May Flies, their single short life, their moment in the sun though brief and bright, is followed by not one but many more, their job of expanding their universe efficiently and economically done. And like May Flies, those Nows and the wave of possibility and opportunity that accompany them are coming thicker and faster than ever as technology and the Moore’s Law slingshot applies.

But there’s the question (if you can be arsed to ask it).

These Nows, and the infinite relentless possibility that comes with them are coming thicker and faster BUT are they rushing towards us, and if so what’s pushing them? Or are we rushing towards them – and if so, what’s propelling us?

Are we in a delicious Pull relationship with that point somewhere between the far side of the Now and the leading edge of tomorrow? Is the mesmeric possibility and galloping expectation of ‘what might be’ seducing us to rush at ever greater speeds into that space, self-propelling ourselves on the accelerating nature of tech capability?

Or are we being pushed? – bullied and bumped by the expanding exploding mosh of what has momentarily just been…by history, its knee relentlessly in the small of our back: its open palms flat battering against our shoulder blades – oooffff – sharp shoves with vertebrae clicks as the metronome of our progress?

And if it is the latter, when did quaint, doleful, dusty history get so pushy?

Though providing a huge potential for sounding a little like David St Hubbins from Spinal Tap (how could we forget his musings on Infinity – if the universe is indeed infinite, then how – what does that mean? How far is all the way, and then if it stops, what’s stopping it, and what’s behind what’s stopping it? So, what’s the end, you know, is my question to you.”), the question of whether we are being pushed towards the future (and if so by what) or whether the future is rushing towards us is a rather fun thing to ponder,

My interest lies in the two camps that seem to vie for attention in this Tappist space. On the one hand the Historians have always felt very strongly that the answer to every human question yet to be asked has already been answered somewhere in history so they would say that history reaches forward into the Now and the Near Future continuously, shaping, poking, and priming them as it goes, and, ultimately isn’t everything rather circular anyway in our Goes Around Comes Around world?

And on the other, the futurists have a tendency to simply view history as the collective debris strewn behind our relentless pursuit of that great big beautiful rush  of ‘Now’s – the past simply the rusting wreck of all that furious Doing and Being – the landfill of quadrillions of previous ‘what is’ and ‘what could be’s – and a fistful of ‘maybe’s’ – now old; spent; finished; past; dead.

It would be fair to say that in our tech-fuelled accelerating world one might be forgiven for believing that the Futurists are ahead

Bar the odd Simon Schama moment and the old farts watching Time Team re runs – and a small deep fetish for period dramas – it’s all i Robot, Future Shock, cyborg, Artificial Intelligence, the upcoming sensory smack addiction of VR, multiple Wireds by Will i am, and the ‘prism-meets-kaleidoscope-meets-mirage’ of social network identity.

But for my tuppence worth, I believe we are not being drawn towards the relentlessly multiplying possibilities of an accelerating life powered by accelerating tech.

We are being pushed towards them.

Life is not accelerating – history is. It is also expanding and deepening as it does so. Technology is not accelerating future opportunity; it is amplifying, multiplying expanding and accelerating the Past at an exponential rate, which in turn pushes the future. (I can hear the sound of a split hair readying itself for further splicing!)

The Past is throwing more and more data, options choices, threads and wormholes over our shoulder into the path ahead.

The old, odd, sloth-like and highly personal model of living history – a straggly tendril poking us along our merry way, or popping up for some reason every now and then – has transformed into a high, broad and deep wave of such staggering proportion that the sheer critical mass of it relentlessly rising up behind us presses us forward at ever greater speeds.

History has stopped being the inert supplicant to the edgy today and ever more glamorous tomorrow. History is no longer dusting off books and only getting noticed when the 120 pound muscled-up Now feels like kicking sand in its face.

History is now the big kid on the block. History has changed its diet. History is bulking up, doing free weights, and running faster and further than ever before. History’s arms are more ripped and wider than ever. History’s shoulders have expanded, laying on more muscle and width. History has binned the old singular enormo-head of massed experience, chronology and intelligence and now rears up like a hydra, multiple heads sparking, spitting and snapping in every direction at once.

History is so NOW. Alive. Vibrant. Ripped. (Ooohhh.)

And this History is no meathead. This History has taken up Humanities. Broadening its mind at the speed of light fibre. This history ‘listens’. And it learns.

The old, mean, sharp dry propagandas of the old History – mean, brittle, myopic, self interested, closed, elitist – have been supplanted with a broad minded, expansive all seeing History, fired by myriad reference points and concurrent history threads on any given subject – all of which can be viewed ‘in flow’, hyper linked to each other in a cats cradle of information, opinion, feeling, insight, record, and data. History is not only alive. Its groovy: switched on. Tuned in.

For example, lets take an era of historic record – The Cold War. In our new hyper connected world, at the touch of a screen I can explore the Cold War not only from the vantage point of general historic record; the standard expository account as set out in a geo political or military text book but also through ‘pulling up’ what’s out there (About 65, 100,000 results in 0,62 seconds according to GOOGLE) delivering everything from random Wikis to blogs to current affairs programmes and texts from the time, government papers subsequently released by interested 3rd parties (web platforms & activists): treatise on How and why – profiles on whom – the JFK lens? – the Khruschev lens? – the Castro Lens?  – suddenly Ive got Marilyn Monroe conspiracy films with my Bay Of Pigs and a recipe for Cuban Rum Bean Stew in front of me. There are personal biographical and autobiographical accounts of living memory (both politicians militarists, civic officers and everyday people) to swim in.

I can have a shufti at the confrontation through the 1st and 3rd person filmic, musical and artistic reminiscences of people who ‘lived it’. I can virtually experience Cold War happenings, using Google Street View to walk the streets and dark corners of the Eastern Block to bring a narrative reminiscence to life. I can listen to recordings, interviews; watch reams of old newsreel. I can even consider it through the lens of how the art direction of movies focused on the period have inspired new wave designers in a kind of New Wave Cold War Hot Looks Chic – with a range of soft furnishings furniture and wall papers that celebrate concrete block builds papered with the rural mirage of big florals rendered in a palette that cold best be described as ‘Bowie Low’ Orange

This sea of multi dimensional multi perspective references is universal.

Technology allows me to drown myself in my own historic tsunami on any given subject.

Now this new, expanding, deepening, towering hydra tsunami of history can be broadly separated into two forms.

Near History & Far History

Far History has nothing to do with timelines or chronology – Far History is the kind of history which is only occasionally drawn into our everyday consciousness – the type of history that is farthest away from our Now.

Far History is only drawn up for or by a particular reason. For example, I watch the film Book Of Life with my children; they ask me about The Day Of The Dead. I follow up with a little light research on Dia De Los Muertos and suddenly I can drown myself in an avalanche of semiotic, cultural, religious, geographic, artistic, musical rendition and reminiscence. And the odd street food recipe.

To put it another way, Far History is everything beyond the peripheral vision of a facebook timeline and a linked-in profile update.

Near History is the one to watch. Near History is the pushy one here. Near History is the type of history that is expanding to the greatest degree. Near History is the staggering funnel of information, data, reference, touch point, perspective that rushes outwards across multiple channels and platforms from any one moment, action, experience or occurrence to deliver social, cultural, economic and environmental context of staggering breadth, impact and effect.

Think of it in personal terms for a moment. Your ‘history’ was once something gentler, broadly of two parts – the highly personal – ‘Close to you’ version. Spoken memories. Photo albums. Diaries. Familial reminiscence. Shared experiences between neighbour and local. With a  nice and highly engineered ‘Part Of This’ national identity draped over the top for when bigger stuff came along – football, war, European Union, holidays, collective cultural rituals (Guy Fawkes Day).

But it was slow, intertwined, indistinct. Ambling.

Now every moment explodes with Near History – the old personal intimate ‘close to me ‘ stuff amplified to staggering proportion by the connections pictures films shares links likes revelations news sources contextual materials.

Near History doesn’t pop up eventually, a little way down the track. It goes off like a grenade – rising up and billowing around us so quickly that we are living in it – the Near History is now a part of the Now.

It is this expansive explosive Near History rising up behind every moment we live that is pushing us forwards.

Near History is not in service to Moore’s Law. It is what fuels Moore’s Law. The exponential multiplication of capability, capacity and functionality is forced forwards by the Near History of every innovating, applicable and expanding moment in technology that has just been in service to every expanding moment we’ve just lived and the legions of multiplying Nows lining up just in front of it.

I think.

Anyway, if you’re facing the future, throw away the rear view mirror, strap yourself in, pop on some flash goggles and turn that Kevlar round to face the back. And let History, especially the Near kind fire you forwards.